shimineshimena

Girl at the right side, Holds R arm of partner with her L hand, free hands down at the sides. This term is of Spanish origin and is used in Rigodon and in other dances.

• Abrasete

• Arms in Lateral Position

• Arms in Reverse T

• Bilao

Both arms are at one side, either sideward right or left. This may be done at shoulder, chest or waist level.

• Abrasete

• Arms in Lateral Position

• Arms in Reverse T

• Bilao

Arms are side horizontal, elbows bent at right angles, forearms parallel to Head, palms forward or facing inward, fists loosely closed.

• Abrasete

• Arms in Lateral Position

• Arms in Reverse T

• Bilao

To turn palms of Hands up and down alternately, Hands at waist level in front, elbows close.

• Abrasete

• Arms in Lateral Position

• Arms in Reverse T

• Bilao

Weight on one foot, hit the ball with the ball or Heel of the other foot (the free foot) after which that foot is lifted from the floor to any direction.

• Brush

• Cabeceras

• Clockwise

• Counterclockwise

When the dancers are in square formation, the couples occupying the width of the Hail re called "Cabeceras or Head couples. This is of Spanish origin.

• Brush

• Cabeceras

• Clockwise

• Counterclockwise

 Like the motion of the Hands of a clock, R shoulder is toward the center of an imaginary eircle. When facing center, the movement is toward the Left.

• Brush

• Cabeceras

• Clockwise

• Counterclockwise

The reverse direction of clockwise. L shoulder is toward the center of an imaginary circle. When facing center, the movement is toward the Right.

• Brush

• Cabeceras

• Clockwise

• Counterclockwise

When dancers are in square formation, the couples occupying the Length of the hall are called _____ or side pairs. This is of Spanish origin.

• Costados

• Crossed Arms

• Cut

• Do-si-do

Partners are facing each other or standing side by side. G at R of boy. They join their L hands together and R hands together, either R over L or vice versa.

• Costados

• Crossed Arms

• Cut

• Do-si-do