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Worksheets

AIR Review

Total questions: 100

Worksheet time: 2hrs 35mins

Name
Class
Date
1.

What is point of view?

a)

narrator tells what happens but does not describe anyone's thoughts or feelings

b)

your opinion—how you “see” or understand a situation or idea

c)

narrator uses “he,” “she,” or ”it” to show thoughts and feelings

d)

narrator describes how all the characters think and feel

2.

What is first person point of view?

a)

how a story is told and who is telling it

b)

narrator describes how all the characters think and feel

c)

has an “I” narrator who participates in the action

d)

narrator uses “he,” “she,” or ”it” to show thoughts and feelings

3.

What is second person point of view?

a)

a “you” narrator participates in the action

b)

how a story is told and who is telling it

c)

narrator tells what happens but does not describe anyone's thoughts or feelings

d)

has an “I” narrator who participates in the action

4.

What is third person point of view?

a)

how a story is told and who is telling it

b)

a “you” narrator participates in the action

c)

has an “I” narrator who participates in the action

d)

narrator uses “he,” “she,” or ”it” to show thoughts and feelings

5.

What is third person objective point of view?

a)

how a story is told and who is telling it

b)

narrator tells what happens but does not describe anyone's thoughts or feelings

c)

has an “I” narrator who participates in the action

d)

“you” narrator participates in the action

6.

What is third person omniscient point of view?

a)

how a story is told and who is telling it

b)

a “you” narrator participates in the action

c)

narrator describes how only some characters think and feel

d)

narrator describes how all the characters think and feel

7.

What is third person limited omniscient point of view?

a)

how a story is told and who is telling it

b)

a “you” narrator participates in the action

c)

narrator describes how only some characters think and feel

d)

narrator describes how only some ofl the characters think and feel

8.

What point of view does this situation show?

The narrator describes what happens but not what any characters think or feel.

a)

first person point of view

b)

second person point of view

c)

third person objective point of view

d)

third person limited omniscient point of view

9.

What point of view does this situation show?

The narrator is an observer, not a character.

a)

first person point of view

b)

second person point of view

c)

third person point of view

d)

third person limited omniscient point of view

10.

What point of view does this situation show?

An “I" narrator tells the story.

a)

first person point of view

b)

second person point of view

c)

third person point of view

d)

third person limited omniscient point of view

11.

What point of view does this situation show?

The reader learns the thoughts and feelings of only one or two characters.

a)

third person point of view

b)

third person objective point of view

c)

third person omniscient point of view

d)

third person limited omniscient point of view

12.

What point of view does this situation show?

The narrator tells the thoughts and feelings of every character.

a)

third person point of view

b)

third person objective point of view

c)

third person omniscient point of view

d)

third person limited omniscient point of view

13.

To determine the point of view in a story, what should you look for?

a)

Big words

b)

adjectives

c)

antonyms

d)

pronouns

14.

What pronouns can show first person point of view? Choose ALL that apply.

a)

I

b)

me

c)

my

d)

we

15.

What pronouns show second person point of view? Choose ALL that apply.

a)

I

b)

me

c)

my

d)

you

16.

What pronouns show third person point of view? Choose ALL that apply.

a)

he

b)

she

c)

we

d)

they

17.

What is a subject?

a)

the action part of the sentence

b)

the who or the what of the sentence

c)

ALWAYS the first part of the sentence

d)

ALWAYS the last part of the sentence

18.

What is a predicate?

a)

the who or what of a sentence

b)

the verb (action) part of a sentence

c)

ALWAYS comes at the start of the sentence

d)

ALWAYS comes at the end of the sentence

19.

What makes up a complete sentence? Choose ALL that apply.

a)

a subject

b)

a predicate

c)

a noun

d)

an adjective

20.

What is an incomplete sentence?

a)

An incomplete sentence does not have a subject, a predicate, or both.

b)

An incomplete sentence does not have a subject.

c)

An incomplete sentence does not have a predicate.

d)

An incomplete sentence does not have an adjective.

21.

What is another name for an incomplete sentence?

a)

capitalization

b)

punctuation

c)

sentence fragment

d)

sentence figment

22.

Determine if the example shows a complete sentence or a sentence fragment.

History tells tales of brave explorers.

a)

complete sentence

b)

sentence fragment

23.

Determine if the example shows a complete sentence or a sentence fragment.

Christopher Columbus.

a)

complete sentence

b)

sentence fragment

24.

Determine if the example shows a complete sentence or a sentence fragment.

Sailed in three ships.

a)

complete sentence

b)

sentence fragment

25.

Determine if the example shows a complete sentence or a sentence fragment.

Hilary and his group almost died in the cold.

a)

complete sentence

b)

sentence fragment

26.

Determine if the example shows a complete sentence or a sentence fragment.

