CLEAN : Thai ultraviolence from Drive director

The transcript discusses a personal journey through an existential crisis during a challenging period, highlighting the role of spirituality and mysticism in Asia. It transitions into the speaker's experience with film, emphasizing organic personal growth and the appeal of working with minimal dialogue in film composition. The narrative underscores the unique opportunities for composers in films with sparse dialogue.

In what way did the speaker's perspective on spirituality differ in Asia compared to Europe?

What does the speaker prefer in terms of dialogue in films?