Harmonizing a Chromatic Scale is Not Impossible - Music Theory

The video tutorial explores the complexities of harmonizing a chromatic scale, contrasting it with diatonic scales. It discusses various methods and challenges, including using secondary dominants and diminished sevenths. The tutorial provides a detailed example of harmonizing a chromatic scale, highlighting voice leading and chord choices. It emphasizes the flexibility and creativity required in chromatic harmonization, offering practical tips for dealing with chromatic passages in melodies.

What is a common challenge when harmonizing a chromatic scale compared to a diatonic scale?

• Avoiding minor chords

• Finding enough diatonic chords

• Choosing the right key

• Using only major chords

How can you handle a chromatic passage in a melody?

• Stick to the tonic chord

• Employ secondary dominants

• Ignore the chromatic notes

• Use only major chords

What is one method to harmonize a complete chromatic scale?

• Avoid using any chords

• Employ a series of secondary dominants

• Use only diminished chords

• Use a single chord throughout

Why are diminished 7th chords useful in chromatic passages?

• They are easy to play

• They resolve in many ways

• They are always in the key of C

• They avoid false relations

What is a key consideration when using diminished 7th chords?

• They are only for minor keys

• They offer flexible resolutions

• They should be used sparingly

• They must resolve to the tonic

What is the role of voice leading in chromatic harmonization?

• To create dissonance

• To maintain smooth transitions

• To emphasize the bass line

• To avoid using diminished chords

How can augmented 6th chords be used in chromatic harmonization?

• To avoid using the tonic

• To replace diminished chords

• To create tension before resolution

• To simplify the harmony

What is a German 6th chord typically used for?

• To resolve to the tonic

• To add color to the harmony

• To create a sense of finality

• To transition to a new key

Why might false relations be less of an issue in chromatic scales?

• They are inaudible

• They are expected in chromatic contexts

• They are only present in minor keys

• They resolve quickly

What is a potential benefit of harmonizing a chromatic scale?

• It simplifies the melody

• It enhances harmonic exploration

• It limits chord choices

• It avoids using secondary dominants