Listener's Guide To Carnival Of The Animals By Camille Saint-Säens - Movement 5 - The Elephant

Listener's Guide To Carnival Of The Animals By Camille Saint-Säens - Movement 5 - The Elephant

Assessment

Interactive Video

Performing Arts

10th - 12th Grade

Hard

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The video tutorial explores the role of the double bass in an ensemble, focusing on how it borrows thematic material from other composers, such as Mendelssohn and Berlioz. It highlights the use of fairy themes in music and how these themes are transposed for the double bass. The tutorial also discusses the satirical humor in music, particularly how melodies originally written for higher-pitched instruments are adapted for the lowest sounding string instrument.

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5 questions

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1.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

Which instrument is highlighted as one of the lowest sounding in the ensemble?

Violin

Trumpet

Flute

Double Bass

2.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

From which composer's work is the first thematic material borrowed?

Felix Mendelssohn

Wolfgang Amadeus Mozart

Johannes Brahms

Ludwig van Beethoven

3.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What type of creatures are associated with the original music themes?

Goblins

Mermaids

Fairies or Sprites

Dragons

4.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What is a 'sylph' as mentioned in the context of the music?

A fire spirit

A water spirit

An earth spirit

An air spirit

5.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What is the composer's humorous approach in 'Carnival of the Animals'?

Using high-pitched melodies for high-pitched instruments

Assigning low-pitched melodies to high-pitched instruments

Transposing high-pitched melodies to low-pitched instruments

Using only original compositions