Improvising in his head

The transcript discusses the myth surrounding a subject, exploring stories and misconceptions about their abilities. It highlights the realization that the subject's impact was not hindered by their limitations. The narrative delves into the connection between improvisation and composition, emphasizing creativity and overcoming technical constraints. The process of creating exhilarating music is described as a blend of improvisation and instant composition, breaking through classical prejudices.

What is implied about the audience's perception of the conductor's performance?

What does the speaker suggest about the relationship between improvisation and composition?

How does the speaker describe the process of music creation in the mind of the conductor?

What does the speaker mean by 'the connections that leap over technical problems'?

In what way does the speaker believe that later music differs from earlier compositions?