* Monday Hairstyling and Design

Which of the five planning steps to bringing a design to life involves a stylist learning and growing from past design mistakes?

• seek inspiration
• work the plan
• try and try again
• take calculated risks

Which element of hair design relates to the mass or general outline of a hairstyle?

• space
• form
• line
• texture

How is the hair design element space defined?

• space is the area the hairstyle occupies
• space is the mass of the hairstyle
• space is what defines the mass of the hairstyle and the area the hairstyle occupies
• space is what gives the illusion of motion in the hair

Which design lines are repeating lines in a hairstyle that can be curved or straight?

• contrasting lines
• transitional lines
• parallel lines
• directional lines

Which design element is the directional wave patterns or illusion of motion in the hair?

• design lines
• design texture
• form
• space

Which principle of hair design is defined as the comparative relationship of one thing to another?

• balance
• rhythm
• emphasis
• proportion

What styling options will best fulfill a client’s desire to make an oblong face appear shorter and wider?

• Choose a chin-length style that is close on the top of the head with more volume on the sides.
• Choose a style with height on the top, volume at the temples, and a soft bang.
• Choose a style with the hair close to the head, no volume, and a silhouette widest at the jaw and neck.
• Most styles will work for this face type, but the cosmetologist should consider other features like head proportions or whether the client wears glasses.

If a cosmetologist observes that a client’s face has a wide jaw and chin line with a narrow forehead, which face shape does the client have?

• Triangle (Pear)
• Heart (Inverted Triangle)
• Oblong
• Oval

A client with a round face type will be best complemented by a hairstyle that _____.

• shapes the hair close to the head and adds volume between the temples and jaw
• adds volume at the temples and some height at the top
• adds volume on the top and is close to the sides of the head
• is full across the jaw line and forehead but close at the cheekbone line

The length of sideburns should be

• parallel with the top of the upper lip
• aligned with the occipital bone
• equal on each side of the face
• adjusted to appear even in length