
comparative study
Authored by Shi Kim
Arts
9th - 12th Grade
Used 3+ times

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12 questions
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1.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
Function and purpose deals with the artist's...
Intent
composition
background
None of the above
2.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
Where would you categorize the information from this statement: "His vibrant, balmy color harmonies and radically decorative, flattened surfaces had a huge impact (on the Western canon, anyway), influencing everyone from Bonnard to Picasso and Matisse"
FA
FP
CC
Making the connections
3.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
Where would you categorize the information from this statement: 'He wanted more than the quick impressions of the Impressionists (nature, he wrote to a fellow artist, "is more depth than surface") and devoted himself to studying the natural world...Yet by the end of his life, Cézanne had been recognized, at least by some critics, as a true revolutionary who overturned the rules of painting and upended conventional theories of color"
FA
FP
CC
Making the connections
4.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
In the comparative study, you must examine 3 artworks from at least 3 different cultures
True
False
5.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
Use exciting visuals, high quality images, and mixture of graphic approaches (journal pages, diagrams, notes, close up detail, varied compositions) make a stronger comparative study
True
False
6.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
When studying Monet (or any other Impressionist artist), where would you categorize this statement: "American John Rand never joined their ranks as a preeminent artist, but as a painter living in London, he designed in 1841 a device that would revolutionize the art world: paint in a tube. His clever new technology offered easily portable, pre-mixed paint, and allowed painters to bring their process outdoors."
FA
FP
CC
Making the connection
7.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What number scoring in the rubric is this statement: The work provides a largely descriptive account of the material, conceptual and cultural significance of the selected pieces from at least two contrasting cultural contexts. There is some evidence of informed analysis and evaluation, but these are not fully developed.
0
1-2
3-4
5-6
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