Audience as Artist - Participatory Music Quiz

What was the main aim of the study discussed in the article "The audience as artist? The audience’s experience of participatory music"?

• To analyze the historical development of audience participation in music

• To uncover potential effects and meanings experienced by audience members who participated in performances with participatory elements

• To compare traditional and contemporary music performances

• To study the impact of music on cognitive development

What was found to have the least impact on the levels of affective and cognitive engagement in the study?

• Demographics

• Levels of prior musical engagement/experience

• Attendance at a preparatory workshop

• The type of music performed

According to the text, what is generally prohibited in a 'standard concert' in the prevailing Western art music tradition?

• Applauding between works

• Audience members taking the role of performers

• Listening in silence

• Promoting concentrated listening

What term does Thomas Turino use to distinguish between different types of participatory performance?

• Outcome-oriented participation

• Presentational versus participatory music

• Binary distinction

• Incongruous activity

What is the nature of Frederic Rzewski's 'Les Moutons de Panurge' in terms of scoring for performance?

• Scored for a fixed number of musicians playing melody instruments

• Scored for any number of musicians and nonmusicians playing anything

• Scored for professional musicians only

• Scored without the need for audience participation

What is a common characteristic of participatory performance projects mentioned in the text?

• They were all commercially successful

• They were rooted in political convictions and bound to their time

• They were systematically studied through empirical research

• They were all created in the 21st century

According to Clarke, is there such a thing as purely passive listening in the context of ecological perception and related topics?

• Yes, listening is always passive.

• No, there is no such thing as purely passive listening.

• Listening can be passive or active depending on the context.

• The text does not provide information on Clarke's view.

According to Christopher Small, performances of music are about relationships through the concept of "musicking," which implies that:

• Only the musicians are responsible for the success of the performance.

• Everyone present bears some responsibility for the performance.

• The audience has no active role in the performance.

• Performances are solely for the entertainment of the audience.

Which of the following statements is true about Christian Mason's piece "In the Midst of the Sonorous Islands"?

• It does not include a part for audience performers.

• It is written for a traditional orchestra set-up.

• It includes an extra stave for the audience performers.

• It is performed entirely on-stage.

What instruments do the audience members play in Group A during the performance of "In the Midst of the Sonorous Islands"?

• Glass bottles and harmonicas

• Aluminium foil, chains and boading balls

• Violin and viola

• Trumpet and trombone