Worksheetsart work only
Total questions: 108
Worksheet time: 54mins
What is the name of this piece of art?
Auto-Destructive Art, Gustav Metzger, 1961
The Artist in 1950, Hans Namuth, 1950
The Family of Man exhibition, curated by Edward Steichen, 1955
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
What is the name of this piece of art?
Auto-Destructive Art, Gustav Metzger, 1961
The Artist in 1950, Hans Namuth, 1950
The Family of Man exhibition, curated by Edward Steichen, 1955
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
What is the name of this piece of art?
Auto-Destructive Art, Gustav Metzger, 1961
The Artist in 1950, Hans Namuth, 1950
The Family of Man exhibition, curated by Edward Steichen, 1955
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
What is the name of this piece of art?
Auto-Destructive Art, Gustav Metzger, 1961
The Artist in 1950, Hans Namuth, 1950
The Family of Man exhibition, curated by Edward Steichen, 1955
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
What is the name of this piece of art?
Auto-Destructive Art, Gustav Metzger, 1961
The Artist in 1950, Hans Namuth, 1950
The Family of Man exhibition, curated by Edward Steichen, 1955
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
What is the name of this piece of art?
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962 .
Untitled, Kazuo Shiraga, 1957
Cut Piece, Yoko Ono, 1964
NO+, Art Actions Collective (CADA), 1983–the present
What is the name of this piece of art?
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962 .
Untitled, Kazuo Shiraga, 1957
Cut Piece, Yoko Ono, 1964
NO+, Art Actions Collective (CADA), 1983–the present
What is the name of this piece of art?
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962 .
Untitled, Kazuo Shiraga, 1957
Cut Piece, Yoko Ono, 1964
NO+, Art Actions Collective (CADA), 1983–the present
What is the name of this piece of art?
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962 .
Untitled, Kazuo Shiraga, 1957
Cut Piece, Yoko Ono, 1964
NO+, Art Actions Collective (CADA), 1983–the present
What is the name of this piece of art?
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962 .
Untitled, Kazuo Shiraga, 1957
Cut Piece, Yoko Ono, 1964
NO+, Art Actions Collective (CADA), 1983–the present
What is the name of this piece of art?
The Dawn of our Fatherland, Fyodor Shurpin, 1949
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
Composition, Alberto Burri, 1953
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
What is the name of this piece of art?
The Dawn of our Fatherland, Fyodor Shurpin, 1949
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
Composition, Alberto Burri, 1953
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
What is the name of this piece of art?
The Dawn of our Fatherland, Fyodor Shurpin, 1949
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
Composition, Alberto Burri, 1953
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
What is the name of this piece of art?
The Dawn of our Fatherland, Fyodor Shurpin, 1949
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
Composition, Alberto Burri, 1953
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
What is the name of this piece of art?
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
The Artist in 1950, Hans Namuth, 1950
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
The Family of Man exhibition, curated by Edward Steichen, 1955
What is the name of this piece of art?
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
The Artist in 1950, Hans Namuth, 1950
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
The Family of Man exhibition, curated by Edward Steichen, 1955
What is the name of this piece of art?
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
The Artist in 1950, Hans Namuth, 1950
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
The Family of Man exhibition, curated by Edward Steichen, 1955
What is the name of this piece of art?
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
The Artist in 1950, Hans Namuth, 1950
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
The Family of Man exhibition, curated by Edward Steichen, 1955
What is the name of this piece of art?
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
Auto-Destructive Art, Gustav Metzger, 1961
The Dawn of our Fatherland, Fyodor Shurpin, 1949
Untitled: Silueta Series, Mexico, from Silueta Works in Mexico,
Ana Mendieta, 1973–77, 1976
What is the name of this piece of art?
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
Auto-Destructive Art, Gustav Metzger, 1961
The Dawn of our Fatherland, Fyodor Shurpin, 1949
Untitled: Silueta Series, Mexico, from Silueta Works in Mexico,
Ana Mendieta, 1973–77, 1976
What is the name of this piece of art?
