CLEAN : Belgrade exhibit turns Ratko Mladic diary into art

The video discusses the process of redrawing historical material as a performative act to engage with harsh past events. It highlights the militarized and bureaucratic language of Dishworld, which lacks personal touch and reflection. The speaker aims to recreate and rethink this material from a long-term perspective, over 20 years after the events.

What is the significance of redrawing every single letter in the context of dealing with harsh material from the past?

How does the language used in Dishworld reflect the bureaucratic nature of military communication?

In what ways does the author describe the personal touch (or lack thereof) in the notebook mentioned?

What challenges does the author face when dealing with difficult material found in the archives?

How does the author perceive the passage of time in relation to the material they are working with?