SMALL ACTION ON STAGE.

TO CREATE LINES OR ACTIONS SPONTANEOUSLY WHEN NECESSARY. [IN OTHER WORDS TO MAKE UP SOMETHING TO KEEP THE SCENE/DIALOGUE GOING.]

THE PART OF THE STAGE PROJECTING PAST THE CURTAIN LINE INTO THE AUDITORIUM.

THE SCRIPT IN A MUSICAL OR PLAY.

THE FIREPROOF CURTAIN CLOSING OFF THE STAGE FROM THE AUDITORIUM/AUDIENCE.

MOVING FROM BEHIND SOMEONE SO ONE PERSON WILL NOT BE BLOCKED BY ANOTHER.

A LARGE PAINTED CLOTH USED AS A BACKGROUND SO SET THE LOCATION FOR A SHOW OR SCENE.

TO REMOVE FURNITURE PROPS OR PEOPLE FROM THE STAGE.

A LONG PIECE OF WOOD OR PIPE THAT HANGS SCENERY, LIGHTS, CURTAINS AND BACKDROPS ABOVE THE STAGE.

DANCE DIRECTOR WHO CREATES MOVEMENTS TO MUSICAL NUMBERS

PRETENDING TO LOOK AT SOMEONE WHILE REALLY KEEPING ONE'S FACE TOWARDS THE AUDIENCE.

SETTING THE MOVEMENT FOR A PLAY OR SCENE [A PERFORMER'S PHYSICAL ACTIONS]

ACTORS OR ACTRESSES IN A PLAY OR MUSICAL.

THE LARGE AREA OF THE THEATER SPACE WHERE YOU LOAD IN AND OUT SET PIECES

A SMALL REPRESENTATION OF WHAT THE STAGE IS SUPPOSED TO LOOK LIKE DURING A SPECIFIC SCENE IN A PLAY OR MUSICAL.

THE LOCATION WHERE THE TICKETS ARE SOLD

A SPACE WHERE COSTUMES CAN BE BUILT, MAINTAINED AND STORED.

THE AREA NOT VISIBLE TO THE AUDIENCE.

THE AREA BESIDE/ABOVE THE STAGE WHERE LIGHTS, BACKDROPS AND SCENERY MAY BE FLOWN OR SUSPENDED WITH ROPES.

Area where nonstage related concerns occur such as ticket sales, seating, concessions, auditorium maintenance, and opening or closing the theater.

Areas where actors put on makeup and change into and store their costumes.

 Someone who learns a role for the purpose of performing in the absence of the actor cast in the role.