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
Auto-Destructive Art, Gustav Metzger, 1961
The Dawn of our Fatherland, Fyodor Shurpin, 1949
Untitled: Silueta Series, Mexico, from Silueta Works in Mexico,
Ana Mendieta, 1973–77, 1976
What is the name of this piece of art?
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
Global Groove, Nam June Paik and John Godfrey, 1973
Untitled, Kazuo Shiraga, 1957
What is the name of this piece of art?
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
Global Groove, Nam June Paik and John Godfrey, 1973
Untitled, Kazuo Shiraga, 1957
What is the name of this piece of art?
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
Global Groove, Nam June Paik and John Godfrey, 1973
Untitled, Kazuo Shiraga, 1957
What is the name of this piece of art?
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
Global Groove, Nam June Paik and John Godfrey, 1973
Untitled, Kazuo Shiraga, 1957
What is the name of this piece of art?
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
Global Groove, Nam June Paik and John Godfrey, 1973
Untitled, Kazuo Shiraga, 1957
What is the name of this piece of art?
Der Wurstesser (The Sausage Eater), Sigmar Polke, 1963
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
I Am Glad If I Can Look at the Wall and I Would Be Glad If I Could Write Something
on the Other Side of the Wall, Endre Tót, 1979
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
What is the name of this piece of art?
Der Wurstesser (The Sausage Eater), Sigmar Polke, 1963
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
I Am Glad If I Can Look at the Wall and I Would Be Glad If I Could Write Something
on the Other Side of the Wall, Endre Tót, 1979
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
What is the name of this piece of art?
Der Wurstesser (The Sausage Eater), Sigmar Polke, 1963
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
I Am Glad If I Can Look at the Wall and I Would Be Glad If I Could Write Something
on the Other Side of the Wall, Endre Tót, 1979
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
What is the name of this piece of art?
Der Wurstesser (The Sausage Eater), Sigmar Polke, 1963
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
I Am Glad If I Can Look at the Wall and I Would Be Glad If I Could Write Something
on the Other Side of the Wall, Endre Tót, 1979
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
What is the name of this piece of art?
Der Wurstesser (The Sausage Eater), Sigmar Polke, 1963
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
I Am Glad If I Can Look at the Wall and I Would Be Glad If I Could Write Something
on the Other Side of the Wall, Endre Tót, 1979
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
What is the name of this piece of art?
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
The Dawn of our Fatherland, Fyodor Shurpin, 1949
NO+, Art Actions Collective (CADA), 1983–the present
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
What is the name of this piece of art?
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
The Dawn of our Fatherland, Fyodor Shurpin, 1949
NO+, Art Actions Collective (CADA), 1983–the present
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
What is the name of this piece of art?
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
The Dawn of our Fatherland, Fyodor Shurpin, 1949
NO+, Art Actions Collective (CADA), 1983–the present
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
What is the name of this piece of art?
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
The Dawn of our Fatherland, Fyodor Shurpin, 1949
NO+, Art Actions Collective (CADA), 1983–the present
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
What is the name of this piece of art?
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
The Dawn of our Fatherland, Fyodor Shurpin, 1949
NO+, Art Actions Collective (CADA), 1983–the present
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
What is the name of this piece of art?
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
The Dawn of our Fatherland, Fyodor Shurpin, 1949
NO+, Art Actions Collective (CADA), 1983–the present
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
What is the name of this piece of art?
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
The Dawn of our Fatherland, Fyodor Shurpin, 1949
NO+, Art Actions Collective (CADA), 1983–the present
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
What is the name of this piece of art?
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
Our Goal Is Communism!, Vitaly Komar and Alexander Melamid, 1972
The Family of Man exhibition, curated by Edward Steichen, 1955
Cut Piece, Yoko Ono, 1964
What is the name of this piece of art?
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
Our Goal Is Communism!, Vitaly Komar and Alexander Melamid, 1972
The Family of Man exhibition, curated by Edward Steichen, 1955
Cut Piece, Yoko Ono, 1964
What is the name of this piece of art?
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
Our Goal Is Communism!, Vitaly Komar and Alexander Melamid, 1972
The Family of Man exhibition, curated by Edward Steichen, 1955
Cut Piece, Yoko Ono, 1964
What is the name of this piece of art?