Hard to breathe.

a)

complete sentence

b)

sentence fragment

27.

Define: central/main idea

a)

the who or what of your sentence

b)

the verb (action) part of your sentence

c)

the most important point that an author makes about a topic. In other words, it answers the question What’s it all about?

d)

the least important part of a text

28.

Does an author ALWAYS explicitly state the central/main idea in a text?

a)

Yes

b)

No

29.

If the central/main idea is NOT explicitly stated in a text, what questions can you ask yourself to try to determine the central/main idea and the details that support it? Choose ALL that apply.

a)

Begin the summary with a topic sentence and include supporting details.

b)

What do the sentences in the text explain or describe?

c)

Do not include personal opinions or judgments in the summary.

d)

What details do the sentences have in common?

30.

Define: textual evidence

a)

a word, phrase, sentence, or paragraph that led you to make an inference or draw a conclusion.

b)

logical guesses about what is not directly, or explicitly, stated by the author.

c)

a synonym that you looked up in a thesaurus.

d)

an antonym that you looked up in a thesaurus.

31.

Define: inference

a)

a word, phrase, sentence, or paragraph that led you to make an inference or draw a conclusion.

b)

logical guesses about what is not directly, or explicitly, stated by the author.

c)

a synonym that you looked up in a thesaurus.

d)

an antonym that you looked up in a thesaurus.

32.

What steps should you use to make an inference? Choose ALL that apply.

a)

Logical guesses about what is not directly, or explicitly, stated by the author.

b)

Read closely and critically. Think about why an author gives certain details and information.

c)

Think about what you already know. Use your own knowledge, experiences, and observations to help figure out things the author doesn’t directly state.

d)

Find the most relevant textual evidence that supports your inference.

33.

Define: connotation

a)

what the author wants to communicate

b)

the place or situation in which a word, phrase, sentence, paragraph or text is used

c)

emotional or cultural definition; the way a word makes you feel

d)

literal dictionary definition of a word

34.

Define: denotation

a)

what the author wants to communicate

b)

the place or situation in which a word, phrase, sentence, paragraph or text is used

c)

emotional or cultural definition; the way a word makes you feel

d)

literal dictionary definition of a word

35.

Define: context

a)

what the author wants to communicate

b)

the place or situation in which a word, phrase, sentence, paragraph or text is used

c)

emotional or cultural definition; the way a word makes you feel

d)

literal dictionary definition of a word

36.

Define: author's intention

a)

what the author wants to communicate

b)

the place or situation in which a word, phrase, sentence, paragraph or text is used

c)

emotional or cultural definition; the way a word makes you feel

d)

literal dictionary definition of a word

37.

What kinds of connotation might a word have? Choose ALL that apply.

a)

positive

b)

negative

c)

friendly

d)

neutral

38.

Define: informational text structure

a)

Authors present information about events or steps in a process, in the order in which they take or have taken place.

b)

The organizational pattern that an author uses to present ideas in a text.

c)

Authors use this structure to present information about things that are different but have something in common, such as two points of view on a subject.

d)

Authors present information about events or steps in a process, in the order in which they take or have taken place.

39.

Which of the choices are examples of informational text structure? Choose ALL that apply.

a)

sequential

b)

problem and solution

c)

cause and effect

d)

comparison and contrast

40.

Define: sequential text structure

a)

Authors use this structure to present information about things that are different but have something in common, such as two points of view on a subject.

b)

A writer presents a problem or a series of problems, and offers solutions on how to solve them.

c)

Authors present information about events or steps in a process, in the order in which they take or have taken place.

d)

Authors who specialize in history or science topics often use this structure to explain how or why something happened.

41.

Define: problem and solution text structure

a)

Authors use this structure to present information about things that are different but have something in common, such as two points of view on a subject.

b)

A writer presents a problem or a series of problems, and offers solutions on how to solve them.

c)

Authors present information about events or steps in a process, in the order in which they take or have taken place.

d)

Authors who specialize in history or science topics often use this structure to explain how or why something happened.

42.

Define: cause and effect text structure

a)

Authors use this structure to present information about things that are different but have something in common, such as two points of view on a subject.

b)

A writer presents a problem or a series of problems, and offers solutions on how to solve them.

c)

Authors present information about events or steps in a process, in the order in which they take or have taken place.

d)

Authors who specialize in history or science topics often use this structure to explain how or why something happened.

43.

Define: comparison and contrast text structure

a)

Authors use this structure to present information about things that are different but have something in common, such as two points of view on a subject.

b)

A writer presents a problem or a series of problems, and offers solutions on how to solve them.

c)

Authors present information about events or steps in a process, in the order in which they take or have taken place.

d)

Authors who specialize in history or science topics often use this structure to explain how or why something happened.

44.

