Pylon Gateway at Temple of Khons Karnac Complex Luxor, Egypt 1550 BCE

Lion Gate City of Mycenae Peloponnese region of Greece C. 1350 BCE

Pylon Gateway at Temple of Khons Karnac Complex Luxor, Egypt 1550 BCE

Lion Gate City of Mycenae Peloponnese region of Greece C. 1350 BCE

Pylon Gateway at Temple of Khons Karnac Complex Luxor, Egypt 1550 BCE

Lion Gate City of Mycenae Peloponnese region of Greece C. 1350 BCE

Pylon Gateway at Temple of Khons Karnac Complex Luxor, Egypt 1550 BCE

Treasury of Atreus City of Mycenae Peloponnese region of Greece C. 1250 BCE

Temple of Hera I Paestum, Italy 550 BCE

Propylaea Athenian Acropolis 437 BCE Mnesicles

Temple of Hera I Paestum, Italy 550 BCE

Treasury of Atreus City of Mycenae Peloponnese region of Greece C. 1250 BCE

Propylaea Athenian Acropolis 437 BCE Mnesicles

Treasury of Atreus City of Mycenae Peloponnese region of Greece C. 1250 BCE

Temple of Hera I Paestum, Italy 550 BCE

Propylaea Athenian Acropolis 437 BCE Mnesicles

Treasury of Atreus City of Mycenae Peloponnese region of Greece C. 1250 BCE

Temple of Hera I Paestum, Italy 550 BCE

Theatre of Epidauros Epidauros, Greece 350 BCE

Great Altar of Zeus Now in Berlin Museum, originally at Pergamon, Turkey 200 BCE

Theatre of Epidauros Epidauros, Greece 350 BCE

Great Altar of Zeus Now in Berlin Museum, originally at Pergamon, Turkey 200 BCE

Theatre of Epidauros Epidauros, Greece 350 BCE

Great Altar of Zeus Now in Berlin Museum, originally at Pergamon, Turkey 200 BCE

Theatre of Epidauros Epidauros, Greece 350 BCE

Temple of Apollo Epicurius (the Helper) at Bassae Greece 450 BCE, Late Classical Attributed to Iktinos

Theatre of Epidauros Epidauros, Greece 350 BCE

Great Altar of Zeus Now in Berlin Museum, originally at Pergamon, Turkey 200 BCE

List the Fundamental Architectural Ideas at the Temple of Khons and explain its Marché

Fundamental Architectural Ideas: - Bi-lateral symmetry - Sequential movement - marché - w/axis - path, place, threshold - Sense of compression along axis as floors rise/ceilings become lower - Changing quality of light - bright, turning dark in the cult room

- Cultural: Site of Battle between Athena/Poseidon with who is patron of Athens - Cultural: Terminus of annual Panathenaea and Peplos draped on Athena - Cultural: Caryatids on Porch of maidens who carried baskets of sacred objects during Panathenaic Procession - Architectural: Early use of Ionic Order - Architectural: First use of female figure serving as column

- Architectural: Perfection of Doric order - Religious: Place of Worship of goddess Athena, Patron of Athens - Cultural: Center of Athenian Life - Symbolic: Demonstrates power of Athens and victory of Persia. Gave Athens dominance in the Mediterranean - Symbolic: Associated w/the idea of democracy

- Uses all 3 orders: Doric order for perpteral colonnade Engaged ionic order for interior walls Experimenting w/Ionic Order First use of the Corinthian order - Single Corinthian column, on axis w/entrance, is focal point of the interior Marks threshold to inner sanctum where statue of Apollo placed and rituals performed - Corinthian capital documented in 1811, excavated/sent to England, but lost in the ship wreck

Explain the Significance of the Parthenon

- Architectural: Perfection of Doric order - Religious: Place of Worship of goddess Athena, Patron of Athens - Cultural: Center of Athenian Life - Symbolic: Demonstrates power of Athens and victory of Persia. Gave Athens dominance in the Mediterranean - Symbolic: Associated w/the idea of democracy

