Interview with Serj Tankian

The speaker reflects on the creation of Electa Dead, considering its potential for orchestral adaptation. They discuss the versatility of good songs, which can be presented in various forms, and share their experience of creating a dub remix for 'Empty Walls.' When the opportunity to work with an orchestra arose, they embraced it, resulting in a successful live recording and DVD production.

What was the initial thought process behind writing Electa Dead?

• It was designed as a solo acoustic album.

• It was intended to be adaptable to different musical forms.

• It was meant to be a rock opera.

• It was planned to be a purely electronic album.

How does the speaker describe a good song?

• It should only be remixed into electronic versions.

• It must be performed with a full orchestra.

• It can be presented in both stripped-down and fully arranged forms.

• It can only be performed in its original form.

What was created as a result of the opportunity to work with an orchestra?

• A new studio album.

• A live concert tour.

• A DVD from a single live performance.

• A series of music videos.

What was the speaker's reaction to having an orchestra at their disposal?

• They felt it was a burden.

• They saw it as an amazing gift.

• They were indifferent.

• They decided not to use it.

What was the outcome of the single live performance with the orchestra?

• It was canceled.

• It was a great success.

• It was a mixed success.

• It was a failure.