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De tragodeida et comoedia

Total questions: 26

Worksheet time: 13mins

Name
Class
Date
1.

Plots from fiction

a)

Comedy

b)

Tragedy

2.

Plots from history

a)

Comedy

b)

Tragedy

3.

Characters from the lesser gentry/middle estate

a)

Comedy

b)

Tragedy

4.

Characters are exalted

a)

Comedy

b)

Traegdy

5.

Conflicts are on a smaller scale

a)

Comedy

b)

Tragedy

6.

Conflicts are more significant

a)

Comedy

b)

Tragedy

7.

Comedies celebrate life.

a)

Comedy

b)

Tragedy

8.

Tragedies express a rejection of life.

a)

Comedy

b)

Tragedy

9.

The (In)Evitability Principle sees the threats evaded by "good luck" that breaks the chain of causality.

a)

Comedy

b)

Tragedy

10.

The Evitability Principle sees the threats supported by their own causal effects (the domino effect).

a)

Comedy

b)

Tragedy

11.

Showed the common errors that all humans make and suggest what we should not do

a)

Comedy

b)

Tragedy

12.

Watching a tyrant's downfall teaches some kind of lesson but that is not its purpose.

a)

Comedy

b)

Tragedy

13.

Hamlet is this genre of play:

a)

Comedy

b)

Tragedy

c)

History

14.

Macbeth is this genre of play:

a)

Comedy

b)

Tragedy

c)

History

15.

Richard the II and III are this genre of play:

a)

Comedy

b)

Tragedy

c)

History

16.

Midsummer Night's Dream is this genre of play:

a)

Comedy

b)

Tragedy

c)

History

17.

Midsummer Night's Dream may be a parody of this tragedy or vice versa:

a)

The Tempest

b)

The Taming of the Shrew

c)

Henry IV

d)

Romeo and Juliet

18.

Othello is this genre of play.

a)

Comedy

b)

Tragedy

c)

History

19.

The comic hero must display at least the minimal level of personal charm or worth of character it takes to win the audience's basic approval and support.

a)

True

b)

False

20.

Tragedy depicts the downfall of a basically good person through some fatal error or misjudgment.

a)

True

b)

False

21.

Aristotle distinguishes between tragedy which depicts people of high or noble character, and comedy which imitates those of low or base character. However, nobility in this case does not refer to wealth or status but, instead, moral rectitude. As such, even a poor man can be a tragic hero as long as he is morally good.

a)

True

b)

False

22.

This term means a "tragic recognition or insight" when a tragic hero realizes the web of inevitability that he/she/they have entagled themselves in.

a)

Anagnorisis

b)

Hamartia

c)

Hubris

d)

Peripeteia

23.

This term means "plot reversal": a pivotal or crucial action on the part of the protagonist that changes his situation from seemingly secure to vulnerable.

a)

Nemesis

b)

Hamartia

c)

Hubris

d)

Peripeteia

24.

This term means "retribution": the inevitable punishment or cosmic payback for acts of hubris.

a)

Anagnorisis

b)

Nemesis

c)

Hubris

d)

Hamarita

25.

This term means "violent transgression": it is the sin par excellence of the tragic hero and is due to more than "pride"...it's due more to a haughty overstepping of one's position, cultural codes or ethical boundaries.

a)

Hamartia

b)

Peripeteia

c)

Hubris

d)

Nemesis

26.

This term means "a tragic error": a bad error (not a fatal flaw) or simple misstep on the part of the protagonist which leads to the downfall/catastrophe. The term literally means "the shot that misses the bullseye."

a)

Anagnorisis

b)

Peripeteia

c)

Hubris

d)

Hamartia