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WorksheetsTOA 2 (Credits to Reviewer 2015)
Total questions: 49
Worksheet time: 49mins
Essentials without which life could not be sustained.
Physical needs
Emotional needs
Intellectual needs
Spiritual needs
Non-essentials but they must be present in some form if man is to secure spiritual, as well as physical comfort.
Emotional needs
Intellectual needs
All of the above
If life is to exist and civilization is to develop, these forces must be satisfied and they are stimulated by man's desire for
Preservation, recognition, reaction, self-evaluation
Prestige, recognition, response, self-expression
Preservation, recognition, response, self-expression
Preservation, reaction, response, self-evaluation
This indicates a position in space
Point
Line
Plane
Volume
A line extended becomes a ___________ with properties of length & width, shape, surface, orientation, and position.
Point
Line
Plane
Volume
A phenomenon of light and visual perception that may be described in terms of an individual's perception of hue, saturation, and tonal value. It is the attribute that most clearly distinguishes a form from its environment. It also affects the visual weight of a form.
Shape
Color
Size
Texture
The visual and especially tactile quality given to a surface by the size, shape, arrangement, and proportion of the parts. It also determines the degree to which the surfaces of a form reflect or absorb incident light.
Shape
Color
Size
Texture
The degree of concentration and stability of a form. The ___________ of a form depends on its geometry as well as its orientation relative to the ground plane, the pull of gravity, and our line of sight.
Orientation
Position
Juxtaposition
Visual inertia
The location of a form relative to its environment or the visual field within which it is seen.
Orientation
Position
Juxtaposition
Visual inertia
The direction of a form relative to its environment or the visual field within which it is seen.
Orientation
Position
Juxtaposition
Visual inertia
In this type of relationship when grouping two or more forms, the forms interpenetrate each other's space and they need not share any visual traits.
Spatial tension
Edge-to-edge contact
Face-to-face contact
Interlocking volumes
A collection of forms grouped together by proximity or the sharing of a common visual trait
Centralized form
Linear form
Clustered form
Radial form
A number of secondary forms clustered about a dominant, central parent-form
Centralized form
Linear form
Clustered form
Radial form
The elements of the visible structure are categorized as
Structural, circulatory, passive, decorative
Structural, circulatory, protective, deconstructive
Structural, circulatory, protective, decorative
Structural, creative, protective, decorative
The measurement and study of the size and proportions of the human body
Anthropology
Anthropometry
Archaeometry
Anthropomorphy
A detail that is emphasized by contrasting with its surroundings. Also, a distinctive but subordinate pattern, motif, or color.
Axis
Accent
Emphasis
Moulding
A proportion determining the relationship of a representation to that which it represents. Also, a certain proportionate size, extent, or degree, usually judged in relation to some standard or point of reference.
Sequence
Size
Scale
None of the above
A region or expanse of space characterized by a particular property, feature, or activity.
Force
Field
Facade
Factor
A system of elements ranked, classified, and organized one above another, according to importance or significance
Organization
Taxonomy
Hierarchy
Genealogy
Stress or prominence is given to an element of a composition by means of contrast, anomaly, or counterpoint
Accent
Focal point
Emphasis
The process of changing in form or structure through a series of discrete permutations and manipulations in response to a specific context or set of conditions without a loss of identity or concept
Transfiguration
Transmutation
Transformation
Transmigration
A space between two windows. Also, the art of the process of arranging the openings in a wall.
Interstital
Interfenestration
Intercolumnation
The culmination of all the previously mentioned elements of design. If a structure has unity, it must have __________, ___________, & __________. Unity suggests harmony.
Proportion, scale, rhythm
Contrast, proportion, scale
Contrast, rhythm, scale
Proportion, balance, rhythm
Character in architecture may be divided into three (3) types depending on the
Function, accreditation, persona
Form, affiliation, perception
Function, association, personality
Form, association, personality
The shape and structure of something as distinguished from its substance or material. Also, the manner of arranging and coordinating the elements and parts of a composition so as to produce a coherent image; the formal structure of a work of art.
Form
Function
Figure
Field
A central line that bisects a two-dimensional body or figure or about which a three-dimensional body or figure is symmetrical. Also, a straight line to which elements in a composition are referred for measurement or symmetry.
Axis
Accent
Centroid
A condition of logical, harmonious, or comprehensive arrangement in which each element of a group is properly disposed of with reference to other elements and to its purpose. Also, an arrangement of columns supporting an entablature, each column comprising a capital, shaft, and usually a base.
Sequence
Order
Hierarchy
An early and typical example that exhibits the essential features of a class or group and on which later stages are based or judged.
Module
Prototype
Model
Scheme
The three-dimensional field in which objects and events occur and have relative position and direction, especially a portion of that fieldset apart in a given instance or for a particular purpose.
Solid
Space
Setting
A shape or form, as determined by outlines or exterior surfaces. Also, a combination of geometric elements disposed of in a particular form or shape.
Form
Figure
Feld
The orderly, pleasing, or congruent arrangement of the elements or parts in an artistic whole
Hierarchy
Harmony
Heterogeneity
Hegemony
The exact correspondence in size, form, and arrangement of parts on opposite sides of a dividing line or plane, or about a center or axis. Also, the regularity of form or arrangement in terms of like, reciprocal, or corresponding parts
Similarity
Semblance
Symmetry
Colors positioned directly opposite each other on the color wheel are considered to be
Analogous
Monochromatic
Complementary
Triad
Colors adjacent to each other on the color wheel are considered to be
Analogous
Monochromatic
Complementary
Triad
Opposition or juxtaposition of dissimilar elements in a work of art to intensify each element's properties and produce a more dynamic expressiveness
Unsymmetry
Contrast
Emphasis
Accent
A unit of measurement used for standardizing the dimensions of building materials or regulating the proportions of an architectural composition
Scale
Module
Ruler
The study of the symbolic and communicative role of the spatial separation individuals maintain in various social and interpersonal situations, and how the nature and degree of this spatial arrangement relates to environments and cultural factors
Anthropometry
Ergonomics
Proxemics
Movement characterized by a patterned repetition or alternation of formal elements or motifs in the same or a modified form
Repetition
Rhythm
Recession
Replication
A complete horizontal division of a building, having a continuous or nearly continuous floor and comprising the space between two adjacent levels. Also, the set of rooms on the same floor or level of a building.
Structure
Slab
Storey
Stratum
The state or quality of being combined into one, as the ordering of elements in artistic work that constitutes a harmonious whole or promote singleness of effect
Uniformity
Unity
Universality
Which of the following is not a purpose of unity in design?
Avoids confusion
Duality of parts
Comprehensible and easily understood
Singleness in impression
A comprehensive plan showing the essence of a proposal
Site plan
Environmental plan
Master plan
Complex plan
The invisible structure which relates the various units to its other
Plan
Elevation
Section
Perspective
Fitness for the purpose which believes that form follows function
Radicalism
Metabolism
Deconstructivism
Utilitarism
Which is not a disadvantage in the classical methods in design?
Standardization of proportion resulted in stereotypes
They hamper the inclination and talent of the designer.
Their restrictions usually violate stability.
Expensive materials due to huge proportion.
South American term for stilts
Pilion
Pilotis
Pilaretes
Pilones
The 3rd American President who is an Architect who designed the Monticello
Thomas Jefferson
Abraham Lincoln
Woodrow Wilson
Harry Truman
Spaces that are functioning even beyond their original function
Active space
Ephemeral space
Permissive space
Flexible space
In the factors affecting environment-behavior studies, which is not included?
Energy
Commodity
Technology
Delight