Define: figurative

a)

giving human characteristics to something that is not human

b)

a kind of figurative language

c)

idioms, similes, and metaphors

d)

having a meaning other than the strict, literal meaning

e)

using a word that resembles its sound, like sizzle

45.

Define: onomatopoeia

a)

giving human characteristics to something that is not human

b)

a kind of figurative language

c)

idioms, similes, and metaphors

d)

having a meaning other than the strict, literal meaning

e)

using a word that resembles its sound, like sizzle

46.

Define: personification

a)

giving human characteristics to something that is not human

b)

a kind of figurative language

c)

idioms, similes, and metaphors

d)

having a meaning other than the strict, literal meaning

e)

using a word that resembles its sound, like sizzle

47.

Examples of figures of speech

a)

giving human characteristics to something that is not human

b)

a kind of figurative language

c)

idioms, similes, and metaphors

d)

having a meaning other than the strict, literal meaning

e)

using a word that resembles its sound, like sizzle

48.

Define: figure of speech

a)

giving human characteristics to something that is not human

b)

a kind of figurative language

c)

idioms, similes, and metaphors

d)

having a meaning other than the strict, literal meaning

e)

using a word that resembles its sound, like sizzle

49.

Media is the plural form of

a)

language

b)

communication

c)

medium

d)

audience experience

50.

Each medium has its own

a)

language

b)

communication

c)

medium

d)

audience experience

51.

Media are methods of

a)

language

b)

communication

c)

medium

d)

audience experience

52.

Every medium has its own form and

a)

language

b)

communication

c)

medium

d)

audience experience

53.

Define: pronoun

a)

an action word

b)

a describing word

c)

takes the place of a noun, a group of words acting as a noun, or another pronoun.

d)

a person, an action, or a thing

54.

Define: subject pronoun

a)

a pronoun that is the subject of the sentence

b)

a pronoun that follows the verb (action) in the sentence, but is still working like a pronoun

c)

a pronoun that is used to describe in the sentence

d)

a pronoun that is used like an adverb in the sentence

55.

Define: object pronoun

a)

a pronoun that is the subject of the sentence

b)

a pronoun that follows the verb (action) in the sentence, but is still working like a pronoun

c)

a pronoun that is used to describe in the sentence

d)

a pronoun that is used like an adverb in the sentence

56.

Choose ALL pronouns that could be used as SUBJECT pronouns

a)

I

b)

me

c)

he

d)

him

e)

she

57.

Choose ALL pronouns that could be used as OBJECT pronouns

a)

I

b)

me

c)

he

d)

him

e)

she

58.

Replace Maria with a pronoun in the sentence below. Are you using a subject pronoun or an object pronoun?

Maria fishes almost every weekend.

a)

subject, He

b)

subject, She

c)

object, Him

d)

object, Her

59.

Replace Mindy with a pronoun in the sentence below. Are you using a subject pronoun or an object pronoun?

Dad asked Mindy to the game.

a)

subject, he

b)

subject, she

c)

object, him

d)

object, her

60.

Replace Tom and Mitch with a single pronoun in the sentence below. Are you using a subject pronoun or an object pronoun?

Mom took Tom and Mitch with her.

a)

subject, he and him

b)

subject, she and her

c)

object, he and I

d)

object, them

61.

Replace Sharon and I with a single pronoun in the sentence below. Are you using a subject pronoun or an object pronoun?

Sharon and I sang the duet in perfect harmony.

a)

subject, She and I

b)

subject, We

c)

object, They

d)

object, They

62.

Choose ALL elements that could be considered POETIC ELEMENTS.

a)

figurative language - similes, metaphors, imagery

b)

rhythm

c)

rhyme

d)

repetition - alliteration, assonance

63.

Read these lines from stanza 3 of “The Road Not Taken” and answer the question.


And both that morning equally lay

In leaves no step had trodden black.

Oh, I kept the first for another day!

Yet knowing how way leads on to way,

I doubted if I should ever come back.


What impact does the poet’s use of alliteration have on the lines in this stanza?

a)

They create a quiet stillness.

b)

It helps the reader understand the speaker’s choice.

c)

It helps the reader see that there are two diverging roads.

d)

It describes someone stepping on the leaves.

64.

Read these lines from stanza 3 of “The Road Not Taken” and answer the question.


And both that morning equally lay

In leaves no step had trodden black.

Oh, I kept the first for another day!

Yet knowing how way leads on to way,

I doubted if I should ever come back.


Which pair of words in the text provide the best example of alliteration?

a)

lay/leaves

b)

had/trodden

c)

lay/day

d)

both/morning

65.

What is a group of lines in a poem called?

a)

poetry paragraph

b)

paragraph

c)

stanza

d)

stairs

66.

