Art, Design, and Cultural Movements

What was considered the main difference between "design" and "art" according to early definitions discussed in the video?

• Design objects were always more expensive than art objects.

• Design objects served a practical purpose, while art objects aimed to evoke emotion.

• Art objects were made by famous artists, while design objects were made by unknown craftspeople.

• Design objects were created in Europe, and art objects were created elsewhere.

How did the perception of art change during the Renaissance in Europe?

• Art became less important than practical crafts.

• Art was seen as a collective effort rather than individual creativity.

• Art began to be recognized as an expression of individual intellect and talent.

• Art was primarily used for domestic functions.

Which two historical figures held opposing views on whether functional objects could be considered "art"?

• Virginia Woolf and Sojourner Truth

• William Morris and John Ruskin

• Denis Diderot and the Marquis de Laborde

• Georgia O'Keeffe and Judy Chicago

What was a key characteristic of the Arts and Crafts Movement that emerged in response to industrialization?

• It focused on mass production of identical items.

• It emphasized traditional handcrafted skills and natural materials.

• It promoted the idea that art should only be for museums.

• It rejected all forms of functional objects.

What does the La Sape movement in Brazzaville and Kinshasa primarily represent for its participants?

• A way to blend in with European fashion trends.

• A form of artistic expression and cultural identity.

• A method for economic advancement and social mobility.

• A tradition passed down from ancient African kingdoms.

What material is Thierry Jeannot's "Green Transmutation Chandelier" primarily made from, and what message does it convey?

• Fine crystal, symbolizing luxury and wealth.

• Recycled glass, promoting artistic craftsmanship.

• Discarded plastic bottles, highlighting environmental concerns.

• Hand-blown glass, showcasing traditional techniques.

What is a key idea that Judy Chicago's "The Dinner Party" challenges?

• The traditional exclusion of women from historical narratives and "high art."

• The use of modern materials in art installations.

• The importance of formal dining etiquette.

• The role of critics in evaluating artwork.