Live Streaming Video Production

Audio mixers are divided into _____________, each with their own fader and settings.

• source monitors

• channel strips

• mix/effect buses

• program feeds

Before the advent of _____________________ in the late 1950s, the only way to permanently record and playback an event was to use actual film.

• nonlinear editing

• hard disk media storage

• celluloid film

• magnetic video tape

___________ personnel assist with cable wrangling, battery management, and other production needs.

• Engineering

• Extra

• Backup

• Utility

Multi-camera productions typically involve the use of a __________________ to manage camera settings, exposure, and white balance.

• video switcher

• digital multiplexer

• matrix router

• camera control unit

The first trans-Atlantic satellite broadcast took place in _______, when Telstar 1 relayed a signal from the US to the UK.

• 1933

• 1983

• 2001

• 1962

In live production, the _______________ will help direct the talent on set, often using hand signals to cue them.

• technical director

• stage manager

• camera operator

• line producer

Graphics signals are typically split into two video feeds:

• key

• fill

Video switchers are typically made up of banks of buttons called _________________, each containing program, preview, and key.

• matrix routers

• program banks

• mix/effect buses

• multiview monitors

_______ connectors and coaxial cables can carry both analog and digital video signals, and are commonly found on professional-grade cameras, switchers, and other hardware.

• BNC

• XLR

• TRS

• HDMI

Commonly found on older consumer and prosumer hardware, color-coded _____ connections are relatively rare now, but may be seen in use in certain scenarios.

• RCA

• coaxial

• BNC

• phone