WorksheetsAIR Review
Total questions: 100
Worksheet time: 2hrs 35mins
What is point of view?
narrator tells what happens but does not describe anyone's thoughts or feelings
your opinion—how you “see” or understand a situation or idea
narrator uses “he,” “she,” or ”it” to show thoughts and feelings
narrator describes how all the characters think and feel
What is first person point of view?
how a story is told and who is telling it
narrator describes how all the characters think and feel
has an “I” narrator who participates in the action
narrator uses “he,” “she,” or ”it” to show thoughts and feelings
What is second person point of view?
a “you” narrator participates in the action
how a story is told and who is telling it
narrator tells what happens but does not describe anyone's thoughts or feelings
has an “I” narrator who participates in the action
What is third person point of view?
how a story is told and who is telling it
a “you” narrator participates in the action
has an “I” narrator who participates in the action
narrator uses “he,” “she,” or ”it” to show thoughts and feelings
What is third person objective point of view?
how a story is told and who is telling it
narrator tells what happens but does not describe anyone's thoughts or feelings
has an “I” narrator who participates in the action
“you” narrator participates in the action
What is third person omniscient point of view?
how a story is told and who is telling it
a “you” narrator participates in the action
narrator describes how only some characters think and feel
narrator describes how all the characters think and feel
What is third person limited omniscient point of view?
how a story is told and who is telling it
a “you” narrator participates in the action
narrator describes how only some characters think and feel
narrator describes how only some ofl the characters think and feel
What point of view does this situation show?
The narrator describes what happens but not what any characters think or feel.
first person point of view
second person point of view
third person objective point of view
third person limited omniscient point of view
What point of view does this situation show?
The narrator is an observer, not a character.
first person point of view
second person point of view
third person point of view
third person limited omniscient point of view
What point of view does this situation show?
An “I" narrator tells the story.
first person point of view
second person point of view
third person point of view
third person limited omniscient point of view
What point of view does this situation show?
The reader learns the thoughts and feelings of only one or two characters.
third person point of view
third person objective point of view
third person omniscient point of view
third person limited omniscient point of view
What point of view does this situation show?
The narrator tells the thoughts and feelings of every character.
third person point of view
third person objective point of view
third person omniscient point of view
third person limited omniscient point of view
To determine the point of view in a story, what should you look for?
Big words
adjectives
antonyms
pronouns
What pronouns can show first person point of view? Choose ALL that apply.
I
me
my
we
What pronouns show second person point of view? Choose ALL that apply.
I
me
my
you
What pronouns show third person point of view? Choose ALL that apply.
he
she
we
they
What is a subject?
the action part of the sentence
the who or the what of the sentence
ALWAYS the first part of the sentence
ALWAYS the last part of the sentence
What is a predicate?
the who or what of a sentence
the verb (action) part of a sentence
ALWAYS comes at the start of the sentence
ALWAYS comes at the end of the sentence
What makes up a complete sentence? Choose ALL that apply.
a subject
a predicate
a noun
an adjective
What is an incomplete sentence?
An incomplete sentence does not have a subject, a predicate, or both.
An incomplete sentence does not have a subject.
An incomplete sentence does not have a predicate.
An incomplete sentence does not have an adjective.
What is another name for an incomplete sentence?
capitalization
punctuation
sentence fragment
sentence figment
Determine if the example shows a complete sentence or a sentence fragment.
History tells tales of brave explorers.
complete sentence
sentence fragment
Determine if the example shows a complete sentence or a sentence fragment.
Christopher Columbus.
complete sentence
sentence fragment
Determine if the example shows a complete sentence or a sentence fragment.
Sailed in three ships.
complete sentence
sentence fragment
Determine if the example shows a complete sentence or a sentence fragment.
Hilary and his group almost died in the cold.
complete sentence
sentence fragment
Determine if the example shows a complete sentence or a sentence fragment.
Hard to breathe.
complete sentence
sentence fragment
Define: central/main idea
the who or what of your sentence
the verb (action) part of your sentence
the most important point that an author makes about a topic. In other words, it answers the question What’s it all about?
the least important part of a text
Does an author ALWAYS explicitly state the central/main idea in a text?
