AP Art History Semester 1 Review
Quiz
•
History, Arts
•
9th Grade
•
Medium
EYNAV Ovadia
Used 211+ times
FREE Resource
30 questions
Show all answers
1.
MULTIPLE CHOICE QUESTION
45 sec • 1 pt
The variety of t’oqapu designs covering the All-T’oqapu tunic indicates to scholars that
the garment was pieced together from many smaller pieces.
the garment was a royal tunic that symbolized the power of the Sapa Inka.
the garment was an offering to Inti, the Inka sun god and chief deity.
the garment was created during the colonial period and traded to the Spanish.
2.
MULTIPLE CHOICE QUESTION
45 sec • 1 pt
The specific imagery on Kwakwaka’wakw transformation masks is primarily influenced by
the materials available to the carver and the animals associated with them
the animals associated with the season in which a carver creates the mask
the clan association of the person qualified to dance the mask
the relationship between the carver and the person who commissions the mask
3.
MULTIPLE CHOICE QUESTION
45 sec • 1 pt
The work shown can be identified as the
camelid sacrum in the shape of a canine from central Mexico, created 14,000–7000 B.C.E.
anthropomorphic stele from the Arabian Peninsula, created in the fourth millennium B.C.E.
Ambum Stone from Papua New Guinea, created c. 1500 B.C.E.
Tlatilco female figurine from central Mexico, created 1200–900 B.C.E.
4.
MULTIPLE CHOICE QUESTION
45 sec • 1 pt
The image shows all of the following characteristics EXCEPT
a naturalistic approach to figure
a sense of vitality and movement
strong outlines
atmospheric perspective
5.
MULTIPLE CHOICE QUESTION
45 sec • 1 pt
Which of the following is a feature of the Standard of Ur that provides evidence of a vast trade network with foreign lands?
Inscriptions written in different languages
The use of luxury materials acquired from other cultures
The depiction of foreign dignitaries bringing tribute
Imagery of a ruler’s travels to exotic lands
6.
MULTIPLE CHOICE QUESTION
45 sec • 1 pt
In the work shown, features of different animals were combined for the purpose of creating
a symbolic representation of a kingdom that was made through uniting separate realms
an imposing mythical creature that was meant to safeguard the entrance to a royal complex
the personification of a multifaceted deity to be placed inside the shrine of a temple complex
the symbolic portrait of a king as protector and defender of stability in the realm
7.
MULTIPLE CHOICE QUESTION
45 sec • 1 pt
The visual organization of the work is meant to suggest a
solemn procession as part of a civic ceremony
sequence of successive events in an important narrative
contrast between orderly control and chaotic drama
strict hierarchy between the relative importance of the figures
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