AP Art History Unit 6 Review

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The variety of t’oqapu designs covering the All-T’oqapu tunic indicates to scholars that

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the garment was a royal tunic that symbolized the power of the Sapa Inka.

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The specific imagery on Kwakwaka’wakw transformation masks is primarily influenced by

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the clan association of the person qualified to dance the mask

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Lintel 25 from Yaxchilán, depicting Lady Xoc, is recognizable as a Mayan work because of its
hieroglyphics, decorative patterns, and richly dressed figures in the midst of rituals.

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hieroglyphics, decorative patterns, and richly dressed figures in the midst of rituals

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Which work demonstrates the continued importance of the Andean textile tradition? Options: All-T’oqapu tunic, Bayeux Tapestry, Hiapo (tapa) cloth, Bandolier bag

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All-T’oqapu tunic

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The nose ornament from Chavin de Huantar is an example of which of the following: the decorative nature of most South American metalwork, a metaphor for the physical renewal of women after childbirth through the sacred material of gold, a symbol of a deceased person’s passage to the spirit realm using images of the gods, Showing an individual's status through body modifications that are associated with religious rituals

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the decorative nature of most South American metalwork

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When a Kwakwaka’wakw transformation mask was used in a ceremony, the audience would most likely have felt that the wearer was

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filled with energy from ancestors or spirit forces

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The miniature garden at the Inka temple of Qorikancha included sculptures of maize cobs made from

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thin sheets of metal

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Which of the following sources has been used by scholars of Yaxchilán to support the theory that the lintel carvings of Structure 23 were intended to reinforce Shield Jaguar II’s rule?
- Contemporary Maya celebrations that mark significant passages in people’s lives
- Translations of the glyphic inscriptions that accompany the image on Lintel 25
- Translations of existing codices that were originally stored in Structure 23
- Analysis of transcriptions of oral history that were made by the Spanish

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Translations of the glyphic inscriptions that accompany the image on Lintel 25

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The location of the Lanzón Stela in the Old Temple of Chavín de Huántar suggests that the creators of the building most likely intended to

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heighten the spiritual drama of the viewer’s ritualized encounter with the stela

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The stone Walls of Saqsa Waman at Cusco exemplify Inka architectural conventions in that they

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consist of megalithic stone blocks joined without the use of mortar