What are some types of poetic structure (forms)? Choose ALL that apply.

a)

fiction

b)

haiku

c)

sonnet

d)

realistic

e)

limerick

67.

Define: end rhyme

a)

rhyming words in the middle of lines

b)

rhyming words in the last line of the poem

c)

rhyming words at the beginnings of lines

d)

rhyming words at the ends of lines

68.

End rhyme creates a poem's...

a)

tone

b)

mood

c)

rhyme scheme

d)

length

69.

How would you correctly label the rhyme scheme in the first stanza of "The Road Not Taken" by Robert Frost?


Two roads diverged in a yellow wood,

And sorry I could not travel both

And be one traveler, long I stood

And looked down one as far as I could

To where it bent in the undergrowth;

a)

ABCDE

b)

ABABA

c)

ABAAB

d)

ABCBA

70.

Define: analysis

a)

details from the text that a reader can use to support his or her ideas and opinions about the text

b)

to quote as evidence to support a response

c)

inferences and conclusions drawn from the text; detailed examination

d)

an idea formed by combining text evidence and one’s own reasoning and background knowledge

71.

Define: cite

a)

details from the text that a reader can use to support his or her ideas and opinions about the text

b)

to quote as evidence to support a response

c)

inferences and conclusions drawn from the text; detailed examination

d)

an idea formed by combining text evidence and one’s own reasoning and background knowledge

72.

Define: inference

a)

details from the text that a reader can use to support his or her ideas and opinions about the text

b)

to quote as evidence to support a response

c)

inferences and conclusions drawn from the text; detailed examination

d)

an idea formed by combining text evidence and one’s own reasoning and background knowledge

73.

Define: textual evidence

a)

details from the text that a reader can use to support his or her ideas and opinions about the text

b)

to quote as evidence to support a response

c)

inferences and conclusions drawn from the text; detailed examination

d)

an idea formed by combining text evidence and one’s own reasoning and background knowledge

74.

Choose ALL that apply. Cite textual evidence by making notes about particular details as you read, including:

a)

the central or main idea of the text

b)

supporting details, examples, and quotations

c)

use of language, including figures of speech and connotative word meanings

d)

structure of a text, including the order in which information is introduced and developed

e)

details that show the author’s point of view on the topic

75.

Define: compare

a)

to explain how two or more things are similar

b)

to explain how two or more things are different

c)

the different categories or types of literature, in which the main categories are fiction, nonfiction, poetry, and drama

d)

use of language, including figures of speech and connotative word meanings.

76.

Define: contrast

a)

to explain how two or more things are similar

b)

to explain how two or more things are different

c)

the different categories or types of literature, in which the main categories are fiction, nonfiction, poetry, and drama

d)

use of language, including figures of speech and connotative word meanings.

77.

Define: genre

a)

to explain how two or more things are similar

b)

to explain how two or more things are different

c)

the different categories or types of literature, in which the main categories are fiction, nonfiction, poetry, and drama

d)

use of language, including figures of speech and connotative word meanings.

78.

Define: character

a)

the sequence of events that form a story

b)

the central idea or message of a work of literature, often expressed as a general statement about life

c)

the main problem or struggle that characters face in a story

d)

an individual in a literary work whose thoughts, feelings, actions, and reactions move the action of the plot forward

e)

the time and place of the story

79.

Define: conflict

a)

the sequence of events that form a story

b)

the central idea or message of a work of literature, often expressed as a general statement about life

c)

the main problem or struggle that characters face in a story

d)

an individual in a literary work whose thoughts, feelings, actions, and reactions move the action of the plot forward

e)

the time and place of the story

80.

Define: plot

a)

the sequence of events that form a story

b)

the central idea or message of a work of literature, often expressed as a general statement about life

c)

the main problem or struggle that characters face in a story

d)

an individual in a literary work whose thoughts, feelings, actions, and reactions move the action of the plot forward

e)

the time and place of the story

81.

Define: setting

a)

the sequence of events that form a story

b)

the central idea or message of a work of literature, often expressed as a general statement about life

c)

the main problem or struggle that characters face in a story

d)

an individual in a literary work whose thoughts, feelings, actions, and reactions move the action of the plot forward

e)

the time and place of the story

82.

Define: theme

a)

the sequence of events that form a story

b)

the central idea or message of a work of literature, often expressed as a general statement about life

c)

the main problem or struggle that characters face in a story

d)

an individual in a literary work whose thoughts, feelings, actions, and reactions move the action of the plot forward

e)

the time and place of the story

83.

In this selection from "A Christmas Carol" by Charles Dickens, what story elements are shown?


“‘A merry Christmas, uncle! God save you!’ cried a cheerful voice. It was the voice of Scrooge’s nephew, who came upon him so quickly that this was the first intimation he had of his approach.


