Hamlet Act I, Scene ii-iii quiz

Hamlet Act I, Scene ii-iii quiz

10th - 12th Grade

17 Qs

quiz-placeholder

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Hamlet Act I, Scene ii-iii quiz

Hamlet Act I, Scene ii-iii quiz

Assessment

Quiz

English

10th - 12th Grade

Medium

CCSS
RL.11-12.3, RL.8.3, RL.11-12.4

+14

Standards-aligned

Created by

Sheena Boyle

Used 9+ times

FREE Resource

17 questions

Show all answers

1.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

The apparition that appears in the play is the ghost of...

King Fortinbras

King Claudius

King Hamlet

Mufasa

Tags

CCSS.RL.11-12.10

CCSS.RL.11-12.3

CCSS.RL.8.7

CCSS.RL.9-10.10

CCSS.RL.9-10.10. RL.11-12.10

2.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

Act the beginning of Scene II, what event is the court celebrating?

The birthday of Queen Gertrude

The coronation of Prince Hamlet

The wedding and coronation of Claudius

An old Danish holiday similar to Christmas

Tags

CCSS.RL.11-12.10

CCSS.RL.11-12.3

CCSS.RL.8.3

CCSS.RL.9-10.10

CCSS.RL.9-10.10. RL.11-12.10

3.

OPEN ENDED QUESTION

5 mins • 1 pt

Scene II opens with the following monologue from Claudius:

"Though yet of Hamlet our dear brother's death,

The memory be green, and that it us befitted

To bear our hearts in grief, and our whole kingdom

To be contracted in one brow of woe;

Yet so far has discretion fought with nature

That we with wisest sorrow think on him

Together with remembrance of ourselves.

Therefore our sometimes sister, now our queen,

Th' imperial jointress of this warlike state,

Have we (as 'twere with a defeated joy,

With one auspicious and one dropping eye,

With mirth in funeral and with dirge in marriage,

In equal scale weighing delight and dole) 

Taken to wife. Nor have we herein barred  

Your better wisdoms which have freely gone

With this affair along. For all, our thanks.

Now follows that you know — young Fortinbras, 

Holding a weak supposal of our worth,

Or thinking by our late dear brother's death

Our state to be disjoint and out of frame,

Colleagued with the dream of his advantage,

He has not failed to pester us with messages,

Importing the surrender of those lands

Lost by his father with all bonds of law

To our most valiant brother. So much for him.

[Enter messengers]

Now for ourself and for this time of meeting. 

Thus much the business is: we have here writ

To Norway (uncle of young Fortinbras

Who, impotent and bed-rid, scarcely hears

Of this his nephew's purpose) to suppress

His further gait herein in that the levies,

The lists, and full proportions are all made

Out of his subjects. And we here dispatch 

You, good Cornelius, and you, Voltemand,

For bearing of this greeting to old Norway,

Giving to you no further personal power

To business with the king more than the scope

Of these delated articles allow.

Farewell, and let your haste commend your duty. "

In this, his first speech to royal court, what does Claudius spend most of the speech speaking about and trying to do? Should that be his focus os king?

Evaluate responses using AI:

OFF

Tags

CCSS.RL.11-12.10

CCSS.RL.11-12.3

CCSS.RL.8.3

CCSS.RL.9-10.10

CCSS.RL.9-10.10. RL.11-12.10

4.

OPEN ENDED QUESTION

3 mins • 1 pt

At the end of Claudius speech to the Royal court, he casually speaks of Fortinbras's rebellion and his plan to stop him. He says,

"To Norway,uncle of young Fortinbras

Who, impotent and bed-rid, scarcely hears

Of this his nephew's purpose to suppress

His further gait herein in that the levies,

The lists, and full proportions are all made

Out of his subjects. And we here dispatch 

You, good Cornelius, and you, Voltemand,

For bearing of this greeting to old Norway,

Giving to you no further personal power

To business with the king more than the scope

Of these delated articles allow."

As his first action as King, does it seems like a powerful move to merely send messengers to Fortinbras's uncle to tell on Fortinbras? Does Claudius seems to care much about this? Should he?

Evaluate responses using AI:

OFF

Tags

CCSS.RL.11-12.10

CCSS.RL.11-12.3

CCSS.RL.8.7

CCSS.RL.9-10.10

CCSS.RL.9-10.10. RL.11-12.10

5.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

How is Hamlet dressed in this scene?

In cheerful clothes appropriate for a wedding

In mourning clothes appropriate for a funeral

In formal clothes appropriate for a coronation

In casual clothes appropriate for a holiday

Tags

CCSS.RL.11-12.10

CCSS.RL.11-12.3

CCSS.RL.8.7

CCSS.RL.9-10.10

CCSS.RL.9-10.10. RL.11-12.10

6.

MULTIPLE CHOICE QUESTION

1 min • 1 pt

Noting that Hamlet is still mourning and celebrating his marriage and coronation as king, Claudius asks Hamlet, "How is that the clouds still hang on you? " (I,ii, 68) Hamlet then responds sarcastically with a pun ( a play on words) stating, "Not so, my lord; I am too much in the sun." (I.ii.69)

Which of the following is not an implied meaning in Hamlet's response?

Hamlet resents being forced to spend time in the sun as an attempt to cheer him up.

Hamlet resents being referred to by Claudius as his "son."

Hamlet resents Claudius questioning him about his grief for his his father.

Hamlet feels his status as King Hamlet's son deeply in the presence of his inferior uncle.

Tags

CCSS.RL.2.6

CCSS.RL.8.3

7.

MULTIPLE SELECT QUESTION

2 mins • 1 pt

When questioned about his funeral attire at a wedding, Hamlet gives a monologue touch a key theme of appearance versus reality in this play. He argues he is very honest and true to his feelings, while others may merely seem to be so. He says:

"Seems, madam! Nay, it is! I know not 'seems.'

'Tis not alone my inky cloak, good mother,

Nor customary suits of solemn black,

Nor windy suspiration of forced breath,

No, nor the fruitful river in the eye,

Nor the dejected 'havior of the visage,

Together with all forms, moods, shows of grief,

That can denote me truly. These indeed seem, 

For they are actions that a man might play.

But I have that within which passes show.

These but the trappings and the suits of woe."

Which lines in this monologue best touch on this theme?

"Seems, madam! Nay, it is! I know not 'seems.'

'Tis not alone my inky cloak, good mother,

Nor customary suits of solemn black,

Nor windy suspiration of forced breath,

No, nor the fruitful river in the eye,

Nor the dejected 'havior of the visage,

Together with all forms, moods, shows of grief,

That can denote me truly.

These indeed seem, 

For they are actions that a man might play.

But I have that within which passes show.

These but the trappings and the suits of woe."

Tags

CCSS.RL.11-12.10

CCSS.RL.11-12.3

CCSS.RL.8.7

CCSS.RL.9-10.10

CCSS.RL.9-10.10. RL.11-12.10

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