Yes
No
If the central/main idea is NOT explicitly stated in a text, what questions can you ask yourself to try to determine the central/main idea and the details that support it? Choose ALL that apply.
Begin the summary with a topic sentence and include supporting details.
What do the sentences in the text explain or describe?
Do not include personal opinions or judgments in the summary.
What details do the sentences have in common?
Define: textual evidence
a word, phrase, sentence, or paragraph that led you to make an inference or draw a conclusion.
logical guesses about what is not directly, or explicitly, stated by the author.
a synonym that you looked up in a thesaurus.
an antonym that you looked up in a thesaurus.
Define: inference
a word, phrase, sentence, or paragraph that led you to make an inference or draw a conclusion.
logical guesses about what is not directly, or explicitly, stated by the author.
a synonym that you looked up in a thesaurus.
an antonym that you looked up in a thesaurus.
What steps should you use to make an inference? Choose ALL that apply.
Logical guesses about what is not directly, or explicitly, stated by the author.
Read closely and critically. Think about why an author gives certain details and information.
Think about what you already know. Use your own knowledge, experiences, and observations to help figure out things the author doesn’t directly state.
Find the most relevant textual evidence that supports your inference.
Define: connotation
what the author wants to communicate
the place or situation in which a word, phrase, sentence, paragraph or text is used
emotional or cultural definition; the way a word makes you feel
literal dictionary definition of a word
Define: denotation
what the author wants to communicate
the place or situation in which a word, phrase, sentence, paragraph or text is used
emotional or cultural definition; the way a word makes you feel
literal dictionary definition of a word
Define: context
what the author wants to communicate
the place or situation in which a word, phrase, sentence, paragraph or text is used
emotional or cultural definition; the way a word makes you feel
literal dictionary definition of a word
Define: author's intention
what the author wants to communicate
the place or situation in which a word, phrase, sentence, paragraph or text is used
emotional or cultural definition; the way a word makes you feel
literal dictionary definition of a word
What kinds of connotation might a word have? Choose ALL that apply.
positive
negative
friendly
neutral
Define: informational text structure
Authors present information about events or steps in a process, in the order in which they take or have taken place.
The organizational pattern that an author uses to present ideas in a text.
Authors use this structure to present information about things that are different but have something in common, such as two points of view on a subject.
Authors present information about events or steps in a process, in the order in which they take or have taken place.
Which of the choices are examples of informational text structure? Choose ALL that apply.
sequential
problem and solution
cause and effect
comparison and contrast
Define: sequential text structure
Authors use this structure to present information about things that are different but have something in common, such as two points of view on a subject.
A writer presents a problem or a series of problems, and offers solutions on how to solve them.
Authors present information about events or steps in a process, in the order in which they take or have taken place.
Authors who specialize in history or science topics often use this structure to explain how or why something happened.
Define: problem and solution text structure
Authors use this structure to present information about things that are different but have something in common, such as two points of view on a subject.
A writer presents a problem or a series of problems, and offers solutions on how to solve them.
Authors present information about events or steps in a process, in the order in which they take or have taken place.
Authors who specialize in history or science topics often use this structure to explain how or why something happened.
Define: cause and effect text structure
Authors use this structure to present information about things that are different but have something in common, such as two points of view on a subject.
A writer presents a problem or a series of problems, and offers solutions on how to solve them.
Authors present information about events or steps in a process, in the order in which they take or have taken place.
Authors who specialize in history or science topics often use this structure to explain how or why something happened.
Define: comparison and contrast text structure
Authors use this structure to present information about things that are different but have something in common, such as two points of view on a subject.
A writer presents a problem or a series of problems, and offers solutions on how to solve them.
Authors present information about events or steps in a process, in the order in which they take or have taken place.
Authors who specialize in history or science topics often use this structure to explain how or why something happened.
