
Module 11 Part I: Early Medieval, Carolingian and Ottonian Art
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Arts
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Dan Ault
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Module 11: Early Medieval, Carolingian and Ottonian Art
by Dan Ault
2
Multiple Choice
Because Christians wanted to separate their art from that of the earlier Romans and Greeks, their art became more _____________.
realistic
non-figurative
abstract
pagan
3
Multiple Choice
The raised gold lines and colored enamel on the Sutton Hoo purse cover is an example of what technique?
terra-cotta
Cloisonne
relief carving
glazed porcelin
4
Multiple Choice
Pages from a codex that contain illustrations or images are called __________________.
medieval icons
fibulae
visual teachings
illuminated manuscripts
5
Multiple Choice
The illuminated manuscripts in the Lindisfarne Gospels are an example of what style of art?
Hiberno-Saxon
Romanesque
Proto-Renaissance
Ottonian
6
Multiple Choice
Like many illustrations from this time, the John -Cross Carpet page from the Lindisfarne Gospels appears as an intricate design, but, when examined closely, you can find many images of ___________ making up the complex patterns.
biblical heros
hidden messages
animals and birds
Arabic script
7
Multiple Choice
What is a scriptorium?
A place where the bible was translated into many languages
A place where manuscripts were copied
A medieval town hall
A place where government documents were stored
8
Multiple Choice
The Carolingian style of art is associated with _____________.
the rule of Emperor Charlemagne
the rule of King Caroling
the end of the medieval period
the defeat of the Barbarian tribes in Europe
9
Multiple Choice
Carolingian artists were influenced by the art of _______________.
the Egyptians
the Barbarians
the Greeks and Romans
Assyrians
10
Multiple Choice
What is a barrel vault?
the place in a church where two groin vaults cross at right angles
the secured storage area for communion wine
the medieval sport of leaping over wooden kegs
an arched ceiling
11
Multiple Choice
What is a bestiary?
a medieval book, kept by the priests, that listed those in his congregation who he believed were going to go to heaven
a medieval book that describes animals, both real and imaginary
a type of shrub that was usually planted around the walls of medieval churches
the location inside of a church where confessions were heard by the priests
Module 11: Early Medieval, Carolingian and Ottonian Art
by Dan Ault
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