‘Bah!’ said Scrooge, ‘Humbug!’

a)

conflict and characters

b)

exposition and resolution

c)

plot and conflict

d)

setting and characters

84.

In this selection from "A Christmas Carol" by Charles Dickens, what story elements are shown?


“‘I do,’ said Scrooge. ‘Merry Christmas! What right have you to be merry? What reason have you to be merry? You’re poor enough.’


‘Come, then,’ returned the nephew gaily. ‘What right have you to be dismal? What reason have you to be morose? You’re rich enough.’

a)

conflict and characters

b)

exposition and resolution

c)

plot and conflict

d)

setting and characters

85.

In this selection from "A Christmas Carol" by Charles Dickens, what story elements are shown?


“‘If I could work my will,” said Scrooge indignantly, ‘every idiot who goes about with ‘Merry Christmas’ on his lips, should be boiled with his own pudding, and buried with a stake of holly through his heart. He should!


’‘Uncle!’ pleaded the nephew.


‘Nephew!’ returned the uncle sternly, ‘keep Christmas in your own way, and let me keep it in mine.’”plot & conflict

a)

conflict and characters

b)

exposition and resolution

c)

plot and conflict

d)

setting and characters

86.

Define: chronological order

a)

a series of events that works to create tension, interest, or suspense and result in the story's climax.

b)

a text structure that tells about events in time order

c)

a scene in a story, play, movie or tv show that is set in a time earlier than the events in the main story

d)

the point in the plot with the highest interest, conflict, or suspense

e)

the background information provided in the beginning of a story about the characters, the setting, and the conflict

87.

Define: climax

a)

a series of events that works to create tension, interest, or suspense and result in the story's climax.

b)

a text structure that tells about events in time order

c)

a scene in a story, play, movie or tv show that is set in a time earlier than the events in the main story

d)

the point in the plot with the highest interest, conflict, or suspense

e)

the background information provided in the beginning of a story about the characters, the setting, and the conflict

88.

Define: exposition

a)

a series of events that works to create tension, interest, or suspense and result in the story's climax.

b)

a text structure that tells about events in time order

c)

a scene in a story, play, movie or tv show that is set in a time earlier than the events in the main story

d)

the point in the plot with the highest interest, conflict, or suspense

e)

the background information provided in the beginning of a story about the characters, the setting, and the conflict

89.

Define: flashback

a)

a series of events that works to create tension, interest, or suspense and result in the story's climax.

b)

a text structure that tells about events in time order

c)

a scene in a story, play, movie or tv show that is set in a time earlier than the events in the main story

d)

the point in the plot with the highest interest, conflict, or suspense

e)

the background information provided in the beginning of a story about the characters, the setting, and the conflict

90.

Define: resolution

a)

a series of events that works to create tension, interest, or suspense and result in the story's climax.

b)

the final outcome of the story’s conflict

c)

a scene in a story, play, movie or tv show that is set in a time earlier than the events in the main story

d)

the point in the plot with the highest interest, conflict, or suspense

e)

the background information provided in the beginning of a story about the characters, the setting, and the conflict

91.

Define: rising action

a)

a series of events that works to create tension, interest, or suspense and result in the story's climax.

b)

the final outcome of the story’s conflict

c)

a scene in a story, play, movie or tv show that is set in a time earlier than the events in the main story

d)

the point in the plot with the highest interest, conflict, or suspense

e)

the background information provided in the beginning of a story about the characters, the setting, and the conflict

92.

Read the passage from the book "Harry Potter and the Sorcerer’s Stone" by J.K. Rowling.


"Dumbledore slipped the Put-Outer back inside his cloak and set off down the street toward number four, where he sat down on the wall next to the cat. He didn’t look at it, but after a moment he spoke to it.


"Fancy seeing you here, Professor McGonagall."


He turned to smile at the tabby, but it had gone. Instead he was smiling at a rather severe-looking woman who was wearing square glasses exactly the shape of the markings the cat had had around its eyes. She, too, was wearing a cloak, an emerald one. Her black hair was drawn into a tight bun. She looked distinctly ruffled.


"How did you know it was me?" she asked.


"My dear Professor, I’ve never seen a cat sit so stiffly."


"You’d be stiff if you’d been sitting on a brick wall all day," said Professor McGonagall.


"All day? When you could have been celebrating? I must have passed a dozen feasts and parties on my way here."


Professor McGonagall sniffed angrily.


"Oh yes, everyone’s celebrating, all right," she said impatiently. "You’d think they’d be a bit more careful, but no — even the Muggles have noticed something’s going on. It was on their news." She jerked her head back at the Dursleys’ dark living-room window. "I heard it. Flocks of owls... shooting stars....”


"You can’t blame them," said Dumbledore gently. "We’ve had precious little to celebrate for eleven years."