Define: figurative
giving human characteristics to something that is not human
a kind of figurative language
idioms, similes, and metaphors
having a meaning other than the strict, literal meaning
using a word that resembles its sound, like sizzle
Define: onomatopoeia
giving human characteristics to something that is not human
a kind of figurative language
idioms, similes, and metaphors
having a meaning other than the strict, literal meaning
using a word that resembles its sound, like sizzle
Define: personification
giving human characteristics to something that is not human
a kind of figurative language
idioms, similes, and metaphors
having a meaning other than the strict, literal meaning
using a word that resembles its sound, like sizzle
Examples of figures of speech
giving human characteristics to something that is not human
a kind of figurative language
idioms, similes, and metaphors
having a meaning other than the strict, literal meaning
using a word that resembles its sound, like sizzle
Define: figure of speech
giving human characteristics to something that is not human
a kind of figurative language
idioms, similes, and metaphors
having a meaning other than the strict, literal meaning
using a word that resembles its sound, like sizzle
Media is the plural form of
language
communication
medium
audience experience
Each medium has its own
language
communication
medium
audience experience
Media are methods of
language
communication
medium
audience experience
Every medium has its own form and
language
communication
medium
audience experience
Define: pronoun
an action word
a describing word
takes the place of a noun, a group of words acting as a noun, or another pronoun.
a person, an action, or a thing
Define: subject pronoun
a pronoun that is the subject of the sentence
a pronoun that follows the verb (action) in the sentence, but is still working like a pronoun
a pronoun that is used to describe in the sentence
a pronoun that is used like an adverb in the sentence
Define: object pronoun
a pronoun that is the subject of the sentence
a pronoun that follows the verb (action) in the sentence, but is still working like a pronoun
a pronoun that is used to describe in the sentence
a pronoun that is used like an adverb in the sentence
Choose ALL pronouns that could be used as SUBJECT pronouns
I
me
he
him
she
Choose ALL pronouns that could be used as OBJECT pronouns
I
me
he
him
she
Replace Maria with a pronoun in the sentence below. Are you using a subject pronoun or an object pronoun?
Maria fishes almost every weekend.
subject, He
subject, She
object, Him
object, Her
Replace Mindy with a pronoun in the sentence below. Are you using a subject pronoun or an object pronoun?
Dad asked Mindy to the game.
subject, he
subject, she
object, him
object, her
Replace Tom and Mitch with a single pronoun in the sentence below. Are you using a subject pronoun or an object pronoun?
Mom took Tom and Mitch with her.
subject, he and him
subject, she and her
object, he and I
object, them
Replace Sharon and I with a single pronoun in the sentence below. Are you using a subject pronoun or an object pronoun?
Sharon and I sang the duet in perfect harmony.
subject, She and I
subject, We
object, They
object, They
Choose ALL elements that could be considered POETIC ELEMENTS.
figurative language - similes, metaphors, imagery
rhythm
rhyme
repetition - alliteration, assonance
Read these lines from stanza 3 of “The Road Not Taken” and answer the question.
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
What impact does the poet’s use of alliteration have on the lines in this stanza?
They create a quiet stillness.
It helps the reader understand the speaker’s choice.
It helps the reader see that there are two diverging roads.
It describes someone stepping on the leaves.
Read these lines from stanza 3 of “The Road Not Taken” and answer the question.
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
Which pair of words in the text provide the best example of alliteration?
lay/leaves
had/trodden
lay/day
both/morning
What is a group of lines in a poem called?
poetry paragraph
paragraph
stanza
stairs
What are some types of poetic structure (forms)? Choose ALL that apply.
fiction
haiku
sonnet
realistic
limerick
Define: end rhyme
rhyming words in the middle of lines
rhyming words in the last line of the poem
rhyming words at the beginnings of lines
rhyming words at the ends of lines
End rhyme creates a poem's...
tone
mood
rhyme scheme
length
How would you correctly label the rhyme scheme in the first stanza of "The Road Not Taken" by Robert Frost?
