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Creative Writing Final

Total questions: 47

Worksheet time: 24mins

Name
Class
Date
1.

unaccented, accented

a)

iambic

b)

anapestic

c)

trochaic

d)

dactyl

2.

unaccented, unaccented, accented

a)

iambic

b)

anapestic

c)

trochaic

d)

dactyl

3.

accented, unaccented

a)

iambic

b)

anapestic

c)

trochaic

d)

dactyl

4.

accented, accented, unaccented

a)

iambic

b)

anapestic

c)

trochaic

d)

dactyl

5.

ran tan van

a)

perfect

b)

near

c)

eye

d)

feminine

e)

masculine

6.

mice promise

a)

perfect

b)

near

c)

eye

d)

feminine

e)

masculine

7.

though bough cough

a)

perfect

b)

near

c)

eye

d)

feminine

e)

masculine

8.

ermine determine vermine

a)

perfect

b)

near

c)

eye

d)

feminine

e)

masculine

9.

wide side spied

a)

perfect

b)

near

c)

eye

d)

feminine

e)

masculine

10.

want to write something, anything, usually nothing in particular; first step of creative cycle

a)

a restless urge

b)

research

c)

critique

d)

cooling- off

11.

essential stage; third step of creative cycle

a)

a restless urge

b)

research

c)

critique

d)

cooling- off

12.

take it to someone else; eighth step of creative cycle

a)

a restless urge

b)

research

c)

critique

d)

cooling- off

13.

letting it set; sixth and tenth step of creative cycle

a)

a restless urge

b)

research

c)

critique

d)

cooling- off

14.

idea strikes and you know what your going to write; second step of creative cycle

a)

specific inspiration

b)

organization

c)

rough draft

d)

evaluation and further revision

15.

materials organized in logical form; fourth step of creative cycle

a)

specific inspiration

b)

organization

c)

rough draft

d)

evaluation and further revision

16.

rough but not finished; fifth step of creative cycle

a)

specific inspiration

b)

organization

c)

rough draft

d)

evaluation and further revision

17.

evaluate reactions of "editor" and make changes; ninth step of creative cycle

a)

specific inspiration

b)

organization

c)

rough draft

d)

evaluation and further revision

18.

reread it and make changes; seventh step of creative cycle

a)

revision

b)

rough draft

c)

research

d)

specific information

19.

big black bear bounced on the bed

a)

alliteration

b)

assonance

c)

onomatopoeia

d)

consonance

20.

alias

a)

your name

b)

pen name

c)

your friend

d)

your excuse

21.

Anything that is not poetry

a)

essay

b)

novel

c)

sonnet

d)

prose

22.

you send your manuscript to a publisher; they now hold the copyright; you may not send it to another publisher

a)

full rights

b)

first rights

c)

reprint rights

d)

simultaneous submission

23.

you send your manuscript to a publisher; they accept it; you maintain the copyright; you may send it to another publisher later.

a)

full rights

b)

first rights

c)

reprint rights

d)

simultaneous submission

24.

you are hired by an organization to do their writing for them. They tell you what to write. You are paid by contract.

a)

salaried

b)

hobby

c)

free lance

d)

every day

25.

imaginative writing that is not true

a)

fiction

b)

prose

c)

nonfiction

d)

poetry

26.

You send a manuscript; the publisher accepts it and sends you a check immediately

a)

POP

b)

POA

c)

SASE

d)

COD

27.

You send a manuscript; the publisher accepts it and sends you a check when the piece is printed

a)

POP

b)

POA

c)

SASE

d)

COD

28.

Your manuscript has been published; now you are sending it to another publisher

a)

full rights

b)

first rights

c)

reprint rights

d)

simultaneous submission

29.

You are sending your manuscript to more than one publisher because it has to be published quickly or will be outdated

a)

full rights

b)

first rights

c)

reprint rights

d)

simultaneous submission

30.

Occasionally you write something and then look for a publisher to share what you have written

a)

salaried

b)

hobby

c)

free lance

d)

every day

31.

Now and then you get an urge to write something but you have no intention of getting anything published. You simply write for your own enjoyment

a)

salaried

b)

hobby

c)

free lance

d)

every day

32.

There are always those things that need written: a reminder to a family member, a shopping list, maybe a journal, a letter...

a)

salaried

b)

hobby

c)

free lance

d)

every day

33.

Where do you want to say what you have to say

a)

theme

b)

market

c)

structure

d)

audience

34.

to whom do you want to say what you have to say

a)

theme

b)

market

c)

structure

d)

audience

35.

Why do you want to say what you have to say

a)

theme

b)

significance

c)

structure

d)

audience

36.

when do you want to say what you have to say

a)

theme

b)

significance

c)

structure

d)

timing

37.

what do you want to say

a)

theme

b)

significance

c)

structure

d)

timing

38.

how do you want to say what you have to say

a)

theme

b)

significance

c)

structure

d)

timing

39.

On a withered branch

A crow has alighted;

Nightfall in autumn.

a)

haiku

b)

cinquain

c)

limerick

d)

sonnet

40.

Ocean

Blue, powerful

Waves crashing ashore

Teeming with sea creatures

Life

a)

haiku

b)

cinquain

c)

limerick

d)

sonnet

41.

THERE was a small boy of Quebec,

Who was buried in snow to his neck;

When they said. "Are you friz?"

He replied, "Yes, I is—

But we don't call this cold in Quebec."

a)

haiku

b)

cinquain

c)

limerick

d)

sonnet

42.

Listen...

With faint dry sound,

Like steps of passing ghosts,

The leaves, frost-crisp'd, break from the trees

And fall.

a)

haiku

b)

cinquain

c)

limerick

d)

sonnet

43.

"Shall I compare thee to a summer's day?

Thou art more lovely and more temperate:

Rough winds do shake the darling buds of May,

And summer's lease hath all too short a date:

Sometime too hot the eye of heaven shines,

And often is his gold complexion dimm'd;

And every fair from fair sometime declines,

By chance, or nature's changing course, untrimm'd;

But thy eternal summer shall not fade

Nor lose possession of that fair thou ow'st;

Nor shall Death brag thou wander'st in his shade,

When in eternal lines to time thou grow'st;

So long as men can breathe or eyes can see,

So long lives this, and this gives life to thee."

a)

haiku

b)

cinquain

c)

limerick

d)

sonnet

44.

poem with three lines and seventeen syllables

a)

haiku

b)

cinquain

c)

limerick

d)

sonnet

45.

light, nonsense poem with five lines

a)

haiku

b)

cinquain

c)

limerick

d)

sonnet

46.

five line poem with either a 2, 4, 6, 8, 2 syllable pattern or a 1, 2, 3, 4, 1 word pattern

a)

haiku

b)

cinquain

c)

limerick

d)

sonnet

47.

fourteen line poem written in iambic pentameter

a)

haiku

b)

cinquain

c)

limerick

d)

sonnet