what your character wants in the entire play.

how characters move from one area to another on stage; also their spatial relationships (proxemics) to others and things.

the methods (the techniques, plans, strategies, and actions) your character uses to accomplish their objective.

everything that prevents your character from accomplishing their objective.

an arrangement or grouping formed onstage by the performers; sometimes called a "tableau".

what your character wants in a single scene; this may be different than what they want in the entire play.

a key point of interest in your stage picture where you want to direct attention towards.

turned to, looking at, or moving in the direction of something or someone; usually how characters move in relation to "good" things or things that they want.

turned from, looking elsewhere, or moving in the opposite direction from something or someone; usually how characters move in relation to "bad" things or things that they don't want.