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APAH Pacific and Africa

Total questions: 41

Worksheet time: 21mins

Name
Class
Date
1.

Which one of these is NOT true about Nan Madol?

a)

consists of 90 natural islands

b)

name means "spaces between"

c)

built during Sau Deleur dynasty

d)

structures made of Basalt

2.

Which of the following is NOT a purpose of Nan Madol?

a)

Residence for nobility

b)

Residence for general population

c)

Maintain political power

d)

Commemorate important military victories

3.

For which TWO purposes/events was an 'Ahu 'ula worn

a)

battles

b)

funerals

c)

ceremonies

d)

births

4.

All of the following are true of 'Ahu 'ula EXCEPT:

a)

They were made and worn only by men.

b)

The wearer's status was conveyed through the rarity of the colored feathers.

c)

The feathers were an imported trade good, making these exclusive items.

d)

Each feather cape has a pattern unique to its individual wearer.

5.

What is the function of this mask?

a)

To show the wealth and status of the patron

b)

To ensure victory for the tribe.

c)

To re-enact ancestral myths for a female audience

d)

used with grass costumes in ceremonies about death, fertility, or male initiation

6.

The final steps in creating a Hiapo would have been completed by:

a)
master artists
b)
kings
c)
women
d)
priests
7.

The Malagan Masks have several functions, which include all of the following EXCEPT:

a)

Reinforcing the power of the king

b)

Use during funeral rites

c)

Acting as the spiritual double of a person

d)

Honoring gods or spirits associated with an area

8.
Which of the following is a possible purpose of the Moai of Rapa Nui?
a)
Commemorate ancestors
b)

To commemorate the peoples’ arrival on the island

c)

To mark the island for navigators.

d)
To convey the spirits of the dead to heaven
9.

The purpose of this object from Micronesia is to:

a)
Train people in navigation
b)
Outline the rite of passage into adulthood
c)
Detail the standards of acceptable masculinity
d)
Communicate secretly while the islands were under colonial rule
10.

Who can wear the aka mask?

a)

Only warriors/important males wear the aka; used in the royal court

b)

Only the king dances the aka

c)

Only the members of the king's extended family dance the aka.

d)

Only noble women dance the aka

11.

Aside from the association with an elephant's physical power, which other element of an Aka mask conveys social rank?

a)

The imported beads

b)

The length of the trunk

c)

The large ears

d)

The accompanying dance

12.
Where was this work originally displayed?
a)
On the walls of the king’s palace
b)
On the lintels of palace entrance
c)
In the king’s observatory
d)
Inside a mosque
13.

The varying sizes of figures to indicate rank is an artistic device known as:

a)

Parietal art

b)

Contour rivalry

c)

Natural scale

d)

Hierarchic scale

14.
No matter how realistic or abstract, what is the most important aspect of this figure?
a)
The scarification
b)
The type of wood used
c)
The right hand
d)
The horns
15.
What is a possible intention for creating a Lukasa?
a)
To use in an initiation rite
b)
To keep track of historical events
c)
To represent ideal beauty
d)
To ward off evil spirits
16.

Each ruler's Ndop figure is not considered a true likeness because they are designed to:

a)

honor the king in a dance performance

b)

act as a surrogate in king's absence

c)

be buried with the king

d)

be activated by puncturing with nails

17.

Ndop figures are sculpted using a one-to-three proportion—the head of the statue was sculpted to be 1/3 the size of the total statue. Why is this convention followed?

a)

It is considered the most aesthetically pleasing proportion.

b)

Because the head was considered to be the seat of intelligence.

c)

To emphasize the inward sight of spirituality.

d)

To appear more naturalistic.

18.
The Fang byeri are primarily
a)
Portraits of ancestors
b)
Idealized images of physical beauty
c)
Guardians of ancestral remains
d)
Household deities
19.
What was the function of this mask and the dance associated with it?
a)
meant to honor women that have given birth
b)
meant to be a portrait of a specific woman 
c)
Meant to honor a woman who comes of age
d)
meant to honor a woman who marries above her station
20.
What location and time period is this from?
a)
Benin, mid 19th century
b)
Ghana, 1700 CE
c)
Congo, early 20th Century
d)
Mali, 1200 CE
21.