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
Our Goal Is Communism!, Vitaly Komar and Alexander Melamid, 1972
The Family of Man exhibition, curated by Edward Steichen, 1955
Cut Piece, Yoko Ono, 1964
What is the name of this piece of art?
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
Our Goal Is Communism!, Vitaly Komar and Alexander Melamid, 1972
Untitled: Silueta Series, Mexico, from Silueta Works in Mexico,
Ana Mendieta, 1973–77, 1976
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
What is the name of this piece of art?
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
Our Goal Is Communism!, Vitaly Komar and Alexander Melamid, 1972
Untitled: Silueta Series, Mexico, from Silueta Works in Mexico,
Ana Mendieta, 1973–77, 1976
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
What is the name of this piece of art?
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
Our Goal Is Communism!, Vitaly Komar and Alexander Melamid, 1972
Untitled: Silueta Series, Mexico, from Silueta Works in Mexico,
Ana Mendieta, 1973–77, 1976
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
What is the name of this piece of art?
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
Our Goal Is Communism!, Vitaly Komar and Alexander Melamid, 1972
Untitled: Silueta Series, Mexico, from Silueta Works in Mexico,
Ana Mendieta, 1973–77, 1976
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
What is the name of this piece of art?
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
Our Goal Is Communism!, Vitaly Komar and Alexander Melamid, 1972
Untitled: Silueta Series, Mexico, from Silueta Works in Mexico,
Ana Mendieta, 1973–77, 1976
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
What is the name of this piece of art?
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
Our Goal Is Communism!, Vitaly Komar and Alexander Melamid, 1972
Untitled: Silueta Series, Mexico, from Silueta Works in Mexico,
Ana Mendieta, 1973–77, 1976
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
What is the name of this piece of art?
Auto-Destructive Art, Gustav Metzger, 1961
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
The Artist in 1950, Hans Namuth, 1950
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
What is the name of this piece of art?
Auto-Destructive Art, Gustav Metzger, 1961
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
The Artist in 1950, Hans Namuth, 1950
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
What is the name of this piece of art?
Auto-Destructive Art, Gustav Metzger, 1961
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
The Artist in 1950, Hans Namuth, 1950
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
What is the name of this piece of art?
Auto-Destructive Art, Gustav Metzger, 1961
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
The Artist in 1950, Hans Namuth, 1950
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
What is the name of this piece of art?
Auto-Destructive Art, Gustav Metzger, 1961
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
The Artist in 1950, Hans Namuth, 1950
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
What is the name of this piece of art?
Auto-Destructive Art, Gustav Metzger, 1961
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
The Artist in 1950, Hans Namuth, 1950
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
What is the name of this piece of art?
Auto-Destructive Art, Gustav Metzger, 1961
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
The Artist in 1950, Hans Namuth, 1950
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
What is the name of this piece of art?
I Am Glad If I Can Look at the Wall and I Would Be Glad If I Could Write Something
on the Other Side of the Wall, Endre Tót, 1979
Our Goal Is Communism!, Vitaly Komar and Alexander Melamid, 1972
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
The Dawn of our Fatherland, Fyodor Shurpin, 1949
What is the name of this piece of art?
I Am Glad If I Can Look at the Wall and I Would Be Glad If I Could Write Something
on the Other Side of the Wall, Endre Tót, 1979
Our Goal Is Communism!, Vitaly Komar and Alexander Melamid, 1972
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
The Dawn of our Fatherland, Fyodor Shurpin, 1949
What is the name of this piece of art?
I Am Glad If I Can Look at the Wall and I Would Be Glad If I Could Write Something
on the Other Side of the Wall, Endre Tót, 1979
Our Goal Is Communism!, Vitaly Komar and Alexander Melamid, 1972
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
The Dawn of our Fatherland, Fyodor Shurpin, 1949
What is the name of this piece of art?