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
ABCDE
ABABA
ABAAB
ABCBA
Define: analysis
details from the text that a reader can use to support his or her ideas and opinions about the text
to quote as evidence to support a response
inferences and conclusions drawn from the text; detailed examination
an idea formed by combining text evidence and one’s own reasoning and background knowledge
Define: cite
details from the text that a reader can use to support his or her ideas and opinions about the text
to quote as evidence to support a response
inferences and conclusions drawn from the text; detailed examination
an idea formed by combining text evidence and one’s own reasoning and background knowledge
Define: inference
details from the text that a reader can use to support his or her ideas and opinions about the text
to quote as evidence to support a response
inferences and conclusions drawn from the text; detailed examination
an idea formed by combining text evidence and one’s own reasoning and background knowledge
Define: textual evidence
details from the text that a reader can use to support his or her ideas and opinions about the text
to quote as evidence to support a response
inferences and conclusions drawn from the text; detailed examination
an idea formed by combining text evidence and one’s own reasoning and background knowledge
Choose ALL that apply. Cite textual evidence by making notes about particular details as you read, including:
the central or main idea of the text
supporting details, examples, and quotations
use of language, including figures of speech and connotative word meanings
structure of a text, including the order in which information is introduced and developed
details that show the author’s point of view on the topic
Define: compare
to explain how two or more things are similar
to explain how two or more things are different
the different categories or types of literature, in which the main categories are fiction, nonfiction, poetry, and drama
use of language, including figures of speech and connotative word meanings.
Define: contrast
to explain how two or more things are similar
to explain how two or more things are different
the different categories or types of literature, in which the main categories are fiction, nonfiction, poetry, and drama
use of language, including figures of speech and connotative word meanings.
Define: genre
to explain how two or more things are similar
to explain how two or more things are different
the different categories or types of literature, in which the main categories are fiction, nonfiction, poetry, and drama
use of language, including figures of speech and connotative word meanings.
Define: character
the sequence of events that form a story
the central idea or message of a work of literature, often expressed as a general statement about life
the main problem or struggle that characters face in a story
an individual in a literary work whose thoughts, feelings, actions, and reactions move the action of the plot forward
the time and place of the story
Define: conflict
the sequence of events that form a story
the central idea or message of a work of literature, often expressed as a general statement about life
the main problem or struggle that characters face in a story
an individual in a literary work whose thoughts, feelings, actions, and reactions move the action of the plot forward
the time and place of the story
Define: plot
the sequence of events that form a story
the central idea or message of a work of literature, often expressed as a general statement about life
the main problem or struggle that characters face in a story
an individual in a literary work whose thoughts, feelings, actions, and reactions move the action of the plot forward
the time and place of the story
Define: setting
the sequence of events that form a story
the central idea or message of a work of literature, often expressed as a general statement about life
the main problem or struggle that characters face in a story
an individual in a literary work whose thoughts, feelings, actions, and reactions move the action of the plot forward
the time and place of the story
Define: theme
the sequence of events that form a story
the central idea or message of a work of literature, often expressed as a general statement about life
the main problem or struggle that characters face in a story
an individual in a literary work whose thoughts, feelings, actions, and reactions move the action of the plot forward
the time and place of the story
In this selection from "A Christmas Carol" by Charles Dickens, what story elements are shown?
“‘A merry Christmas, uncle! God save you!’ cried a cheerful voice. It was the voice of Scrooge’s nephew, who came upon him so quickly that this was the first intimation he had of his approach.
‘Bah!’ said Scrooge, ‘Humbug!’
conflict and characters
exposition and resolution
plot and conflict
setting and characters
In this selection from "A Christmas Carol" by Charles Dickens, what story elements are shown?
“‘I do,’ said Scrooge. ‘Merry Christmas! What right have you to be merry? What reason have you to be merry? You’re poor enough.’
‘Come, then,’ returned the nephew gaily. ‘What right have you to be dismal? What reason have you to be morose? You’re rich enough.’
conflict and characters
exposition and resolution
plot and conflict
setting and characters
In this selection from "A Christmas Carol" by Charles Dickens, what story elements are shown?
“‘If I could work my will,” said Scrooge indignantly, ‘every idiot who goes about with ‘Merry Christmas’ on his lips, should be boiled with his own pudding, and buried with a stake of holly through his heart. He should!
’‘Uncle!’ pleaded the nephew.