"I know that," said Professor McGonagall irritably. "But that’s no reason to lose our heads. People are being downright careless, out on the streets in broad daylight, not even dressed in Muggle clothes, swapping rumors." She threw a sharp, sideways glance at Dumbledore here, as though hoping he was going to tell her something, but he didn’t, so she went on. "A fine thing it would be if, on the very day You-Know-Who seems to have disappeared at last, the Muggles found out about us all. I suppose he really has gone, Dumbledore?"


NOW read the quotation below and select the statement that best describes how it contributes to the story’s structure.


“Dumbledore slipped the Put-Outer back inside his cloak and set off down the street toward number four, where he sat down on the wall next to the cat. He didn’t look at it, but after a moment he spoke to it.


‘Fancy seeing you here, Professor McGonagall.’”

a)

This signals the story’s exposition because it introduces the characters and the setting.

b)

This signals the story’s conflict because there is tension between the characters.

c)

This helps readers understand that magical events will take place in the story.

d)

This begins the rising action with a hint that something has recently happened.

93.

Read the passage from the book "Harry Potter and the Sorcerer’s Stone" by J.K. Rowling.


"Dumbledore slipped the Put-Outer back inside his cloak and set off down the street toward number four, where he sat down on the wall next to the cat. He didn’t look at it, but after a moment he spoke to it.


"Fancy seeing you here, Professor McGonagall."


He turned to smile at the tabby, but it had gone. Instead he was smiling at a rather severe-looking woman who was wearing square glasses exactly the shape of the markings the cat had had around its eyes. She, too, was wearing a cloak, an emerald one. Her black hair was drawn into a tight bun. She looked distinctly ruffled.


"How did you know it was me?" she asked.


"My dear Professor, I’ve never seen a cat sit so stiffly."


"You’d be stiff if you’d been sitting on a brick wall all day," said Professor McGonagall.


"All day? When you could have been celebrating? I must have passed a dozen feasts and parties on my way here."


Professor McGonagall sniffed angrily.


"Oh yes, everyone’s celebrating, all right," she said impatiently. "You’d think they’d be a bit more careful, but no — even the Muggles have noticed something’s going on. It was on their news." She jerked her head back at the Dursleys’ dark living-room window. "I heard it. Flocks of owls... shooting stars....”


"You can’t blame them," said Dumbledore gently. "We’ve had precious little to celebrate for eleven years."


"I know that," said Professor McGonagall irritably. "But that’s no reason to lose our heads. People are being downright careless, out on the streets in broad daylight, not even dressed in Muggle clothes, swapping rumors." She threw a sharp, sideways glance at Dumbledore here, as though hoping he was going to tell her something, but he didn’t, so she went on. "A fine thing it would be if, on the very day You-Know-Who seems to have disappeared at last, the Muggles found out about us all. I suppose he really has gone, Dumbledore?"


NOW read the quotation below and select the statement that best describes how it contributes to the story’s structure.


“‘How did you know it was me?’ she asked.


‘My dear Professor, I’ve never seen a cat sit so stiffly.’


‘You’d be stiff if you’d been sitting on a brick wall all day,’ said Professor McGonagall.”

a)

This signals the story’s exposition because it introduces the characters and the setting.

b)

This signals the story’s conflict because there is tension between the characters.

c)

This helps readers understand that magical events will take place in the story.

d)

This gives readers important background information about characters in the story.

94.

Read the passage from the book "Harry Potter and the Sorcerer’s Stone" by J.K. Rowling.


"Dumbledore slipped the Put-Outer back inside his cloak and set off down the street toward number four, where he sat down on the wall next to the cat. He didn’t look at it, but after a moment he spoke to it.


"Fancy seeing you here, Professor McGonagall."


He turned to smile at the tabby, but it had gone. Instead he was smiling at a rather severe-looking woman who was wearing square glasses exactly the shape of the markings the cat had had around its eyes. She, too, was wearing a cloak, an emerald one. Her black hair was drawn into a tight bun. She looked distinctly ruffled.


"How did you know it was me?" she asked.


"My dear Professor, I’ve never seen a cat sit so stiffly."


"You’d be stiff if you’d been sitting on a brick wall all day," said Professor McGonagall.


"All day? When you could have been celebrating? I must have passed a dozen feasts and parties on my way here."


Professor McGonagall sniffed angrily.


"Oh yes, everyone’s celebrating, all right," she said impatiently. "You’d think they’d be a bit more careful, but no — even the Muggles have noticed something’s going on. It was on their news." She jerked her head back at the Dursleys’ dark living-room window. "I heard it. Flocks of owls... shooting stars....”


"You can’t blame them," said Dumbledore gently. "We’ve had precious little to celebrate for eleven years."


