Details 3

10. According to the passage, which of the following is NOT an ancestor of the Appalachian dulcimer?

Dulcimers are musical instruments that basically consist of wooden boxes with strings stretched over them. In one form or another, they have been around since ancient times, probably originating with the Persian santir. Today there are two varieties: the hammered dulcimer and the Appalachian, or mountain dulcimer. The former is shaped like a trapezoid, has two or more strings, and is played with wooden mallets. It is the same instrument played in a number of Old World countries. The Appalachian dulcimer is classified by musicologists as a box zither. It is a descendant of the Pennsylvania Dutch scheitholt and the French epinette. Appalachian dulcimers are painstakingly fashioned by artisans in the mountains of West Virginia, Kentucky, Tennessee, and Virginia. These instruments have three or four strings and are plucked with quills or the fingers. They are shaped like teardrops or hourglasses. Heart-shaped holes in the sounding board are traditional. Most performers play the instruments while seated with the instruments in their laps, but others wear them around their necks like guitars or place them on tables in front of them. Originally used to play dance music, Appalachian dulcimers were popularized by performers such as John Jacob Niles and Jean Ritchie during the folk music revival of the 1960s.

• (A) The box zither

• (B) The santir

• (C) The scheitholt

• (D) The epinette

Tags

CCSS.RI. 9-10.2

CCSS.RI.11-12.2

CCSS.RL.11-12.2

CCSS.RL.9-10.2

CCSS.RL.8.2

According to the passage, how many strings does the Appalachian dulcimer have?

Dulcimers are musical instruments that basically consist of wooden boxes with strings stretched over them. In one form or another, they have been around since ancient times, probably originating with the Persian santir. Today there are two varieties: the hammered dulcimer and the Appalachian, or mountain dulcimer. The former is shaped like a trapezoid, has two or more strings, and is played with wooden mallets. It is the same instrument played in a number of Old World countries. The Appalachian dulcimer is classified by musicologists as a box zither. It is a descendant of the Pennsylvania Dutch scheitholt and the French epinette. Appalachian dulcimers are painstakingly fashioned by artisans in the mountains of West Virginia, Kentucky, Tennessee, and Virginia. These instruments have three or four strings and are plucked with quills or the fingers. They are shaped like teardrops or hourglasses. Heart-shaped holes in the sounding board are traditional. Most performers play the instruments while seated with the instruments in their laps, but others wear them around their necks like guitars or place them on tables in front of them. Originally used to play dance music, Appalachian dulcimers were popularized by performers such as John Jacob Niles and Jean Ritchie during the folk music revival of the 1960s.

• (A) One or two

• (B) Three or four

• (C) Four or five

• (D) Six or more

Tags

CCSS.RI.11-12.5

CCSS.RI.6.5

CCSS.RI.7.5

CCSS.RI.8.5

CCSS.RI.9-10.5

According to the passage, a hammered dulcimer is made in the shape of a(n)

Dulcimers are musical instruments that basically consist of wooden boxes with strings stretched over them. In one form or another, they have been around since ancient times, probably originating with the Persian santir. Today there are two varieties: the hammered dulcimer and the Appalachian, or mountain dulcimer. The former is shaped like a trapezoid, has two or more strings, and is played with wooden mallets. It is the same instrument played in a number of Old World countries. The Appalachian dulcimer is classified by musicologists as a box zither. It is a descendant of the Pennsylvania Dutch scheitholt and the French epinette. Appalachian dulcimers are painstakingly fashioned by artisans in the mountains of West Virginia, Kentucky, Tennessee, and Virginia. These instruments have three or four strings and are plucked with quills or the fingers. They are shaped like teardrops or hourglasses. Heart-shaped holes in the sounding board are traditional. Most performers play the instruments while seated with the instruments in their laps, but others wear them around their necks like guitars or place them on tables in front of them. Originally used to play dance music, Appalachian dulcimers were popularized by performers such as John Jacob Niles and Jean Ritchie during the folk music revival of the 1960s.

• (A) hourglass.

• (B) heart.

• (C) trapezoid.

• (D) teardrop

Tags

CCSS.RI.11-12.5

CCSS.RI.6.5

CCSS.RI.7.5

CCSS.RI.8.5

CCSS.RI.9-10.5

According to the author, most performers play the Appalachian dulcimer

Dulcimers are musical instruments that basically consist of wooden boxes with strings stretched over them. In one form or another, they have been around since ancient times, probably originating with the Persian santir. Today there are two varieties: the hammered dulcimer and the Appalachian, or mountain dulcimer. The former is shaped like a trapezoid, has two or more strings, and is played with wooden mallets. It is the same instrument played in a number of Old World countries. The Appalachian dulcimer is classified by musicologists as a box zither. It is a descendant of the Pennsylvania Dutch scheitholt and the French epinette. Appalachian dulcimers are painstakingly fashioned by artisans in the mountains of West Virginia, Kentucky, Tennessee, and Virginia. These instruments have three or four strings and are plucked with quills or the fingers. They are shaped like teardrops or hourglasses. Heart-shaped holes in the sounding board are traditional. Most performers play the instruments while seated with the instruments in their laps, but others wear them around their necks like guitars or place them on tables in front of them. Originally used to play dance music, Appalachian dulcimers were popularized by performers such as John Jacob Niles and Jean Ritchie during the folk music revival of the 1960s.

