
Keroncong
Presentation
•
Arts, Fun, Performing Arts
•
University
•
Hard
Abdul Rachman
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9 Slides • 0 Questions
1
Keroncong
by Abdul Rachman
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MENGENAL KERONCONG
Sejarah Keroncong
Jenis Keroncong
Karakteristik Keroncong
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JENIS KERONCONG
Keroncong Asli
Langgam
Stambul
Lagu Ekstra
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KARAKTERISTIK KERONCONG ASLI
• Bentuk Lagu A – B – C
• Jumlah birama : 28 birama tanpa intro dan coda
• Sukat 4/4
• Ada Voorspel (sebelum intro lagu)
Voorspel: permainan solo melodi flute/biola/gitar/gabungan) wilayah akor I – V – I è (overgang) è Intro (overgang)
Selalu ada intro (lagu bagian C)
Ada interlude (middle spell) (birama ke 9 – 10)
Ada Coda (overgang)
Overgang: Pergerakan akor I – IV – V – I
(Kadens Sempurna)
harmonisasinya membentuk kadens lengkap I – IV – V – I, dan modulasi II – V dan setelah modulasi dilanjutkan dengan akor IV
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HARMONISASI KERONCONG ASLI
INTRO I . . . IV . V . I . . . I . . .
BAGIAN A I . . . I . . . V . . . V . . .
II . . . II . . . V . . . V . . .
MIDDLE SPELL V . . . V . . .
BAGIAN B IV . . . IV . . . IV . . . IV . V .
I . . . I . . . V . . . V . . .
BAGIAN C I . . . IV . V . I . . . IV . V .
I . . . I . . . V . . . V . . .
I . . . I . . .
CODA /
(Overgang) I . . . IV . V . I . . . I . . .
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KARAKTERISTIK LANGGAM
•Bentuk Lagu A A’ B A’
•Jumlah birama 32 bar (tanpa intro dan coda)
•Lagu biasanya dibawakan 2 kali
• Sukat 4/4
• Ada intro dan coda
Intro diambil lagu bagian A’
Coda overgang ( I – IV – V – I )
• Ciri harmonisasinya hampir sama dengan keroncong asli yaitu membentuk kadens lengkap I – IV – V – I, modulasi II – V atau ii – V
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HARMONISASI LANGGAM
INTRO I . . . IV . V . I . . . I . . . V . . . V . . . I . . . I . . .
BAGIAN A I . . . IV . V . I . . . I . . . V . . . V . . . I . . . I . . .
BAGIAN A’ I . . . IV . V . I . . . I . . . V . . . V . . . I . . . I . . .
BAGIAN B IV . . . IV . . . I . . . I . . . II . . . II . . . V . . . V . . .
BAGIAN A’ I . . . IV . V . I . . . I . . . V . . . V . . . I . . . I . . .
CODA I . . . IV . V . I . . . I . . .
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KARAKTERISTIK STAMBUL 1
• Bentuk Lagu A
• Jumlah birama 2 x 8 bar
• Sukat 4/4
• Intro peralihan akor Tonika → Sub Dominan
Biasanya berupa sequence
• Lirik berupa pantun
• Teknik Canon antara penyanyi dan lead melodi
• Ada intro dan coda
Intro diambil lagu bagian A’
Coda overgang ( I – IV – V – I )
• Ciri harmonisasinya hampir sama dengan keroncong asli yaitu membentuk kadens lengkap I – IV – V – I, modulasi II – V atau ii – V
9
HARMONISASI STAMBUL 1
Intro I . . . I . . .
BAGIAN A IV . . . IV . . . I . . . I . . .
V . . . V . . . I . . . I . . .
BAGIAN A’ IV . . . IV . . . I . . . I . . .
V . . . V . . . I . . . I . . .
Coda Overgang
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Keroncong
by Abdul Rachman
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