‘Nephew!’ returned the uncle sternly, ‘keep Christmas in your own way, and let me keep it in mine.’”plot & conflict
conflict and characters
exposition and resolution
plot and conflict
setting and characters
Define: chronological order
a series of events that works to create tension, interest, or suspense and result in the story's climax.
a text structure that tells about events in time order
a scene in a story, play, movie or tv show that is set in a time earlier than the events in the main story
the point in the plot with the highest interest, conflict, or suspense
the background information provided in the beginning of a story about the characters, the setting, and the conflict
Define: climax
a series of events that works to create tension, interest, or suspense and result in the story's climax.
a text structure that tells about events in time order
a scene in a story, play, movie or tv show that is set in a time earlier than the events in the main story
the point in the plot with the highest interest, conflict, or suspense
the background information provided in the beginning of a story about the characters, the setting, and the conflict
Define: exposition
a series of events that works to create tension, interest, or suspense and result in the story's climax.
a text structure that tells about events in time order
a scene in a story, play, movie or tv show that is set in a time earlier than the events in the main story
the point in the plot with the highest interest, conflict, or suspense
the background information provided in the beginning of a story about the characters, the setting, and the conflict
Define: flashback
a series of events that works to create tension, interest, or suspense and result in the story's climax.
a text structure that tells about events in time order
a scene in a story, play, movie or tv show that is set in a time earlier than the events in the main story
the point in the plot with the highest interest, conflict, or suspense
the background information provided in the beginning of a story about the characters, the setting, and the conflict
Define: resolution
a series of events that works to create tension, interest, or suspense and result in the story's climax.
the final outcome of the story’s conflict
a scene in a story, play, movie or tv show that is set in a time earlier than the events in the main story
the point in the plot with the highest interest, conflict, or suspense
the background information provided in the beginning of a story about the characters, the setting, and the conflict
Define: rising action
a series of events that works to create tension, interest, or suspense and result in the story's climax.
the final outcome of the story’s conflict
a scene in a story, play, movie or tv show that is set in a time earlier than the events in the main story
the point in the plot with the highest interest, conflict, or suspense
the background information provided in the beginning of a story about the characters, the setting, and the conflict
Read the passage from the book "Harry Potter and the Sorcerer’s Stone" by J.K. Rowling.
"Dumbledore slipped the Put-Outer back inside his cloak and set off down the street toward number four, where he sat down on the wall next to the cat. He didn’t look at it, but after a moment he spoke to it.
"Fancy seeing you here, Professor McGonagall."
He turned to smile at the tabby, but it had gone. Instead he was smiling at a rather severe-looking woman who was wearing square glasses exactly the shape of the markings the cat had had around its eyes. She, too, was wearing a cloak, an emerald one. Her black hair was drawn into a tight bun. She looked distinctly ruffled.
"How did you know it was me?" she asked.
"My dear Professor, I’ve never seen a cat sit so stiffly."
"You’d be stiff if you’d been sitting on a brick wall all day," said Professor McGonagall.
"All day? When you could have been celebrating? I must have passed a dozen feasts and parties on my way here."
Professor McGonagall sniffed angrily.
"Oh yes, everyone’s celebrating, all right," she said impatiently. "You’d think they’d be a bit more careful, but no — even the Muggles have noticed something’s going on. It was on their news." She jerked her head back at the Dursleys’ dark living-room window. "I heard it. Flocks of owls... shooting stars....”
"You can’t blame them," said Dumbledore gently. "We’ve had precious little to celebrate for eleven years."
"I know that," said Professor McGonagall irritably. "But that’s no reason to lose our heads. People are being downright careless, out on the streets in broad daylight, not even dressed in Muggle clothes, swapping rumors." She threw a sharp, sideways glance at Dumbledore here, as though hoping he was going to tell her something, but he didn’t, so she went on. "A fine thing it would be if, on the very day You-Know-Who seems to have disappeared at last, the Muggles found out about us all. I suppose he really has gone, Dumbledore?"
NOW read the quotation below and select the statement that best describes how it contributes to the story’s structure.
“Dumbledore slipped the Put-Outer back inside his cloak and set off down the street toward number four, where he sat down on the wall next to the cat. He didn’t look at it, but after a moment he spoke to it.
‘Fancy seeing you here, Professor McGonagall.’”
This signals the story’s exposition because it introduces the characters and the setting.
This signals the story’s conflict because there is tension between the characters.
This helps readers understand that magical events will take place in the story.
This begins the rising action with a hint that something has recently happened.
Read the passage from the book "Harry Potter and the Sorcerer’s Stone" by J.K. Rowling.
"Dumbledore slipped the Put-Outer back inside his cloak and set off down the street toward number four, where he sat down on the wall next to the cat. He didn’t look at it, but after a moment he spoke to it.