• (A) while sitting down.

• (B) with the instrument strapped around their neck.

• (C) while standing at a table.

• (D) with wooden hammers.

Tags

CCSS.RI.11-12.5

CCSS.RI.6.5

CCSS.RI.7.5

CCSS.RI.8.5

CCSS.RI.9-10.5

According to the author, what are John Jacob Niles and Jean Ritchie known for?

Dulcimers are musical instruments that basically consist of wooden boxes with strings stretched over them. In one form or another, they have been around since ancient times, probably originating with the Persian santir. Today there are two varieties: the hammered dulcimer and the Appalachian, or mountain dulcimer. The former is shaped like a trapezoid, has two or more strings, and is played with wooden mallets. It is the same instrument played in a number of Old World countries. The Appalachian dulcimer is classified by musicologists as a box zither. It is a descendant of the Pennsylvania Dutch scheitholt and the French epinette. Appalachian dulcimers are painstakingly fashioned by artisans in the mountains of West Virginia, Kentucky, Tennessee, and Virginia. These instruments have three or four strings and are plucked with quills or the fingers. They are shaped like teardrops or hourglasses. Heart-shaped holes in the sounding board are traditional. Most performers play the instruments while seated with the instruments in their laps, but others wear them around their necks like guitars or place them on tables in front of them. Originally used to play dance music, Appalachian dulcimers were popularized by performers such as John Jacob Niles and Jean Ritchie during the folk music revival of the 1960s.

• (A) Playing dance music on Appalachian dulcimers

• (B) They are artisans who design Appalachian dulcimers

• (C) They helped bring Appalachian dulcimers to the public’s attention

• (D) They began the folk music revival of the 1960s

Tags

CCSS.RI. 9-10.2

CCSS.RI.11-12.2

CCSS.RL.11-12.2

CCSS.RL.9-10.2

CCSS.RL.8.2

Underline the sentence in the passage that tells where Appalachian dulcimers are made.

Dulcimers are musical instruments that basically consist of wooden boxes with strings stretched over them. In one form or another, they have been around since ancient times, probably originating with the Persian santir. Today there are two varieties: the hammered dulcimer and the Appalachian, or mountain dulcimer. The former is shaped like a trapezoid, has two or more strings, and is played with wooden mallets. It is the same instrument played in a number of Old World countries. The Appalachian dulcimer is classified by musicologists as a box zither. It is a descendant of the Pennsylvania Dutch scheitholt and the French epinette. Appalachian dulcimers are painstakingly fashioned by artisans in the mountains of West Virginia, Kentucky, Tennessee, and Virginia. These instruments have three or four strings and are plucked with quills or the fingers. They are shaped like teardrops or hourglasses. Heart-shaped holes in the sounding board are traditional. Most performers play the instruments while seated with the instruments in their laps, but others wear them around their necks like guitars or place them on tables in front of them. Originally used to play dance music, Appalachian dulcimers were popularized by performers such as John Jacob Niles and Jean Ritchie during the folk music revival of the 1960s.

• It is the same instrument played in a number of Old World countries.

• The Appalachian dulcimer is classified by musicologists as a box zither. It is a descendant of the Pennsylvania Dutch scheitholt and the French epinette.

• Appalachian dulcimers are painstakingly fashioned by artisans in the mountains of West Virginia, Kentucky, Tennessee, and Virginia.

• These instruments have three or four strings and are plucked with quills or the fingers.

Tags

CCSS.RI. 9-10.2

CCSS.RI.11-12.2

CCSS.RL.11-12.2

CCSS.RL.9-10.2

CCSS.RI.8.2

In what year was the Dix Mansion School closed?

Humanitarian Dorothea Dix was born in Hampden, Maine, in 1802. At the age of 19, she established a school for girls, the Dix Mansion School, in Boston, but had to close it in 1835 due to her poor health. She wrote and published the first of many books for children in 1824. In 1841, Dix accepted an invitation to teach classes at a prison in East Cambridge, Massachusetts. She was deeply disturbed by the sight of mentally-ill people thrown in the jail and treated like criminals. For the next eighteen months, she toured Massachusetts institutions where other mental patients were confined and reported the shocking conditions she found to the state legislature. When improvements followed in Massachusetts, she turned her attention to the neighboring states and then to the West and South.

