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MT2H - Quiz 1

Total questions: 51

Worksheet time: 27mins

Name
Class
Date
1.

What key signature has 1 sharp?

a)

G Major

b)

F Major

c)

C Major

d)

F# Major

2.

What key is this scale connected to?

a)

F Major

b)

C Major

c)

D Major

d)

B Major

3.

Name the key

a)

Bb Major

b)

Fb Major

c)

F Major

d)

Eb Major

4.

What is the mistake with the scale?

a)

Too many sharps

b)

Do not need the sharps in the scale due to key signature

c)

Do not need any of the sharps

d)

Do not need the key signature as there are sharps in the scale

5.
The order of sharps is _____________.
a)
FCGDAEB
b)
BEADGCF
c)
FCDGABE
d)
ABCDEFG
6.
In which major scale can one find an f flat?
a)
Cb
b)
Gb
c)
Db
d)
Ab
7.
What is the correct formula to create a Major Scale?
a)
W - W - H - W - H - W- W
b)
W - W - H - W - W - H - W
c)
W - W - H - W - W - W -H
d)
W - H - W - W - H - H - W
8.
If C is Do, what is the correct solfege?
a)
Sol Mi Fa Do
b)
Sol Fa La Re
c)
La Fa Sol Re
d)
La Fa Sol Ti
9.

What is the correct order that flats appear in a key signature?

a)

Fb - Cb - Gb - Db - Ab - Eb - Bb

b)

Cb - Fb - Bb - Eb - Ab - Db - Gb

c)

Bb - Eb - Ab - Db - Gb - Cb - Fb

d)

Ab - Bb - Cb - Db - Eb - Fb - Gb

10.

What is the correct order that sharps appear in a key signature?

a)

F# - C# - G# - D# - A# - E# - B#

b)

A# - B# - C# - D# - E# - F# - G#

c)

B# - E# - A# - D# - G# - C# - F#

d)

C# - F# - B# - E# - A# - D#

11.

RELATIVE minor scales...

a)

start on the SAME note, but have a DIFFERENT key signature as their major scale counterpart

b)

start on a DIFFERENT note, but have the SAME key signature as their major scale counterpart

c)

start on a DIFFERENT note, and have a DIFFERENT key signature as their major scale counterpart

d)

start on the SAME note, and have the SAME key signature as their major scale counterpart

12.

PARALLEL minor scales...

a)

start on the SAME note, but have a DIFFERENT key signature as their major scale counterpart

b)

start on a DIFFERENT note, but have the SAME key signature as their major scale counterpart

c)

start on the SAME note, and have the SAME key signature as their major scale counterpart

d)

start on a DIFFERENT note, and have a DIFFERENT key signature as their major scale counterpart

13.

When finding the RELATIVE minor scale, you start on the...

a)

3rd note of the related major scale

b)

6th note of the related major scale

c)

7th note of the related major scale

d)

1st note of the related major scale

14.

When constructing a PARALLEL minor scale, you...

a)

raise the 3rd, 6th, and 7th notes of the related major scale by one-half step

b)

lower the 3rd, 6th, and 7th notes of the related major scale by one-half step

c)

raise the 3rd, 4th, and 5th notes of the related major scale by one-half step

d)

lower the 3rd, 4th, and 5th notes of the related major scale by one-half step

15.

When given a MINOR key signature, how do you determine it's RELATIVE MAJOR?

a)

add 3 flats or subtract 3 sharps from the key signature

b)

add 3 sharps or subtract 3 flats from the key signature

c)

start on the 3rd note of the indicated major scale

d)

start on the 6th note of the indicated major scale

16.

When given a MINOR key signature, how do you determine it's PARALLEL MAJOR?

a)

add 3 flats or subtract 3 sharps from the key signature

b)

add 3 sharps or subtract 3 flats from the key signature

c)

start on the 3rd note of the indicated major scale

d)

start on the 6th note of the indicated major scale

17.

What scales are indicated in this key signature?

a)

C Major / Eb Minor

b)

Eb Major / C Minor

c)

Bb Major / D Minor

d)

Eb Major / Eb Minor

18.

What scales are indicated in this key signature?

a)

C Major / A minor

b)

F Major / D minor

c)

Bb Major / Bb minor

d)

C Major / C Minor

19.

If a major key signature has 3 sharps (#), its RELATIVE minor key signature will have...

a)

0 sharps (#)

b)

3 flats (b)

c)

3 sharps (#)

d)

6 sharps (#)

20.

If a major scale has 2 flats (b) in its key signature, its PARALLEL minor key signature will have...

a)

1 sharp (#)

b)

2 sharps (#)

c)

0 sharps (#) / 0 flats (b)

d)

5 flats (b)

21.

If a major scale has 4 sharps (#) in its key signature, it's PARALLEL minor key signature will have...

a)

4 sharps (#)

b)

7 sharps (#)

c)

4 flats (b)

d)

1 sharp (#)

22.