Fundamental Architectural Ideas: - Bi-lateral symmetry - Sequential movement - marché - w/axis - path, place, threshold - Sense of compression along axis as floors rise/ceilings become lower - Changing quality of light - bright, turning dark in the cult room

- Cultural: Site of Battle between Athena/Poseidon with who is patron of Athens - Cultural: Terminus of annual Panathenaea and Peplos draped on Athena - Cultural: Caryatids on Porch of maidens who carried baskets of sacred objects during Panathenaic Procession - Architectural: Early use of Ionic Order - Architectural: First use of female figure serving as column

- Uses all 3 orders: Doric order for perpteral colonnade Engaged ionic order for interior walls Experimenting w/Ionic Order First use of the Corinthian order - Single Corinthian column, on axis w/entrance, is focal point of the interior Marks threshold to inner sanctum where statue of Apollo placed and rituals performed - Corinthian capital documented in 1811, excavated/sent to England, but lost in the ship wreck

Explain the Significance of the Erechtheion

- Cultural: Site of Battle between Athena/Poseidon who is patron of Athens - Cultural: Terminus of annual Panathenaea and Peplos draped on Athena - Cultural: Caryatids on the Porch of maidens who carried baskets of sacred objects during the Panathenaic Procession - Architectural: Early use of Ionic Order - Architectural: First use of female figure serving as column

Fundamental Architectural Ideas: - Bi-lateral symmetry - Sequential movement - marché - w/axis - path, place, threshold - Sense of compression along axis as floors rise/ceilings become lower - Changing quality of light - bright, turning dark in the cult room

- Architectural: Perfection of Doric order - Religious: Place of Worship of goddess Athena, Patron of Athens - Cultural: Center of Athenian Life - Symbolic: Demonstrates power of Athens and victory of Persia. Gave Athens dominance in the Mediterranean - Symbolic: Associated w/the idea of democracy

- Uses all 3 orders: Doric order for perpteral colonnade Engaged ionic order for interior walls Experimenting w/Ionic Order First use of the Corinthian order - Single Corinthian column, on axis w/entrance, is focal point of the interior Marks threshold to inner sanctum where statue of Apollo placed and rituals performed - Corinthian capital documented in 1811, excavated/sent to England, but lost in the ship wreck

Explain the significance of the Temple of Apollo Epicurius at Bassae

- Uses all 3 orders: Doric order for perpteral colonnade Engaged ionic order for interior walls Experimenting w/Ionic Order First use of the Corinthian order - Single Corinthian column, on axis w/entrance, is focal point of the interior Marks threshold to inner sanctum where statue of Apollo placed and rituals performed - Corinthian capital documented in 1811, excavated/sent to England, but lost in the ship wreck

Fundamental Architectural Ideas: - Bi-lateral symmetry - Sequential movement - marché - w/axis - path, place, threshold - Sense of compression along axis as floors rise/ceilings become lower - Changing quality of light - bright, turning dark in the cult room

- Cultural: Site of Battle between Athena/Poseidon who is patron of Athens - Cultural: Terminus of annual Panathenaea and Peplos draped on Athena - Cultural: Caryatids on the Porch of maidens who carried baskets of sacred objects during the Panathenaic Procession - Architectural: Early use of Ionic Order - Architectural: First use of female figure serving as column

- Architectural: Perfection of Doric order - Religious: Place of Worship of goddess Athena, Patron of Athens - Cultural: Center of Athenian Life - Symbolic: Demonstrates power of Athens and victory of Persia. Gave Athens dominance in the Mediterranean - Symbolic: Associated w/the idea of democracy

Describe the Stoa and Explain its significance

Description: - Stoa was a place of Commerce/Exchange of Ideas - Buildings open to the public; merchants sold goods, artists displayed artwork - Usually surrounded marketplaces/agora of large cities/were used to frame public space in an urban setting Significance: - Center of democratic, free, open society (only Athenian citizens) - Like theaters, Agoras was a place where political/religious rituals confirmed Greek ideas of democracy - Greeks learned the virtue of ethical behavior - Reaffirmed communal bonds/places in society