Dix’s work was interrupted by the Civil War; she served as superintendent of women hospital nurses for the federal government. Dix saw special hospitals for the mentally ill built in some fifteen states. Although her plan to obtain public land for her cause failed, she aroused concern for the problem of mental illness all over the United States as well as in Canada and Europe. Dix’s success was due to her independent and thorough research, her gentle but persistent manner, and her ability to secure the help of powerful and wealthy supporters.

• (A) 1821

• (B) 1824

• (C) 1835

• (D) 1841

Tags

CCSS.RI. 9-10.2

CCSS.RI.11-12.2

CCSS.RL.11-12.2

CCSS.RL.9-10.2

CCSS.RI.8.2

Underline the sentence in the first paragraph that explains why Dorothea Dix first went to a prison.

Humanitarian Dorothea Dix was born in Hampden, Maine, in 1802. At the age of 19, she established a school for girls, the Dix Mansion School, in Boston, but had to close it in 1835 due to her poor health. She wrote and published the first of many books for children in 1824. In 1841, Dix accepted an invitation to teach classes at a prison in East Cambridge, Massachusetts. She was deeply disturbed by the sight of mentally-ill people thrown in the jail and treated like criminals. For the next eighteen months, she toured Massachusetts institutions where other mental patients were confined and reported the shocking conditions she found to the state legislature. When improvements followed in Massachusetts, she turned her attention to the neighboring states and then to the West and South.

• She wrote and published the first of many books for children in 1824.

• In 1841, Dix accepted an invitation to teach classes at a prison in East Cambridge, Massachusetts.

• She was deeply disturbed by the sight of mentally-ill people thrown in the jail and treated like criminals.

• For the next eighteen months, she toured Massachusetts institutions where other mental patients were confined and reported t

Tags

CCSS.RI. 9-10.2

CCSS.RI.11-12.2

CCSS.RL.11-12.2

CCSS.RL.9-10.2

CCSS.RI.8.2

Where was Dorothea Dix first able to bring about reforms in the treatment of the mentally ill?

Humanitarian Dorothea Dix was born in Hampden, Maine, in 1802. At the age of 19, she established a school for girls, the Dix Mansion School, in Boston, but had to close it in 1835 due to her poor health. She wrote and published the first of many books for children in 1824. In 1841, Dix accepted an invitation to teach classes at a prison in East Cambridge, Massachusetts. She was deeply disturbed by the sight of mentally-ill people thrown in the jail and treated like criminals. For the next eighteen months, she toured Massachusetts institutions where other mental patients were confined and reported the shocking conditions she found to the state legislature. When improvements followed in Massachusetts, she turned her attention to the neighboring states and then to the West and South.

Dix’s work was interrupted by the Civil War; she served as superintendent of women hospital nurses for the federal government. Dix saw special hospitals for the mentally ill built in some fifteen states. Although her plan to obtain public land for her cause failed, she aroused concern for the problem of mental illness all over the United States as well as in Canada and Europe. Dix’s success was due to her independent and thorough research, her gentle but persistent manner, and her ability to secure the help of powerful and wealthy supporters.

• (A) Canada

• (B) Massachusetts

• (C) The West and South

• (D) Europe

Tags

CCSS.RI. 9-10.2

CCSS.RI.11-12.2

CCSS.RL.11-12.2

CCSS.RL.9-10.2

CCSS.RI.8.2

Dorothea Dix was NOT successful in her attempt to

Humanitarian Dorothea Dix was born in Hampden, Maine, in 1802. At the age of 19, she established a school for girls, the Dix Mansion School, in Boston, but had to close it in 1835 due to her poor health. She wrote and published the first of many books for children in 1824. In 1841, Dix accepted an invitation to teach classes at a prison in East Cambridge, Massachusetts. She was deeply disturbed by the sight of mentally-ill people thrown in the jail and treated like criminals. For the next eighteen months, she toured Massachusetts institutions where other mental patients were confined and reported the shocking conditions she found to the state legislature. When improvements followed in Massachusetts, she turned her attention to the neighboring states and then to the West and South.

Dix’s work was interrupted by the Civil War; she served as superintendent of women hospital nurses for the federal government. Dix saw special hospitals for the mentally ill built in some fifteen states. Although her plan to obtain public land for her cause failed, she aroused concern for the problem of mental illness all over the United States as well as in Canada and Europe. Dix’s success was due to her independent and thorough research, her gentle but persistent manner, and her ability to secure the help of powerful and wealthy supporters.

• (A) become superintendent of nurses.

• (B) publish books for children.

• (C) arouse concern for the mentally ill.

• (D) obtain public lands.

Tags

CCSS.RI. 9-10.2

CCSS.RI.11-12.2

CCSS.RL.11-12.2

CCSS.RL.9-10.2

CCSS.RI.8.2