Augmented 6th Chords Made EASY!

Augmented 6th Chords Made EASY!

Assessment

Interactive Video

Performing Arts

11th Grade - University

Hard

Created by

Quizizz Content

FREE Resource

The video tutorial explores the concept of augmented 6th chords, focusing on their function and resolution in common practice harmony. It covers the Italian, French, and German augmented 6th chords, explaining their construction and how they resolve to the dominant chord. The tutorial also discusses secondary dominants and their role in leading to various chords, enhancing the pull to the dominant.

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7 questions

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1.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What is the primary function of the leading tone in common practice harmony?

To resolve to the subdominant

To create dissonance

To lead to the tonic

To establish a new key

2.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

How does a secondary dominant function in a musical progression?

It creates a modulation

It leads to another dominant

It resolves to the tonic

It resolves to the subdominant

3.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What are the three types of augmented 6th chords discussed?

Italian, Spanish, and French

Italian, French, and German

German, Italian, and Russian

French, German, and Spanish

4.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What is the unique feature of the Italian augmented 6th chord?

It includes a tritone

It resolves to the subdominant

It has a diminished fifth

It is made up of three notes

5.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

How does the French augmented 6th chord differ from the Italian?

It includes an additional note

It has a diminished seventh

It resolves to the tonic

It is symmetrical

6.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What problem does the German augmented 6th chord create when resolving?

Modulation to a new key

Unresolved leading tones

Dissonant tritones

Parallel fifths

7.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

How did Mozart often resolve the German augmented 6th chord?

By doubling the tonic

By avoiding parallel fifths

By using a 164 chord

By modulating to a new key