Fundamental Architectural Ideas: - Bi-lateral symmetry - Sequential movement - marché - w/axis - path, place, threshold - Sense of compression along axis as floors rise/ceilings become lower - Changing quality of light - bright, turning dark in the cult room

- Cultural: Site of Battle between Athena/Poseidon who is patron of Athens - Cultural: Terminus of annual Panathenaea and Peplos draped on Athena - Cultural: Caryatids on the Porch of maidens who carried baskets of sacred objects during the Panathenaic Procession - Architectural: Early use of Ionic Order - Architectural: First use of female figure serving as column

- Uses all 3 orders: Doric order for perpteral colonnade Engaged ionic order for interior walls Experimenting w/Ionic Order First use of the Corinthian order - Single Corinthian column, on axis w/entrance, is focal point of the interior Marks threshold to inner sanctum where statue of Apollo placed and rituals performed - Corinthian capital documented in 1811, excavated/sent to England, but lost in the ship wreck

Explain the significance of the Greek theatre

- Three genres: Tragedies; Homer's Illiad/Odyssey (the Epics) Comedies; Aristophanes' The Birds and The Frogs Dramas; Sophocles' Oedipus Rex and Electra - Genres had morals/lessons and dealt with w/human condition - life, death, ethics, etc. - Plays a method of Greek socialization, teaching Greeks how to live in harmony w/each other - By attending plays, learned the virtue of ethical behavior - Reaffirmed communal bonds/places in society

- Cultural: Site of Battle between Athena/Poseidon who is patron of Athens - Cultural: Terminus of annual Panathenaea and Peplos draped on Athena - Cultural: Caryatids on the Porch of maidens who carried baskets of sacred objects during the Panathenaic Procession - Architectural: Early use of Ionic Order - Architectural: First use of female figure serving as column

Description: - Stoa was a place of Commerce/Exchange of Ideas - Buildings open to the public; merchants sold goods, artists displayed artwork - Usually surrounded marketplaces/agora of large cities/were used to frame public space in an urban setting Significance: - Center of democratic, free, open society (only Athenian citizens) - Like theaters, Agoras was a place where political/religious rituals confirmed Greek ideas of democracy - Greeks learned the virtue of ethical behavior - Reaffirmed communal bonds/places in society

- Uses all 3 orders: Doric order for perpteral colonnade Engaged ionic order for interior walls Experimenting w/Ionic Order First use of the Corinthian order - Single Corinthian column, on axis w/entrance, is focal point of the interior Marks threshold to inner sanctum where statue of Apollo placed and rituals performed - Corinthian capital documented in 1811, excavated/sent to England, but lost in the ship wreck

Be able to Identify the Egyptian Orders

Lotus Bud, Lotus Flower, Papyrus Blossom, Palm Leaf

1. Doric Order 2. Ionic Order 3. Corinthian Order 4. Doric order

1. Entablature 2. Column 3. Cornice 4. Frieze

1. Frieze 2. Architrave 3. Capital 4. Shaft

Be able to Identify the Greek Orders

1. Doric Order 2. Ionic Order 3. Corinthian Order

Lotus Bud, Lotus Flower, Papyrus Blossom,

1. Entablature 2. Column 3. Cornice

1. Frieze 2. Architrave 3. Capital

Be able to identify the pieces and elements of the a classical order

1. Entablature 2. Column 3. Cornice 4. Frieze 5. Architrave 6. Capital 7. Shaft 8. Base

1. Entablature 2. Column 3. Doric 4. Frieze 5. Architrave 6. Capital 7. Shaft 8. Base

1. Entablature 2. Column 3. Cornice 4. Frieze 5. Corinthian 6. Capital 7. Shaft 8. Base

1. Entablature 2. Column 3. Ionic 4. Frieze 5. Architrave 6. Capital 7. Shaft 8. Base

Be able to define to define these terms and explain the symbolism

Stylobate: The platform on which the temple is set Stereobate: The two or more steps that lead up to the stylobate Symbolically:the stylobate and stereobate raise the temple off the ground, separating the Sacred realm of the Gods from the Profane realm of humans

Entasis: a slight convexity given to a column in order to correct an optical illusion

Fluting: Grooves running vertically on a column shaft or a pilaster. Arris: The raised edge that separates the flutes.

