Compression & Timeline Music Tech

Compression & Timeline Music Tech

12th Grade

9 Qs

quiz-placeholder

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Compression & Timeline Music Tech

Compression & Timeline Music Tech

Assessment

Quiz

Performing Arts

12th Grade

Hard

Created by

Nick Curror

Used 7+ times

FREE Resource

9 questions

Show all answers

1.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

In which decades was Compression created to control volume of TV/Radio presenters whispering/talking quietly as-well as an entire audience clapping.

1940's-50's

1930's-40's

1920's-1930's

1950's-1960's

2.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

True or False?

The first compressors just had In/Out functions and no other controls.

True

False

3.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

Which Year was The Western Electric 110 limiting amplifier created, being considered to be the first commercially available compressor.

1934

1931

1937

1939

4.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

In which decade did DAWs start tp include Compression as standard in their software, rather than needing Compression Racks.

1990's

1980's

2000's

1970's

5.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

Which year did Tracks started using less heavy compression, experimenting with different compression levels

2007

2003

2004

2005

6.

OPEN ENDED QUESTION

3 mins • 1 pt

Give 1 good reason why music today is compressed? (Type your answer - open ended)

Evaluate responses using AI:

OFF

7.

FILL IN THE BLANK QUESTION

1 min • 1 pt

Side-Chain Compression – Compressor uses the ........? signal to determine how strongly the compressor will reduce the gain on it’s output.

8.

FILL IN THE BLANK QUESTION

1 min • 1 pt

Multi-band Compression – Compressor that allows you to change the frequency bands, ensuring you can change the compression levels of certain frequency bands rather than the full ...........?

Answer explanation

careful of your spelling!

9.

FILL IN THE BLANK QUESTION

1 min • 1 pt

Compression is the process of .............. the dynamic range between the loudest and quietest parts of an audio signal. This is done by boosting the quieter signals and attenuating the louder signals.​