Revised

The video explores the intellectual satisfaction derived from music, focusing on the use of motives. It discusses the introduction of motives 1, 2, and 3, and how they create a sense of symmetry. The conclusion highlights the allegro moderato and the final Wagnerian chords, likened to light through stained glass.

What does the author mean by 'the very first scale going down'?

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How does the author describe the chords in relation to Wagner?

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