"Fancy seeing you here, Professor McGonagall."
He turned to smile at the tabby, but it had gone. Instead he was smiling at a rather severe-looking woman who was wearing square glasses exactly the shape of the markings the cat had had around its eyes. She, too, was wearing a cloak, an emerald one. Her black hair was drawn into a tight bun. She looked distinctly ruffled.
"How did you know it was me?" she asked.
"My dear Professor, I’ve never seen a cat sit so stiffly."
"You’d be stiff if you’d been sitting on a brick wall all day," said Professor McGonagall.
"All day? When you could have been celebrating? I must have passed a dozen feasts and parties on my way here."
Professor McGonagall sniffed angrily.
"Oh yes, everyone’s celebrating, all right," she said impatiently. "You’d think they’d be a bit more careful, but no — even the Muggles have noticed something’s going on. It was on their news." She jerked her head back at the Dursleys’ dark living-room window. "I heard it. Flocks of owls... shooting stars....”
"You can’t blame them," said Dumbledore gently. "We’ve had precious little to celebrate for eleven years."
"I know that," said Professor McGonagall irritably. "But that’s no reason to lose our heads. People are being downright careless, out on the streets in broad daylight, not even dressed in Muggle clothes, swapping rumors." She threw a sharp, sideways glance at Dumbledore here, as though hoping he was going to tell her something, but he didn’t, so she went on. "A fine thing it would be if, on the very day You-Know-Who seems to have disappeared at last, the Muggles found out about us all. I suppose he really has gone, Dumbledore?"
NOW read the quotation below and select the statement that best describes how it contributes to the story’s structure.
“‘How did you know it was me?’ she asked.
‘My dear Professor, I’ve never seen a cat sit so stiffly.’
‘You’d be stiff if you’d been sitting on a brick wall all day,’ said Professor McGonagall.”
This signals the story’s exposition because it introduces the characters and the setting.
This signals the story’s conflict because there is tension between the characters.
This helps readers understand that magical events will take place in the story.
This gives readers important background information about characters in the story.
Read the passage from the book "Harry Potter and the Sorcerer’s Stone" by J.K. Rowling.
"Dumbledore slipped the Put-Outer back inside his cloak and set off down the street toward number four, where he sat down on the wall next to the cat. He didn’t look at it, but after a moment he spoke to it.
"Fancy seeing you here, Professor McGonagall."
He turned to smile at the tabby, but it had gone. Instead he was smiling at a rather severe-looking woman who was wearing square glasses exactly the shape of the markings the cat had had around its eyes. She, too, was wearing a cloak, an emerald one. Her black hair was drawn into a tight bun. She looked distinctly ruffled.
"How did you know it was me?" she asked.
"My dear Professor, I’ve never seen a cat sit so stiffly."
"You’d be stiff if you’d been sitting on a brick wall all day," said Professor McGonagall.
"All day? When you could have been celebrating? I must have passed a dozen feasts and parties on my way here."
Professor McGonagall sniffed angrily.
"Oh yes, everyone’s celebrating, all right," she said impatiently. "You’d think they’d be a bit more careful, but no — even the Muggles have noticed something’s going on. It was on their news." She jerked her head back at the Dursleys’ dark living-room window. "I heard it. Flocks of owls... shooting stars....”
"You can’t blame them," said Dumbledore gently. "We’ve had precious little to celebrate for eleven years."
"I know that," said Professor McGonagall irritably. "But that’s no reason to lose our heads. People are being downright careless, out on the streets in broad daylight, not even dressed in Muggle clothes, swapping rumors." She threw a sharp, sideways glance at Dumbledore here, as though hoping he was going to tell her something, but he didn’t, so she went on. "A fine thing it would be if, on the very day You-Know-Who seems to have disappeared at last, the Muggles found out about us all. I suppose he really has gone, Dumbledore?"
NOW read the quotation below and select the statement that best describes how it contributes to the story’s structure.
“All day? When you could have been celebrating? I must have passed a dozen feasts and parties on my way here."
This helps readers understand that magical events will take place in the story.
This gives readers important background information about characters in the story.
This begins the rising action with a hint that something has recently happened.
This builds tension because the characters are not celebrating.
Read the passage from the book "Harry Potter and the Sorcerer’s Stone" by J.K. Rowling.
