Panic! at the Disco Part 2

1.Arrange the steps in the recording process

• Deciding to use an eight-track tape machine

• Layering vocals with Beach Boys-style harmonies

• Mixing the final track

• Recording the foundation of the song

• Adding orchestration and instrumental sections

2.Arrange the events related to the decision to simplify production

• Focusing on raw, authentic music creation

• Recording everything in a single room

• Choosing to record live without a click track

• Frustration with overproduction

• Moving away from Autotune and digital fixes

3.Arrange the order of thoughts during songwriting

• Writing lyrics about simplicity and freedom

• Thinking about live performance energy

• Incorporating theatrical elements

• Reflecting on personal experiences with fans

• Collaborating with others in the studio

Tags

CCSS.RI.8.1

CCSS.RI.9-10.1

CCSS.RL.11-12.1

CCSS.RL.8.1

CCSS.RL.9-10.1

4.Arrange the order of the studio setup

• Setting up equipment in the center of the room

• Finding a warehouse for recording

• Creating the “moat” for skateboarding

• Starting the recording sessions

• Stacking the gear against the walls

5.Arrange the events describing anxiety and performing

• Recalling insecurities during early Panic! albums

• Using performance as an outlet for nervous energy

• Turning the performance “on” to avoid breakdowns

• Acknowledging the challenges of maintaining the act

• Managing anxiety by performing as a character

Tags

CCSS.RI. 9-10.2

CCSS.RI.11-12.2

CCSS.RI.8.2

CCSS.RL.8.2

CCSS.RL.9-10.2

6.Arrange the process of creating harmonies

• Stacking harmonies around one microphone

• Practicing balance between vocals

• Deciding not to use headphones

• Finalizing the harmonies for recording

• Identifying each singer’s vocal range

Tags

CCSS.RI.8.3

CCSS.RI.9-10.3

CCSS.RI.7.5

CCSS.RI.8.5

CCSS.RI.9-10.5

7.Arrange the events involving orchestration

• Integrating orchestration into the final tracks

• Recording the strings and horns

• Contacting Rob Mathis for string arrangements

• Planning the orchestral segments

• Hiring the best French horn and trombone players

8.Arrange the events leading to the album creation

• Renting a studio without a specific plan for an album

• Realizing songs were coming together naturally

• Skating around the studio while recording

• Deciding to “mess around” with music for fun

• Collaborating with Mike Viola

Tags

CCSS.RI.8.3

CCSS.RI.9-10.3

CCSS.RI.11-12.3

CCSS.RI.6.3

CCSS.RI.7.3

9.Arrange the steps in managing the production environment

• Using low-volume speakers for recording

• Avoiding distractions like headphone monitors

• Ensuring natural sound balance

• Setting up the studio with minimal equipment

• Creating a comfortable, collaborative atmosphere

10.Arrange the thoughts about Panic!’s journey

• Recognizing the importance of authenticity in music

• Discussing the evolution of their production style

• Reflecting on the character-driven nature of performances

• Recalling the excitement of the first album

• Acknowledging inexperience during the debut

Tags

CCSS.RI.8.3

CCSS.RI.9-10.3

CCSS.RI.11-12.3

CCSS.RI.6.3

CCSS.RI.7.3