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Movement Vocabulary - CH 5

Total questions: 10

Worksheet time: 6mins

Name
Class
Date
1.

What is cheating out in Theatre terms?

a)

open position - one slightly turned toward the audience

b)

closed position - one slightly turned away from the audience

c)

acting position - one that takes the attention away from others onstage

d)

thief position - one that steals stage space from others onstage

2.

Upstaging is ___.

a)

a critical acting technique to be sure you are noticed by the audience - only the good actors can do this well

b)

positioning yourself on blocks or a stage piece putting you above the stage

c)

rude as you are taking away the audience's attention from the character who should have the focus

d)

moving your character to a spot on stage that is higher than the others onstage.

3.

Some examples of stage business include ___.

a)

saying your lines in a loud voice, having a believable costume, cleaning up the stage after a performance

b)

knitting, putting a file folder away, cleaning a table in a restaurant

c)

putting props where they belong, painting a bench for a scene, turning the lights on onstage

d)

memorizing lines, rehearsing a scene, sewing a costume

4.

If I asked you to write a scenario, I would be looking for ___.

a)

a copy of the script from one character

b)

a scene that has been changed in some way to include what the actors want to do, rather than what the playwright wrote

c)

an outline that includes information about the plot, character motivations, conflicts, and what happens

d)

a script that includes all lines for all characters and all stage directions in parenthesis

5.

Muscular memory comes from ___.

a)

repetition of movements or motions

b)

working out with weights or other exercise

c)

talking to your muscles to help them remember what to do

d)

giving your muscles flashcards with movements to remember

6.

When you exit the stage, you should ___.

a)

announce to the audience in your best Arnold Schwarzenegger voice: "I'll be back."

b)

look at the audience in character and only turn away when you are out of sight

c)

stay in character until you are completely out of view of the audience

d)

stomp loudly until you are completely out of sight of the audience

7.

Shrugging, pointing, raising your arms in disgust are all ___.

a)

gestures that are impossible to add unless the playwright specifically writes them in the stage directions

b)

unnecessary movements that are distracting to the audience

c)

body movements that should be avoided

d)

gestures and help give characters action

8.

When you are no longer visible to the audience, you are ___.

a)

wearing an invisibility cloak

b)

offstage

c)

onstage

d)

exiting

9.

As soon as you are visible to the audience, you are ___

a)

beautiful

b)

offstage

c)

onstage

d)

unbelievable

10.

While deciding your character's movements, consider all of the following, except ___.

a)

walking

b)

projecting

c)

turning

d)

sitting

e)

standing