Exploring Shakespeare's Tragic Characters and Their Impact

Exploring Shakespeare's Tragic Characters and Their Impact

Assessment

Interactive Video

Science

6th - 10th Grade

Practice Problem

Hard

Created by

Aiden Montgomery

FREE Resource

10 questions

Show all answers

1.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What is one major difference between Greek and Shakespearean tragedy?

Greek tragedies involve more on-stage violence.

Shakespearean tragedies avoid any form of violence.

Shakespearean tragedies include on-stage violence.

Greek tragedies are more humorous.

2.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

How did changes in vagrancy laws affect actors during the Elizabethan era?

Actors were banned from performing.

Actors had to join companies named after royal patrons.

Actors could only perform in private homes.

Actors were required to perform in churches.

3.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What was the role of boys in Elizabethan theater companies?

They wrote the scripts.

They directed the plays.

They managed the stage props.

They played the roles of women.

4.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What was the primary purpose of the tiring house in an Elizabethan playhouse?

To provide refreshments.

To house the audience.

To serve as a place for actors to change.

To store props and costumes.

5.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

How did actors make their performances visually interesting on a bare stage?

By incorporating modern technology.

By relying on sumptuous costumes and hand props.

By using extensive special effects.

By using elaborate backdrops.

6.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What is a key characteristic of Shakespearean tragedies compared to Greek tragedies?

They include a lot of humorous elements.

They focus solely on prose.

They are less action-packed.

They avoid themes of fate and free will.

7.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

According to Hegel, what was Shakespeare's big innovation in constructing tragic heroes?

Creating heroes who are purely evil.

Combining thesis and antithesis in a single character.

Focusing solely on external conflicts.

Avoiding any form of psychological depth.

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