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Cadential 6/4 and Prolongation

Authored by Angel Llanos

Performing Arts

University

Used 4+ times

Cadential 6/4 and Prolongation
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6 questions

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1.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

Media Image

In this fragment in D Major, which two notes function as 6 and 4 for the Cadential 6/4?

A and G

D and F

F and A

F and G

2.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

Most commonly, the Cadential 6/4 resolves down to the next chord (V).

No, it resolves up (to V)

Yes, it resolves down (to V)

3.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

Media Image

How is this called? Mention also when it usually occurs.

Dominant Prolongation. It occurs at the beginning of a phrase.

Tonic Prolongation. It occurs at the beginning of a phrase.

Subdominant Prolongation. It occurs at the beginning of a phrase.

Tonic Prolongation. It occurs at the end of a phrase.

4.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

In Cadential 6/4, both 6 and 4 are chord tones.

Yes.

No. They are always PTs in stronger part of the beat.

They are always SUS in stronger part of the beat.

No. They could be any type of non-chord tones (PT, SUS, APP...).

5.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

Media Image

In this fragment in F minor, which notes function as 6th and 4th in the Cadential 6/4?

D (4th) and Bb (6th)

G (4th) and Eb (6th)

F (6th) and Ab (4th)

F (4th) and Ab (6th)

6.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

Media Image

Using the progressions, what are the four types of bass lines? They must be in the correct order (from top to bottom)

(1) DO-TI-DO;

(2) DO-RE-MI;

(3) DO-RE-DO;

(4) DO-FA-MI

(1) DO-TI-DO;

(2) DO-FA-SOL;

(3) DO-RE-TI;

(4) DO-RE-MI

(1) DO-RE-DO;

(2) DO-TI-DO;

(3) DO-FA-LE;

(4) DO-SOL-DO

(1) DO-RE-MI;

(2) DO-TI-DO;

(3) DO-RE-DO;

(4) DO-FA-MI

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