VOICED : A falta de público, Tokio-2020 apuesta al audio inmersivo

The video discusses the creation of an immersive audio experience for the Tokyo 2020 Olympics, compensating for the lack of spectators. It explains how soundscapes were designed using audio from previous Olympics and highlights the extensive use of cameras and microphones. The aim is to enhance the viewer's experience by capturing detailed sports sounds, providing a sense of intimacy with athletes.

What was the main reason for creating an immersive audio experience for the Tokyo 2020 Olympics?

• To improve the quality of video

• To promote new sports

• To replace the lack of spectators

• To reduce broadcasting costs

Which past Olympic events were used to gather audio for the Tokyo 2020 broadcast?

• Athens 2004 and Beijing 2008

• Rio 2016 and London 2012

• Sydney 2000 and Athens 2004

• Beijing 2008 and London 2012

How many types of microphones were used during the Tokyo 2020 Olympics?

• 15 or 16

• 28 or 29

• 35 or 36

• 20 or 21

What types of sounds were captured by the microphones during the events?

• Sounds from the tatami, pool, and track

• Background music

• Only the commentary

• Only the crowd noise

What is the main goal of the audio control room in the media center?

• To reduce the number of microphones used

• To synchronize video and audio

• To provide a new level of intimacy with athletes

• To increase the volume of the broadcast