the physical environment in which you are working and how awareness of it affects movement

how long a movement or sequence of movements continues

a spontaneous reaction to motion which occurs outside of you

repeating something onstage

contour or outline the body makes in space

a movement involving a part or parts of the body; has a beginning, middle, and end

the distance between things or people onstage

The landscape, the floor pattern, the design we create in movement through space

Viewpoints is a philosophy translated into a technique for

(1) training performers; (2) building ensemble; and (3) ????

Viewpoints focuses on points of ___________ _that a performer or creator makes use of while working.

______________ is the practice of selecting and arranging the

separate components of theatrical language into a cohesive

work of art for the stage. It is the same technique that any

choreographer, painter, writer, composer or filmmaker uses in their corresponding disciplines. I

VIEWPOINTS were invented by :Anne Bogart and Tina Landau

Anne Bogart and Tina Landau were inspired by the work of Mary Overlie, a choreographer who forged the original Six Viewpoints .

The viewpoints of time are :

The Viewpoints of space are:

In working with Architecture, we adapt positions against furniture, walls or people to create images that gives form to such feelings as I'm "up against the wall," "caught between the cracks," "trapped," "lost in space," This is called: ________

A type of gesture that we might observe it in our everyday

reality. A recognizable gesture you see in the street: scratching, pointing, waving, sniffing,

bowing, saluting.

A type of gesture that may be abstract or symbolic and reflects an inner state, an emotion, a desire or an idea. It is not something you would normally see someone do in public, for example: laughing by yourself, raising your hand to touch an imaginary object.

_________________ is an assignment given to an ensemble so that it can create short, specific theater pieces addressing a particular aspect of the work. We use ______________during

rehearsal to engage the collaborators in the process of

generating their own work around a source.