"I know that," said Professor McGonagall irritably. "But that’s no reason to lose our heads. People are being downright careless, out on the streets in broad daylight, not even dressed in Muggle clothes, swapping rumors." She threw a sharp, sideways glance at Dumbledore here, as though hoping he was going to tell her something, but he didn’t, so she went on. "A fine thing it would be if, on the very day You-Know-Who seems to have disappeared at last, the Muggles found out about us all. I suppose he really has gone, Dumbledore?"


NOW read the quotation below and select the statement that best describes how it contributes to the story’s structure.


“All day? When you could have been celebrating? I must have passed a dozen feasts and parties on my way here."

a)

This helps readers understand that magical events will take place in the story.

b)

This gives readers important background information about characters in the story.

c)

This begins the rising action with a hint that something has recently happened.

d)

This builds tension because the characters are not celebrating.

95.

Read the passage from the book "Harry Potter and the Sorcerer’s Stone" by J.K. Rowling.


"Dumbledore slipped the Put-Outer back inside his cloak and set off down the street toward number four, where he sat down on the wall next to the cat. He didn’t look at it, but after a moment he spoke to it.


"Fancy seeing you here, Professor McGonagall."


He turned to smile at the tabby, but it had gone. Instead he was smiling at a rather severe-looking woman who was wearing square glasses exactly the shape of the markings the cat had had around its eyes. She, too, was wearing a cloak, an emerald one. Her black hair was drawn into a tight bun. She looked distinctly ruffled.


"How did you know it was me?" she asked.


"My dear Professor, I’ve never seen a cat sit so stiffly."


"You’d be stiff if you’d been sitting on a brick wall all day," said Professor McGonagall.


"All day? When you could have been celebrating? I must have passed a dozen feasts and parties on my way here."


Professor McGonagall sniffed angrily.


"Oh yes, everyone’s celebrating, all right," she said impatiently. "You’d think they’d be a bit more careful, but no — even the Muggles have noticed something’s going on. It was on their news." She jerked her head back at the Dursleys’ dark living-room window. "I heard it. Flocks of owls... shooting stars....”


"You can’t blame them," said Dumbledore gently. "We’ve had precious little to celebrate for eleven years."


"I know that," said Professor McGonagall irritably. "But that’s no reason to lose our heads. People are being downright careless, out on the streets in broad daylight, not even dressed in Muggle clothes, swapping rumors." She threw a sharp, sideways glance at Dumbledore here, as though hoping he was going to tell her something, but he didn’t, so she went on. "A fine thing it would be if, on the very day You-Know-Who seems to have disappeared at last, the Muggles found out about us all. I suppose he really has gone, Dumbledore?"


NOW read the quotation below and select the statement that best describes how it contributes to the story’s structure.


“‘You can’t blame them,’ said Dumbledore gently. ‘We’ve had precious little to celebrate for eleven years.’

a)

This begins the rising action with a hint that something has recently happened.

b)

This builds tension because the characters are not celebrating.

c)

This is the climax of the story.

d)

This provides important background information.

96.

Read the passage from the book "Harry Potter and the Sorcerer’s Stone" by J.K. Rowling.


"Dumbledore slipped the Put-Outer back inside his cloak and set off down the street toward number four, where he sat down on the wall next to the cat. He didn’t look at it, but after a moment he spoke to it.


"Fancy seeing you here, Professor McGonagall."


He turned to smile at the tabby, but it had gone. Instead he was smiling at a rather severe-looking woman who was wearing square glasses exactly the shape of the markings the cat had had around its eyes. She, too, was wearing a cloak, an emerald one. Her black hair was drawn into a tight bun. She looked distinctly ruffled.


"How did you know it was me?" she asked.


"My dear Professor, I’ve never seen a cat sit so stiffly."


"You’d be stiff if you’d been sitting on a brick wall all day," said Professor McGonagall.


"All day? When you could have been celebrating? I must have passed a dozen feasts and parties on my way here."


Professor McGonagall sniffed angrily.


"Oh yes, everyone’s celebrating, all right," she said impatiently. "You’d think they’d be a bit more careful, but no — even the Muggles have noticed something’s going on. It was on their news." She jerked her head back at the Dursleys’ dark living-room window. "I heard it. Flocks of owls... shooting stars....”


"You can’t blame them," said Dumbledore gently. "We’ve had precious little to celebrate for eleven years."


"I know that," said Professor McGonagall irritably. "But that’s no reason to lose our heads. People are being downright careless, out on the streets in broad daylight, not even dressed in Muggle clothes, swapping rumors." She threw a sharp, sideways glance at Dumbledore here, as though hoping he was going to tell her something, but he didn’t, so she went on. "A fine thing it would be if, on the very day You-Know-Who seems to have disappeared at last, the Muggles found out about us all. I suppose he really has gone, Dumbledore?"


