Fringe Festival Becoming Over Commercialised

The Edinburgh Fringe Festival, with its rich history and large number of performers, faces concerns over commercialization and the impact on smaller comedians. While established names thrive, newcomers struggle with costs. Critics like Stewart Lee argue the festival is losing its essence. Despite these challenges, the festival remains a platform for diverse performances and potential future stars.

What is one of the main concerns about the Edinburgh Fringe Festival?

• It is becoming over-commercialized.

• It is losing its comedic roots.

• It is becoming too expensive for audiences.

• It is not attracting enough performers.

According to Reginald D. Hunter, why do established comedians continue to succeed at the festival?

• They have exclusive contracts with the festival.

• They perform for free.

• They are more talented than many other comedians.

• They have better marketing strategies.

What is a significant challenge for smaller comedians at the festival?

• Strict content regulations.

• Limited performance slots.

• High costs of participation.

• Lack of audience interest.

How do newcomers like Rob Becker view the festival despite its challenges?

• As a declining event.

• As a financial burden.

• As a chance to improve and gain exposure.

• As a platform for established comedians only.

What is the general sentiment about the festival's current state?

• It is losing its appeal.

• It is thriving with diverse shows.

• It is too commercialized to continue.

• It is only for established comedians.