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WorksheetsDiscovering Drama Test
Total questions: 33
Worksheet time: 24mins
Name
Class
Date
1.
What term describes what your character wants in the scene?
a)
Obstacle
b)
Objective
c)
Relationship
d)
Action
2.
What term describes how you interact to another character in a scene?
a)
Obstacle
b)
Objective
c)
Relationship
d)
Tactic
3.
What term describes who you are in a scene?
a)
Obstacle
b)
Objective
c)
Relationship
d)
Character
4.
What term describes what in standing in the way of your character getting what they want?
a)
Obstacle
b)
Objective
c)
Relationship
d)
Intention
5.
Constantin Stanislavski
a)
Stanislavski's System
b)
Substitution/Sense Memory
c)
Psycho/Physical Approach
d)
Meisner Technique
6.
Michael Chekhov
a)
Psycho/Physical Approach
b)
Meisner Technique
c)
The Art of Acting
d)
Theatre Games/Improvisation
7.
Lee Strasberg
a)
Method Acting
b)
Poor Theatre
c)
Viewpoints
d)
Stanislavski's System
8.
Sanford Meisner
a)
Meisner Technique
b)
The Art of Acting
c)
Theatre Games/Improvisation
d)
Practical Aesthetics
9.
Stella Adler
a)
The Art of Acting
b)
Theatre Games/Improvisation
c)
Practical Aesthetics
d)
Method Acting
10.
Uta Hagen
a)
Substitution/Sense Memory
b)
Psycho/Physical Approach
c)
Meisner Technique
d)
The Art of Acting
11.
Jerzy Grotowsky
a)
Poor Theatre
b)
Viewpoints
c)
Stanislavski's System
d)
Substitution/Sense Memory
12.
Viola Spolin
a)
Theatre Games/Improvisation
b)
Practical Aesthetics
c)
Method Acting
d)
Poor Theatre
13.
Anne Bogart
a)
Viewpoints
b)
Stanislavski's System
c)
Substitution/Sense Memory
d)
Psycho/Physical Approach
14.
David Mamet & William H Macy
a)
Practical Aesthetics
b)
Method Acting
c)
Poor Theatre
d)
Viewpoints
15.
Create your on method. Don't depend slavishly on mine. Make up something that will work for you! But keep breaking traditions, I beg you.
a)
Constantin Stanislavski
b)
Uta Hagen
c)
Michael Chekhov
d)
Sanford Meisner
16.
No work of art is ever finished, nothing is ever static, no performance is for keeps.
a)
Uta Hagen
b)
Michael Chekhov
c)
Sanford Meisner
d)
Stella Adler
17.
The inner life of the imagination, and not the personal and tiny experiential resources of the actor, should be elaborated on the stage and shown to the audience. This life is rich and revealing for the audience as well as for the actor himself.
a)
Michael Chekhov
b)
Sanford Meisner
c)
Stella Adler
d)
Viola Spolin
18.
Act before you think - your insticts are more honest than your thoughts.
a)
Sanford Meisner
b)
Stella Adler
c)
Viola Spolin
d)
David Mamet
19.
Life beats down and crushes the soul and art reminds you that you have one.
a)
Stella Adler
b)
Viola Spolin
c)
David Mamet
d)
Lee Strasberg
20.
Everyone can act. Everyone can improvise. Anyone who wishes to can play in the theatre.
a)
Viola Spolin
b)
David Mamet
c)
Lee Strasberg
d)
Jerzy Grotowsky
21.
Always tell the truth - it's the easiest thing to remember.
a)
David Mamet
b)
Lee Strasberg
c)
Jerzy Grotowsky
d)
Anne Bogart
22.
The actor creates with his own flesh and blood all those things which all the arts try in some way to describe.
a)
Lee Strasberg
b)
Jerzy Grotowsky
c)
Anne Bogart
d)
Constantin Stanislavski
23.
The important thing is to use the role as a trampoline, a chance to study and play with what is behind our masks. Creativity, especially where acting is concerned, is boundless sincerity, yet disciplined.
a)
Jerzy Grotowsky
b)
Anne Bogart
c)
Constantine Stanislavski
d)
Uta Hagen
24.
Art is violent. To be decisive is violent. To place a chair at a partial angle on the stage destroys every other possible choice, every other option.
a)
Anne Bogart
b)
Constantine Stanislavski
c)
Uta Hagen
d)
Michael Chekhov
25.
Who is known as the Father of Naturalism?
a)
Sanford Meisner
b)
Constantin Stanislavski
c)
Lee Strasberg
d)
Michael Chekov
26.
Who was the cofounder of the Moscow Arts Theatre (MAT)?
a)
Constantin Stanislavski
b)
Uta Hagen
c)
Viola Spolin
d)
Jerzy Grotowski
27.
Who created a technique for acting that was physical and included the movement dynamic terms: floating, molding, radiating, and flying.
a)
Michael Chekhov
b)
Constantin Stanislavski
c)
Sanford Meisner
d)
Jim Hensen
28.
Who co-founded the Grave Theatre?
a)
Lee Strasberg
b)
Uta Hagen
c)
Michael Chekhov
d)
Constantin Stanislavski
29.
Which technique utilizes the word repetition game?
a)
The Method
b)
Meisner Technique
c)
Stanislavski's System
d)
Viewpionts
30.
Which teacher used a lot of writing and imagination to get into character?
a)
Stella Adler
b)
Michael Chekhov
c)
Jerzy Grotowsky
d)
Viola Spolin
31.
Which teacher asked for students to substitute and replace the actor's own memories with those of the character?
a)
Uta Hagen
b)
Sanford Meisner
c)
Lee Strasberg
d)
Stella Adler
32.
Who used improvisation to get the actor prepared?
a)
Viola Spolin
b)
Constantin Stanislavski
c)
Michael Chekhov
d)
Sanford Meisner
33.
What technique uses steps about what is happening and desires of the character to bring about the life of the actor?
a)
Practical Aesthetics
b)
The Art of Acting
c)
An Actor Prepares
d)
Building a Character
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