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How to Perform a Monologue

Total questions: 17

Worksheet time: 9mins

Name
Class
Date
1.

A monologue is _______.

a)

a bicycle with only one wheel

b)

when you put your initials on articles of clothing

c)

a solo piece performed by one actor

d)

when someone is caught talking to himself/herself

2.

A monologue for adults should be between ______ and ______.

a)

90 minutes and 2 hours

b)

90 seconds and 2 minutes

c)

45 seconds and 1 minute

d)

the actor and his/her agent

3.

Monologues can be easily found _____.

a)

in a monologue store

b)

in a monologue book or online

c)

in a monologue house

d)

on the ground under a monotree

4.

You should always _____.

a)

do the same monologue no matter what audition you are attending so that you'll be amazing at it.

b)

choose a monologue that makes the director cry so you know you touched his/her heart.

c)

choose a monologue that makes the director laugh so you know you amused him/her.

d)

have a variety of monologues prepared so that you can pick the most genre-appropriate one for the audition you are attending.

5.

TRUE or FALSE: Your talent and personality have very little to do with casting - it's all about who you know in the biz.

a)

True

b)

False

6.

Which of the following is not recommended in the video?

a)

Be in love with your monologue.

b)

Have fun with your monologue.

c)

Understand your monologue.

d)

Take your monologue on long walks in the park.

7.

The more you love your monologue, the more you _____ it.

a)

connect with

b)

become frustrated with

c)

want to frame

d)

gossip about

8.

To "slate" at the beginning of your monologue means to ______.

a)

engrave your name in your favorite type of stone

b)

look at the director and state your name and the role you are auditioning for

c)

explain apologetically why you were slate for the audition

d)

look at the director and state your name, the role you are auditioning for, and some backstory on your monologue

9.

In order to keep movements purposeful, you should consider doing all except ____.

a)

fill-up the stage

b)

fidget

c)

look up

d)

project property for your space

10.

TRUE or FALSE: You should make eye contact with each of the directors often during the monologue.

a)

True

b)

False

11.

When you're nervous, it's important to channel your nervous energy and watch your pace because _____.

a)

if you're too slow, you may put the directors to sleep

b)

nervous energy will cause hunger and you'll have to stop in the middle of your monologue to get a snack

c)

you don't want to rush through your monologue

d)

all that pacing back and forth can make the directors dizzy

12.

If you are mic'd for the audition, make sure that ____.

a)

you do a sound check before starting your monologue

b)

the microphone isn't a distracting color, like fuchsia

c)

the foam cover on the mic has been replaced after the last actor used it

d)

your volume is appropriate for the mic

13.

If you make a mistake during your monologue, _____.

a)

it's okay to break character, as long as you explain to the directors why you suddenly started laughing in the middle of your monologue

b)

stop immediately, explain the mistake, and promise to never let it happen again

c)

smooth-over the mistake by improvising and then getting right back on track

d)

point it out to the directors and blame it on the scriptwriter

14.

TRUE or FALSE: A valuable skill for an actor to possess is the ability to express the same emotion in multiple ways.

a)

True

b)

False

15.

If you choose to deliver a monologue where the character's language is not the way you are accustomed to speaking, then _____.

a)

rewrite it so it sounds like you

b)

try saying it with a foreign accent

c)

you might have to work harder to make the language flow for you

d)

find another play to audition for, where the language is better suited for the way you normally speak

16.

You should always give a moment before and a moment after so that ____.

a)

the directors can talk about you

b)

you can get into character and you can end gently

c)

you can check to make sure your shirt isn't on backwards

d)

your fellow actors are fooled into thinking that you're unprepared

17.

An appropriate way to end your audition is to ____.

a)

remind the directors that you can cry on command

b)

say goodbye in different languages to show the directors your versatility

c)

fist-bump each of the directors on your way out

d)

thank the directors for their time