I Am Glad If I Can Look at the Wall and I Would Be Glad If I Could Write Something
on the Other Side of the Wall, Endre Tót, 1979
Our Goal Is Communism!, Vitaly Komar and Alexander Melamid, 1972
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
The Dawn of our Fatherland, Fyodor Shurpin, 1949
What is the name of this piece of art?
I Am Glad If I Can Look at the Wall and I Would Be Glad If I Could Write Something
on the Other Side of the Wall, Endre Tót, 1979
Our Goal Is Communism!, Vitaly Komar and Alexander Melamid, 1972
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
The Dawn of our Fatherland, Fyodor Shurpin, 1949
What is the name of this piece of art?
I Am Glad If I Can Look at the Wall and I Would Be Glad If I Could Write Something
on the Other Side of the Wall, Endre Tót, 1979
Our Goal Is Communism!, Vitaly Komar and Alexander Melamid, 1972
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
The Dawn of our Fatherland, Fyodor Shurpin, 1949
What is the name of this piece of art?
I Am Glad If I Can Look at the Wall and I Would Be Glad If I Could Write Something
on the Other Side of the Wall, Endre Tót, 1979
Our Goal Is Communism!, Vitaly Komar and Alexander Melamid, 1972
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
The Dawn of our Fatherland, Fyodor Shurpin, 1949
What is the name of this piece of art?
I Am Glad If I Can Look at the Wall and I Would Be Glad If I Could Write Something
on the Other Side of the Wall, Endre Tót, 1979
Our Goal Is Communism!, Vitaly Komar and Alexander Melamid, 1972
Balloons from the series House Beautiful: Bringing the War Home,
Martha Rosler, c. 1967–72
The Dawn of our Fatherland, Fyodor Shurpin, 1949
What is the name of this piece of art?
Der Wurstesser (The Sausage Eater), Sigmar Polke, 1963
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
NO+, Art Actions Collective (CADA), 1983–the present
Global Groove, Nam June Paik and John Godfrey, 1973
What is the name of this piece of art?
Der Wurstesser (The Sausage Eater), Sigmar Polke, 1963
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
NO+, Art Actions Collective (CADA), 1983–the present
Global Groove, Nam June Paik and John Godfrey, 1973
What is the name of this piece of art?
Der Wurstesser (The Sausage Eater), Sigmar Polke, 1963
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
NO+, Art Actions Collective (CADA), 1983–the present
Global Groove, Nam June Paik and John Godfrey, 1973
What is the name of this piece of art?
Der Wurstesser (The Sausage Eater), Sigmar Polke, 1963
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
NO+, Art Actions Collective (CADA), 1983–the present
Global Groove, Nam June Paik and John Godfrey, 1973
What is the name of this piece of art?
Composition, Alberto Burri, 1953
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
Untitled: Silueta Series, Mexico, from Silueta Works in Mexico,
Ana Mendieta, 1973–77, 1976
The Family of Man exhibition, curated by Edward Steichen, 1955
What is the name of this piece of art?
Composition, Alberto Burri, 1953
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
Untitled: Silueta Series, Mexico, from Silueta Works in Mexico,
Ana Mendieta, 1973–77, 1976
The Family of Man exhibition, curated by Edward Steichen, 1955
What is the name of this piece of art?
Composition, Alberto Burri, 1953
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
Untitled: Silueta Series, Mexico, from Silueta Works in Mexico,
Ana Mendieta, 1973–77, 1976
The Family of Man exhibition, curated by Edward Steichen, 1955
What is the name of this piece of art?
Composition, Alberto Burri, 1953
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
Untitled: Silueta Series, Mexico, from Silueta Works in Mexico,
Ana Mendieta, 1973–77, 1976
The Family of Man exhibition, curated by Edward Steichen, 1955
What is the name of this piece of art?
Composition, Alberto Burri, 1953
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970
Untitled: Silueta Series, Mexico, from Silueta Works in Mexico,
Ana Mendieta, 1973–77, 1976
The Family of Man exhibition, curated by Edward Steichen, 1955
What is the name of this piece of art?
The Dawn of our Fatherland, Fyodor Shurpin, 1949
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
I Am Glad If I Can Look at the Wall and I Would Be Glad If I Could Write Something
on the Other Side of the Wall, Endre Tót, 1979
What is the name of this piece of art?