The form of the Great Mosque at Djenne was influenced primarily by the form of

a)

The great central plan mosques built after the fall of Constantinople

b)

The hypostyle mosques of earlier Islam

c)

No other building in the world - it is entirely unique in form

d)

The greek cross plan

22.
What location and time period is this from? 
a)
Ivory Coast mid 19th century
b)
Congo early 20th century
c)
Ivory Coast early 20th century
d)
Congo mid 19th Century
23.

What is a likely function of the conical tower of Great Zimbabwe?

a)

Watch tower

b)

Bell tower

c)

Grain storage

d)

Water storage

24.

Which people built Great Zimbabwe?

a)

Ashante

b)

Baule

c)

Sande

d)

Shona

25.
Which of the following is NOT true of the Female Deity figure from the Cook Islands?
a)
They reflect cultural values of true womanhood
b)
They are carved from Breadfruit trees
c)
They are said to be the resting place of the god or goddess during rituals
d)
They were placed in temples during festivals of the harvest
26.
Symbols of Tamati Waka Nene’s status include all the following EXCEPT:
a)
Greenstone earrings
b)
Moko facial tattoos
c)
Neck rings
d)
Kiwi feathered cape
27.

The main function of Tamati Waka Nene’s portrait is:

a)

To compare his mana to that of other chiefs.

b)

To guide his spirit into the underworld.

c)

To bring his ancestral presence into the world of his living descendants.

d)

To solidify his connection to and favor with the gods.

28.

The bark cloth wrapping on the Staff God is an example of:

a)

Tapu (protection)

b)

Mana

c)

Masculinity

d)

Imported material

29.

Identify this work of art.

a)

Lukasa

b)

Power figure (nkisi n'kondi)

c)

Ndop (portrait)

d)

Pwo

30.

What culture created this work of art?

a)

Kongo peoples

b)

Yoruba people

c)

Ashanti people

d)

Baule people

31.

What purpose do the metal protrusions serve?

a)

They activate the spiritual power of the figure.

b)

They illustrate the economic wealth of the society.

c)

They serve as a "bridge" to ancestors.

d)

They protect the figure from evil.

32.

What culture created this?

a)

The Sande society of the Mende peoples

b)

The Mbudye society of the Luba peoples

c)

The Igbo peoples

d)

The Baule peoples

33.

Identify this work:

a)

Pwo mask

b)

Mblo mask

c)

Ndop portrait

d)

Sande Sowei mask

34.

The elaborate hair, neck rings, and lidded eyes illustrate

a)

Physical and moral beauty

b)

Divinity

c)

The first Mende woman

d)

The power of the ruler

35.

What was the original location of this work?

a)

Supporting the roof of the main courtyard of the king's palace.

b)

In the throne room of the palace, holding up the royal canopy.

c)

Marking the entrance to the living quarters of the senior wife.

d)

On one side of the mihrab niche in the royal mosque.

36.

The largest figure has been identified as:

a)

The Ogoga (king) of Ikere

b)

The senior wife of the Ogoga.

c)

The flute-playing trickster-god Esu

d)

The personification of the first, divine, Ikere woman.

37.

A reason why the senior wife is sized and positioned this particular way was to indicate

a)

The matrilineal nature of Yoruba culture.

b)

The role she played in assuring offspring for the king.

c)

The fabled height of Yoruba women.

d)

The important support role she played in the king's reign.

38.

All are true about the function of the Ikenga (shrine figure) EXCEPT:

a)

They are kept in a special place after the owner's death.

b)

Offerings are made to one's Ikenga to ensure its efficacy.

c)

They are individualized to a specific person.

d)

Meant to honor the right hand.

39.

Which characteristic best illustrates the Fang's belief in the spiritual connection between the living and the dead?

a)

Abstracted body forms.

b)

Enlarged head.

c)

Closed eyes and prayerful gesture

d)

Combination of infantile and mature features

40.

The belief that the Sika dwa kofi (Golden Stool) holds the soul of it's people is supported by:

a)

it's being covered in gold

b)

it's origins from the sky

c)

it's sideways orientation

d)

the warning bells attached to it

41.

Why is the king the only person allowed to touch the Golden Stool?

a)

It was created by his ancestors.

b)

He is an intermediary between the spirit world and his people.

c)

It holds the relics of previous kings.

d)

He is also the diviner who activates its power.