Be able to define to define terms and explain the symbolism

Entasis: a slight convexity given to a column in order to correct an optical illusion

Fluting: Grooves running vertically on a column shaft or a pilaster. Arris: The raised edge that separates the flutes.

Stylobate: The platform on which the temple is set Stereobate: The two or more steps that lead up to the stylobate Symbolically:the stylobate and stereobate raise the temple off the ground, separating the Sacred realm of the Gods from the Profane realm of humans

Be able to define to define terms and explain the symbolism

Fluting: Grooves running vertically on a column shaft or a pilaster. Arris: The raised edge that separates the flutes.

Entasis: a slight convexity given to a column in order to correct an optical illusion

Stylobate: The platform on which the temple is set Stereobate: The two or more steps that lead up to the stylobate Symbolically:the stylobate and stereobate raise the temple off the ground, separating the Sacred realm of the Gods from the Profane realm of humans

The 5 ancient building types

Tholos (Round), Domus (Square Donut), Basilica, Theatre, Stoa.

Domus (Square Donut), Basilica, Theatre, Stoa. Tholos (Round),

Theatre, Stoa. Tholos (Round), Domus (Square Donut), Basilica,

Basilica, Theatre, Stoa. Tholos (Round), Domus (Square Donut),

ARCH 2311 Exam 1 Review

Authored by Anthony Aguilera

History

University

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MULTIPLE CHOICE QUESTION

30 sec • 1 pt

Pick?

Stonehenge Salisbury Plain, England c. 2500 BCE Neolithic Humans

Parthenon Athenian Acropolis 448 BCE Iktinos and Kallikra

Erectheion Athenian Acropolis 421 BCE Mnesicles

Sanctuary of Asklepios Island of Kos 300 - 150 BCE

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

pick

Stepped Pyramid of King Zoser Lower Egypt 2600 BCE Imhotep, architect

Portico at Knossos Palace Island of Crete Minoan Civilization c. 1600 BCE

Ishtar Gate Babylon, Mesopotamia (Iraq) 600 BCE Babylonian Civilization

Erectheion Athenian Acropolis 421 BCE Mnesicles

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

pick

Stepped Pyramid of King Zoser Lower Egypt 2600 BCE Imhotep, architect

Hypostyle Hall
Persepolis, Persia (Iran)
C. 500 BCE
Xerxes the Great

Great Sphinx at Giza Lower Egypt 2500 BCE

Mortuary Temple of Queen Hatshepsut Valley of the Kings Upper Egypt 1500 BCE

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

pick

Bent Pyramid at Dahshur Lower Egypt 2600 BCE

Pyramids at Giza Lower Egypt 2500 BCE

Great Sphinx at Giza Lower Egypt 2500 BCE

Stepped Pyramid of King Zoser Lower Egypt 2600 BCE Imhotep, architect

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

pick

Bent Pyramid at Dahshur Lower Egypt 2600 BCE

Pyramids at Giza Lower Egypt 2500 BCE

Great Sphinx at Giza Lower Egypt 2500 BCE

Stepped Pyramid of King Zoser Lower Egypt 2600 BCE Imhotep, architect

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

pick

Bent Pyramid at Dahshur Lower Egypt 2600 BCE

Pyramids at Giza Lower Egypt 2500 BCE

Great Sphinx at Giza Lower Egypt 2500 BCE

Stepped Pyramid of King Zoser Lower Egypt 2600 BCE Imhotep, architect

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

pick

Bent Pyramid at Dahshur Lower Egypt 2600 BCE

Pyramids at Giza Lower Egypt 2500 BCE

Great Sphinx at Giza Lower Egypt 2500 BCE

Stepped Pyramid of King Zoser Lower Egypt 2600 BCE Imhotep, architect

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