Impressionist masterpieces returned after seizure in debt dispute

The transcript discusses the challenges faced by museums in securing guarantees for the return of art pieces when engaging in international exhibitions. It highlights a unique situation where financial and economic issues, unrelated to the museums, have impacted their operations. The discussion also touches on the implications for Swiss legal systems and the need for policy reassessment to continue receiving international exhibitions.

In what way does the speaker believe their case is unique?

What implications does the speaker foresee for Swiss justice in relation to international exhibitions?