Playwrights Series: The Art of Writing Dialogue in Plays

The transcript discusses the role of dialogue in plays, emphasizing that while dialogue is crucial, less can be more. It highlights the balance between realistic and naturalistic dialogue, noting that dialogue on stage is always heightened. The importance of diverse voices and styles is stressed, and dialogue is seen as a tool for character development and storytelling. The playwright's process involves improvisation and refining dialogue to fit the narrative, aiming to surprise the audience.

What does the speaker suggest about the use of dialogue in plays?

• Dialogue should always be lengthy and detailed.

• Dialogue is not necessary in plays.

• Dialogue should mimic real-life conversations exactly.

• Dialogue can often be replaced by actions or gestures.

How does the speaker describe the dialogue in their plays?

• Completely naturalistic and realistic.

• Rooted in reality but slightly heightened.

• Always serious and devoid of wit.

• Identical to everyday speech.

What is the speaker's view on capturing real-life language in plays?

• It should be avoided at all costs.

• It is a skill but not the sole purpose of dialogue.

• It is the primary goal of a playwright.

• It is unnecessary and irrelevant.

How does the speaker approach writing dialogue?

• By copying conversations from real life.

• By improvising and exploring character voices.

• By strictly following a script.

• By avoiding any form of improvisation.

What is the speaker's strategy for overcoming writer's block?

• Taking a long break from writing.

• Writing dialogue freely and then refining it.

• Consulting with other playwrights.

• Avoiding writing dialogue altogether.