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WorksheetsPart-Writing, Chord Families, Accompaniment
Total questions: 20
Worksheet time: 10mins
Typically in part-writing doubling the_______ is preferred
Root
Third
Fifth
Seventh
In the case of a second inversion chord always double the...
Root
Third
Fifth
Seventh
The leading tone should always resolve up by a step to Do when in which of the following voice parts?
Tenor
Alto
Counter-Tenor
Soprano
The along with the soprano a LT in the bass should always resolve to....
Sol
Te
Do
Si
The chordal 7th in a chord should
Resolve up to Do
Resolve down by a step or up by a step
Resolve down by a step or hold until it can
Hold on the note it is on
The _____ should never be doubled
Leading Tone
Mediant
Submediant
Tonic
When an inner voice contains a leading tone that does not resolve up to do it is called
Angering the Leading-Tone
Inconveniencing the Leading-Tone
Frustrating the Leading-Tone
Making the Leading-Tone five minutes late for a very important appointment
When the LT of an inner voice does not resolve to Do it must go to
Mi
Te
Sol
Fa
A cadential 6-4 functions as which of the following families
Tonic
Dominant
Predominant
Extradominant
A cadential 6-4 written with suspensions will
Use only the V roman numeral and various Arabic numerals
Use both the I and V roman numerals and various Arabic numerals
Use only the VI roman numeral and various Arabic numerals
Use only the VI and IV roman numerals and various Arabic numerals
Motion where both voices move in opposite directions is called
Parallel
Opposite
Different
Contrary
The type of motion where one voice remains the same and a different voice moves toward it is called
skewed motion
oblique motion
contrary motion
towardly motion
The type of motion where one voice remains the same and a different voice moves away it is called
oblique motion
contrary motion
skewed motion
awayly motion
Two voices moving from a P5 to a d5 is called
Parallel 5ths
Unequal 5ths
Similar 5ths
Oblique 5ths
Two voices moving in contrary motion from a P5 to a P5 is
Acceptable
Unacceptable
Partial credit
Acceptable on Tuesdays
The dominant chord family should always go to which
Predominant
Subdominant
Tonic
Supertonic
Chords that share 1 or more chord tones are considered in the same family
True
False
The name for Low - High - Middle - High - Low Accompaniment
Melody and Accompaniment
Arpeggiated
Albert Einsteini Bass
Alberti Bass
Harmonic Rhythm refers to
The smallest rhythmic value in an example
The largest rhythmic value in an example
The rhythm by which the melody moves
A rhythm to describe the rate at which the chords change
Accompaniment that outlines a chord with subsequent notes (not at the same time) is
Arpeggiated
AARPeggiated
Alberti Bass
Melody and accompaniment