"Dumbledore slipped the Put-Outer back inside his cloak and set off down the street toward number four, where he sat down on the wall next to the cat. He didn’t look at it, but after a moment he spoke to it.
"Fancy seeing you here, Professor McGonagall."
He turned to smile at the tabby, but it had gone. Instead he was smiling at a rather severe-looking woman who was wearing square glasses exactly the shape of the markings the cat had had around its eyes. She, too, was wearing a cloak, an emerald one. Her black hair was drawn into a tight bun. She looked distinctly ruffled.
"How did you know it was me?" she asked.
"My dear Professor, I’ve never seen a cat sit so stiffly."
"You’d be stiff if you’d been sitting on a brick wall all day," said Professor McGonagall.
"All day? When you could have been celebrating? I must have passed a dozen feasts and parties on my way here."
Professor McGonagall sniffed angrily.
"Oh yes, everyone’s celebrating, all right," she said impatiently. "You’d think they’d be a bit more careful, but no — even the Muggles have noticed something’s going on. It was on their news." She jerked her head back at the Dursleys’ dark living-room window. "I heard it. Flocks of owls... shooting stars....”
"You can’t blame them," said Dumbledore gently. "We’ve had precious little to celebrate for eleven years."
"I know that," said Professor McGonagall irritably. "But that’s no reason to lose our heads. People are being downright careless, out on the streets in broad daylight, not even dressed in Muggle clothes, swapping rumors." She threw a sharp, sideways glance at Dumbledore here, as though hoping he was going to tell her something, but he didn’t, so she went on. "A fine thing it would be if, on the very day You-Know-Who seems to have disappeared at last, the Muggles found out about us all. I suppose he really has gone, Dumbledore?"
NOW read the quotation below and select the statement that best describes how it contributes to the story’s structure.
“‘You can’t blame them,’ said Dumbledore gently. ‘We’ve had precious little to celebrate for eleven years.’
This begins the rising action with a hint that something has recently happened.
This builds tension because the characters are not celebrating.
This is the climax of the story.
This provides important background information.
Read the passage from the book "Harry Potter and the Sorcerer’s Stone" by J.K. Rowling.
"Dumbledore slipped the Put-Outer back inside his cloak and set off down the street toward number four, where he sat down on the wall next to the cat. He didn’t look at it, but after a moment he spoke to it.
"Fancy seeing you here, Professor McGonagall."
He turned to smile at the tabby, but it had gone. Instead he was smiling at a rather severe-looking woman who was wearing square glasses exactly the shape of the markings the cat had had around its eyes. She, too, was wearing a cloak, an emerald one. Her black hair was drawn into a tight bun. She looked distinctly ruffled.
"How did you know it was me?" she asked.
"My dear Professor, I’ve never seen a cat sit so stiffly."
"You’d be stiff if you’d been sitting on a brick wall all day," said Professor McGonagall.
"All day? When you could have been celebrating? I must have passed a dozen feasts and parties on my way here."
Professor McGonagall sniffed angrily.
"Oh yes, everyone’s celebrating, all right," she said impatiently. "You’d think they’d be a bit more careful, but no — even the Muggles have noticed something’s going on. It was on their news." She jerked her head back at the Dursleys’ dark living-room window. "I heard it. Flocks of owls... shooting stars....”
"You can’t blame them," said Dumbledore gently. "We’ve had precious little to celebrate for eleven years."
"I know that," said Professor McGonagall irritably. "But that’s no reason to lose our heads. People are being downright careless, out on the streets in broad daylight, not even dressed in Muggle clothes, swapping rumors." She threw a sharp, sideways glance at Dumbledore here, as though hoping he was going to tell her something, but he didn’t, so she went on. "A fine thing it would be if, on the very day You-Know-Who seems to have disappeared at last, the Muggles found out about us all. I suppose he really has gone, Dumbledore?"
NOW read the quotation below and select the statement that best describes how it contributes to the story’s structure.
“A fine thing it would be if, on the very day You-Know-Who seems to have disappeared at last, the Muggles found out about us all. I suppose he really has gone, Dumbledore?"
This is the climax of the story.
This provides the resolution to the story’s central conflict.
This identifies the important plot event that the characters are reacting to.
