One of the most important architecture of the Early Victorian period and designed by Sir Joseph Paxton.

Church plan of the Romanesque Church

The architect of the AEG Turbine Factory, Berlin.

Spanish Gothic interiors are characterized by the use of ____.

It is a term used to describe the work of those architects who prefigured the International and Functionalist Period of the Modern Movement. It is the outward manifestation of a design through an individual articulation.

The church which is half-Gothic, half-Renaissance and known present as S. Maria del Fiore is ____.

In Gothic architecture, the upper story of the nave walls rising above the aisle roof which is pierced with windows is the ______.

The earliest form of dwelling developed by man

The ornamental pattern work in stone filling the upper part of a Gothic window.

The architect whose works clearly express the principle of functionalism and was called the Father of Modern Architecture in the USA.

Structures which corners were made to face the four cardinal points

Walls of the Romanesque churches are relieved by shallow buttresses or pilaster strips, connected at the top by ____.

This is the cistern found underneath the azotea.

A German design school founded in Weimar in 1906. It became the most important and influential design school of the 20th Century.

The passageway leading to the main vault of the tholos is called;

The four-seated colossal statues of Rameses III are carved in the façade of the ____.

It is the period in French Gothic which is characterized by flame-like or free-flowing window tracery.

Is a decorative treatment when forms and shapes are arranged in a diminishing or increasing manner.

The triangular termination of the roof of a Greek temple.

The chief chamber containing the statue in Greek temple.

Characteristic feature of Romanesque in N. Italy is the wheel window and the _____.

It has two dimensions and articulated with color, tone and texture.

A style of decoration in architecture and applied art developed principally in France and Belgium toward the end of the 19th Century, characterized by organic and dynamic forms, whiplash lines and curving design.

It works together with a practical design to the end that out of this collaboration grows a building which is not only functional but also pleasing in appearance.