Theory III Final Review

Front

Approached by: Same Tone
Left by: Step up
Options: Passing Tone, Neighboring Tone, Suspension, Retardation

Back

Retardation

Front

Approached by: Step
Left by: Step in the opposite direction
Options: Passing Tone, Neighboring Tone, Suspension, Retardation

Back

Neighboring Tone

Front

Approached by: Same Tone
Left by: Step down
Options: Passing Tone, Neighboring Tone, Suspension, Retardation

Back

Suspension

Front

Approached by: Step
Left by: Step in the same direction
Options: Passing Tone, Neighboring Tone, Suspension, Retardation

Back

Passing Tone

Front

Approached by: Step
Left by: Leap in opposite direction
Options: Appoggiatura, Escape Tone, Neighbor Group, Pedal Point, Anticipation

Back

Escape Tone

Front

Approached by: step or leap
Left by: same tone
Options: Appoggiatura, Escape Tone, Neighbor Group, Pedal Point, Anticipation

Back

Anticipation

Front

Approached by: Leap
Left by: Step
Options: Appoggiatura, Escape Tone, Neighbor Group, Pedal Point, Anticipation

Back

Appoggiatura

Front

Approached by: Escape Tone
Left by: Appoggiatura
Options: Appoggiatura, Escape Tone, Neighbor Group, Pedal Point, Anticipation

Back

Neighbor Group

Front

a compositional device that begins as a chord tone then becomes an NCT as the harmonies around it change, and finally ends up as a chord tone when the harmony is once more in agreement with it

Back

Pedal Point

Front

The 7th of the V7 chord resolves ________.

Back

Down