The Dawn of our Fatherland, Fyodor Shurpin, 1949
A Day in the Street, Julio Le Parc (Groupe de Recherche d’Art Visuel), 1966
Souvenir (of the Cuban Missile Crisis Oct 16–28 1962), Gerald Laing, 1962
I Am Glad If I Can Look at the Wall and I Would Be Glad If I Could Write Something
on the Other Side of the Wall, Endre Tót, 1979
What is the name of this piece of art?
Global Groove, Nam June Paik and John Godfrey, 1973
NO+, Art Actions Collective (CADA), 1983–the present
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
Der Wurstesser (The Sausage Eater), Sigmar Polke, 1963
What is the name of this piece of art?
Global Groove, Nam June Paik and John Godfrey, 1973
NO+, Art Actions Collective (CADA), 1983–the present
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
Der Wurstesser (The Sausage Eater), Sigmar Polke, 1963
What is the name of this piece of art?
Global Groove, Nam June Paik and John Godfrey, 1973
NO+, Art Actions Collective (CADA), 1983–the present
It’s a Psychological Fact Pleasure Helps Your Disposition, Sir Eduardo Paolozzi, 1948
Der Wurstesser (The Sausage Eater), Sigmar Polke, 1963
Hoedown is from the _______ Rodeo.
play
opera
ballet
musical
The composer of this piece is Aaron Copland. That means he
wrote the music.
led the orchestra.
created the dance moves.
taught the musicians.
Aaron Copland is a/an _______ composer.
Australian
American
European
Asian
The introduction (beginning section) of the piece uses what instrument to sound like horse hooves?
wood block
bagpipes
oboe
trombone
The interlude (short connecting section in the middle)
gets faster in tempo.
gets slower in tempo.
stays the same tempo.
Jazz dance was created in the United States.
True
False
There are 4 instrument families of the orchestra. Which one is NOT a family of instruments?
Woodwind
Brass
Percussion
Bows
What are the names of the 4 families of the orchestra?
Percussion, Brass, String, Woodwind
Brass, Drums, Wood, Metal
String, Percussion, Shakers, Bows
Metals, Woods, Strings, Drums
Which family is typically played with a bow or plucked?
Percussion
String
Woodwind
Brass
Which family is played by striking the instrument, either with your hand or a mallet?
String
Woodwind
Percussion
Brass
Which family is made up of several feet of metal tubing and has valves or slides?
String
Percussion
Woodwind
Brass
Which family makes its sounds by vibrating a reed (except for 1 instrument)?
Percussion
Woodwind
Brass
String
Which family does the piccolo belong to?
Percussion
Brass
Woodwind
String
Which family does the trombone belong to?
Brass
Woodwind
Percussion
String
Which family does the viola belong to?
Brass
Woodwind
Percussion
String
Which family does the piano belong to?
Brass
Woodwind
Percussion
String
Which does NOT belong in the BRASS family?
Tuba
Trombone
Trumpet
Violin
Which does NOT belong in the WOODWIND family?
Flute
Trumpet
Piccolo
Saxophone
Which family is the snare drum in?
Brass
Woodwind
String
Percussion
What is the instrument pictured here?
French Horn
Saxophone
Piccolo
Clarinet
When all 4 instrument families sit/play together this is called an _______.
Trio
Duet
Minute
Orchestra
The flute is apart of the brass family
True
False
The saxophone is apart of the ______ family.
Whirlwind
Woodwind
Brass
None...loner
The instruments in the brass family are
Saxophone, trombone, tuba, trumpet
French Horn, trombone, tuba, flute, trumpet
French Horn, trombone, tuba, trumpet
Flute, clarinet, saxophone.
What does air have to do to produce sound?
Spin
Rotate
Nothing?
Vibrate
To make the sound HIGHER on an instrument you can...
Cover more holes/loosen strings(drum head)
Cover more holes/tighten strings(drum head)
Cover less holes/loosen strings(drum head)
Cover less holes/tighten strings(drum head)