What is the definition of 'Diatonic Scale'?

a)

A scale that starts and ends on the same note

b)

A scale that uses no sharps or flats

c)

A scale that uses sharps and flats

d)

A scale that uses different sharps/flats on the way back down

23.

Which mode is in the image?

a)

Mixolydian

b)

Phrygian

c)

Lydian

d)

Dorian

24.

Which mode is in the image? (treble clef notes)

a)

Dorian

b)

Lydian

c)

Phrygian

d)

Mixolydian

25.

Which mode is in the image?

a)

Dorian

b)

Mixolydian

c)

Phrygian

d)

Lydian

26.

Which mode is in the image? (treble clef notes)

a)

Mixolydian

b)

Lydian

c)

Dorian

d)

Phrygian

27.
The way beats are organized in groups of 2,3 or 4 is called________________.
a)
Beat
b)
Rhythm
c)
Meter
d)
Tempo
28.
The speed of the beat is called the ________________.
a)
Syncopation
b)
Rhythm
c)
Meter
d)
Tempo
29.
The first beat of a measure
a)
Uno Beat
b)
Upbeat
c)
Downbeat
d)
Syncopation
30.
We organize beats by placing them into _________.
a)
measures
b)
shopping bags
c)
time signatures
d)
quartets
31.
Most basic pattern, alternates a strong downbeat with a weak one. (ONE-two, ONE-two, or marching LEFT-right LEFT-right)
a)
Simple
b)
Duple
c)
Triple
d)
Quadruple
32.
The term applied to METERS in which the beat has duple subdivisions
a)
Simple
b)
Duple
c)
Triple
d)
Quadruple
33.

Basic pattern with one strong beat and two weak beats. This meter is traditionally associated with dances such as the Waltz or Minuet.

a)

Simple

b)

Duple

c)

Triple

d)

Quadruple

34.
Contains four beats to a measure, with a primary accent on the first beat and a secondary accent on the third. Although it may be difficult to distinguish duple and quadruple meter, quadruple meter usually has a broader feeling.
a)
Simple
b)
Duple
c)
Triple
d)
Quadruple
35.
The term applied to METERS in which the beat is divided into three.
a)
Triple Time
b)
Compound Meter
c)
Simple Meter
d)
Sextuple Meter
36.
Which of these answers is NOT correct?
Question: When the accent is shifted to the weaker beat.
a)
Upbeat
b)
Offbeat
c)
Syncopation
d)
Downbeat
37.
What does the term simple mean?
a)
That something is not complicated
b)
That each of the beats can be broken down into 2 notes
c)
That each of the beats can be broken into 3 notes
d)
That each of the beats cannot be broken down
38.
What is the difference between a simple and compound meter?
a)
Simple meter is divided into 2 notes while compound is divided into 3 notes
b)
Simple meter is easier to play than compound meter
c)
Simple meter is divided into 3 notes while compound is divided into 2 notes
d)
Simple meter is more musical than compound meter
39.
What type of meter is this classified as?
a)
Half Meter
b)
Simple Triple
c)
Simple Duple
d)
Compound Duple
40.
What type of meter is this?
a)
Compound Quadruple
b)
Compound Twelve
c)
Compound Eight
d)
Simple Duple
41.
What is meter?
a)
The rhythm of music and its components
b)
The underlying melody of a song that uses notes
c)
The rhythm of music represented by notes
d)
The underlying rhythm of music that is represented by 2 numbers at the beginning of a measure
42.
Examples of simple meter?
a)
6/8,2/4,9/16
b)
 2/2,2/4,2/8
c)
12/8,9/4,2/2
d)
2/8,6/8,2/8
43.
Example of duple meter
a)
9/12,2/4,12/4
b)
2/4,6/8,4/4
c)
12/2,8/4,6/8
d)
4/4,4/12,9/12
44.
Any time signature with a 12 on top is what time of compound?
a)
compound duple
b)
compound triple 
c)
compound quadruple 
d)
all of the above
45.
What type of meter is this classified as?
a)
Half Meter
b)
Simple Triple
c)
Simple Duple
d)
Compound Duple
46.
Complex meter can be defined as?
a)
A meter that does not fit into the usual duple, triple, or quadruple categories.
b)
A meter that does not fit only quadruple categories
c)
A meter that fits both duple and triple categories 
d)
None of the above
47.
The quickness or slowness of a piece of music. 
a)
Andante
b)
Allegro
c)
Moderato
d)
Tempo
48.

Which meter below best fits this conducting pattern?

a)

3/4

b)

4/4

c)

6/8

d)

9/8

49.

Meter tells us

a)

How beats are divided and grouped

b)

How beats are made into hiphop

c)

How beats are divided and conquered

d)

How beats are grouped into packets

50.
The term applied to METERS in which the beat is divided into three.
a)
Triple Time
b)
Compound Meter
c)
Simple Meter
d)
Sextuple Meter
51.

When the accent is shifted to the weaker beat.

a)

Pulse

b)

Ostinato

c)

Syncopation

d)

Anacrusis

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