This provides important background information.
Read the passage from the book Maniac Magee from Jerry Spinelli.
"Maniac loved trash talk. The words were different, but in some strange way they reminded him of church. It had spirit, it had what they called soul. Pretty soon he was talking trash with the rest of them.
And pretty soon he brought it home.
Mrs. Beale was pressing her famous meatloaf into a baking pan one day, when Maniac started talking his trash to her. Her eyes shot open. She straightened up. "Wha’d you say?"
He said some more.
At first she couldn’t believe her ears. When she did believe them, she didn’t like it. She didn’t like this boy bringing the vacant lot into her kitchen, and she didn’t like how it fit his mouth. So she put a stop to it right then and there and slapped that trash-talking mouth.
Her lip started to quiver before his, but before she could say "I’m sorry," he was hugging and squeezing her and burying his face in her chest and sobbing, "I love you . . . I love you . . ."
NOW read the quotation below AND identify which element of story structure it shows.
“Maniac loved trash talk.”
climax
exposition
resolution
rising action
Read the passage from the book Maniac Magee from Jerry Spinelli.
"Maniac loved trash talk. The words were different, but in some strange way they reminded him of church. It had spirit, it had what they called soul. Pretty soon he was talking trash with the rest of them.
And pretty soon he brought it home.
Mrs. Beale was pressing her famous meatloaf into a baking pan one day, when Maniac started talking his trash to her. Her eyes shot open. She straightened up. "Wha’d you say?"
He said some more.
At first she couldn’t believe her ears. When she did believe them, she didn’t like it. She didn’t like this boy bringing the vacant lot into her kitchen, and she didn’t like how it fit his mouth. So she put a stop to it right then and there and slapped that trash-talking mouth.
Her lip started to quiver before his, but before she could say "I’m sorry," he was hugging and squeezing her and burying his face in her chest and sobbing, "I love you . . . I love you . . ."
NOW read the quotation below AND identify which element of story structure it shows.
“Her eyes shot open. She straightened up. ‘Wha’d you say’"
climax
exposition
resolution
rising action
Read the passage from the book Maniac Magee from Jerry Spinelli.
"Maniac loved trash talk. The words were different, but in some strange way they reminded him of church. It had spirit, it had what they called soul. Pretty soon he was talking trash with the rest of them.
And pretty soon he brought it home.
Mrs. Beale was pressing her famous meatloaf into a baking pan one day, when Maniac started talking his trash to her. Her eyes shot open. She straightened up. "Wha’d you say?"
He said some more.
At first she couldn’t believe her ears. When she did believe them, she didn’t like it. She didn’t like this boy bringing the vacant lot into her kitchen, and she didn’t like how it fit his mouth. So she put a stop to it right then and there and slapped that trash-talking mouth.
Her lip started to quiver before his, but before she could say "I’m sorry," he was hugging and squeezing her and burying his face in her chest and sobbing, "I love you . . . I love you . . ."
NOW read the quotation below AND identify which element of story structure it shows.
“So she put a stop to it right then and there and slapped that trash-talking mouth.”
climax
exposition
resolution
rising action
Read the passage from the book Maniac Magee from Jerry Spinelli.
"Maniac loved trash talk. The words were different, but in some strange way they reminded him of church. It had spirit, it had what they called soul. Pretty soon he was talking trash with the rest of them.
And pretty soon he brought it home.
Mrs. Beale was pressing her famous meatloaf into a baking pan one day, when Maniac started talking his trash to her. Her eyes shot open. She straightened up. "Wha’d you say?"
He said some more.
At first she couldn’t believe her ears. When she did believe them, she didn’t like it. She didn’t like this boy bringing the vacant lot into her kitchen, and she didn’t like how it fit his mouth. So she put a stop to it right then and there and slapped that trash-talking mouth.
Her lip started to quiver before his, but before she could say "I’m sorry," he was hugging and squeezing her and burying his face in her chest and sobbing, "I love you . . . I love you . . ."
NOW read the quotation below AND identify which element of story structure it shows.
“[B]before she could say ‘I’m sorry,’ he was hugging and squeezing her and burying his face in her chest and sobbing, ‘I love you . . . I love you . . .’”
climax
exposition
resolution
rising action