NOW read the quotation below and select the statement that best describes how it contributes to the story’s structure.


“A fine thing it would be if, on the very day You-Know-Who seems to have disappeared at last, the Muggles found out about us all. I suppose he really has gone, Dumbledore?"

a)

This is the climax of the story.

b)

This provides the resolution to the story’s central conflict.

c)

This identifies the important plot event that the characters are reacting to.

d)

This provides important background information.

97.

Read the passage from the book Maniac Magee from Jerry Spinelli.


"Maniac loved trash talk. The words were different, but in some strange way they reminded him of church. It had spirit, it had what they called soul. Pretty soon he was talking trash with the rest of them.


And pretty soon he brought it home.


Mrs. Beale was pressing her famous meatloaf into a baking pan one day, when Maniac started talking his trash to her. Her eyes shot open. She straightened up. "Wha’d you say?"


He said some more.


At first she couldn’t believe her ears. When she did believe them, she didn’t like it. She didn’t like this boy bringing the vacant lot into her kitchen, and she didn’t like how it fit his mouth. So she put a stop to it right then and there and slapped that trash-talking mouth.


Her lip started to quiver before his, but before she could say "I’m sorry," he was hugging and squeezing her and burying his face in her chest and sobbing, "I love you . . . I love you . . ."


NOW read the quotation below AND identify which element of story structure it shows.


“Maniac loved trash talk.”

a)

climax

b)

exposition

c)

resolution

d)

rising action

98.

Read the passage from the book Maniac Magee from Jerry Spinelli.


"Maniac loved trash talk. The words were different, but in some strange way they reminded him of church. It had spirit, it had what they called soul. Pretty soon he was talking trash with the rest of them.


And pretty soon he brought it home.


Mrs. Beale was pressing her famous meatloaf into a baking pan one day, when Maniac started talking his trash to her. Her eyes shot open. She straightened up. "Wha’d you say?"


He said some more.


At first she couldn’t believe her ears. When she did believe them, she didn’t like it. She didn’t like this boy bringing the vacant lot into her kitchen, and she didn’t like how it fit his mouth. So she put a stop to it right then and there and slapped that trash-talking mouth.


Her lip started to quiver before his, but before she could say "I’m sorry," he was hugging and squeezing her and burying his face in her chest and sobbing, "I love you . . . I love you . . ."


NOW read the quotation below AND identify which element of story structure it shows.


“Her eyes shot open. She straightened up. ‘Wha’d you say’"

a)

climax

b)

exposition

c)

resolution

d)

rising action

99.

Read the passage from the book Maniac Magee from Jerry Spinelli.


"Maniac loved trash talk. The words were different, but in some strange way they reminded him of church. It had spirit, it had what they called soul. Pretty soon he was talking trash with the rest of them.


And pretty soon he brought it home.


Mrs. Beale was pressing her famous meatloaf into a baking pan one day, when Maniac started talking his trash to her. Her eyes shot open. She straightened up. "Wha’d you say?"


He said some more.


At first she couldn’t believe her ears. When she did believe them, she didn’t like it. She didn’t like this boy bringing the vacant lot into her kitchen, and she didn’t like how it fit his mouth. So she put a stop to it right then and there and slapped that trash-talking mouth.


Her lip started to quiver before his, but before she could say "I’m sorry," he was hugging and squeezing her and burying his face in her chest and sobbing, "I love you . . . I love you . . ."


NOW read the quotation below AND identify which element of story structure it shows.


“So she put a stop to it right then and there and slapped that trash-talking mouth.”

a)

climax

b)

exposition

c)

resolution

d)

rising action

100.

Read the passage from the book Maniac Magee from Jerry Spinelli.


"Maniac loved trash talk. The words were different, but in some strange way they reminded him of church. It had spirit, it had what they called soul. Pretty soon he was talking trash with the rest of them.


And pretty soon he brought it home.


Mrs. Beale was pressing her famous meatloaf into a baking pan one day, when Maniac started talking his trash to her. Her eyes shot open. She straightened up. "Wha’d you say?"


He said some more.


At first she couldn’t believe her ears. When she did believe them, she didn’t like it. She didn’t like this boy bringing the vacant lot into her kitchen, and she didn’t like how it fit his mouth. So she put a stop to it right then and there and slapped that trash-talking mouth.


Her lip started to quiver before his, but before she could say "I’m sorry," he was hugging and squeezing her and burying his face in her chest and sobbing, "I love you . . . I love you . . ."


NOW read the quotation below AND identify which element of story structure it shows.


“[B]before she could say ‘I’m sorry,’ he was hugging and squeezing her and burying his face in her chest and sobbing, ‘I love you . . . I love you . . .’”

a)

climax

b)

exposition

c)

resolution

d)

rising action