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Amy Beach, Ellen Zwilich, Florence Price

Total questions: 18

Worksheet time: 9mins

Name
Class
Date
1.

Which piece of music marked Amy Beach’s first success in an original composition?

a)

“Let This Mind Be in You”, Op.105

b)

Gaelic Symphony

c)

Mass in E-flat major

d)

“Canticle of the Sun”, Op.123

2.

The lyrics of “Let This Mind Be in You” by Amy Beach are sourced from _____________.

a)

Confessions of St. Augustine, a series of books by St. Augustine

b)

Philippians, a book in the Christian New Testament

c)

Laudes Creaturarum, a work by St. Francis of Assisi

d)

“On Becoming a Woman”, a poem by Qalonymos ben Qalonymos

3.

What of the following is one of Ellen Taaffe Zwilich’s most signature compositional techniques?

a)

complete atonality in all of her works

b)

the use of basso continuo

c)

the complete abandonment of traditional structured compositional form with specific marked sections of contrast

d)

the elaboration of a larger composition from a small initial melodic section

4.

Ellen Taaffe Zwilich’s Symphony No. 2 was written to highlight the ___________.

a)

viola

b)

bass

c)

violin

d)

cello

5.

To whom did Florence Smith Price dedicate her piece, Mississippi River Suite?

a)

Frederick Converse

b)

Arthur Olaf Anderson

c)

Langston Hughes

d)

George Chadwick

6.

Which of the following musical compositions was not composed by Florence Smith Price?

a)

Mississippi River Suite

b)

New World Symphony

c)

Ethiopia’s Shadow in America

d)

“I Am Bound for the Kingdom”

7.

Which of the following compositions by Florence Smith Price won an award in the Wanamaker Foundation Awards?

a)

Symphony No. 1 in E minor

b)

Ethiopia’s Shadow in America

c)

Mississippi River Suite

d)

Both A and B

8.

Which of the following polyrhythms is present in the final two movements of Florence Smith Price’s Symphony No. 1 in E minor?

a)

3:2

b)

1:22

c)

4:3

d)

2:3

9.

The lyrics of “Canticle of the Sun” by Amy Beach are sourced from _____________.

a)

Confessions of St. Augustine, a series of books by St. Augustine

b)

Philippians, a book in the Christian New Testament

c)

Laudes Creaturarum, a work by St. Francis of Assisi

d)

“On Becoming a Woman”, a poem by Qalonymos ben Qalonymos

10.

Amy Beach’s “Canticle of the Sun” was composed for _________________.

a)

a four-part chorus, soloists, and organ

b)

a festival choir with orchestra

c)

a full symphony

d)

a quintet

11.

Before becoming a composer, Ellen Taaffe Zwilich played the __________ professionally.

a)

cello

b)

viola

c)

violin

d)

oboe

12.

For what instruments is Lament by Ellen Taaffe Zwilich written?

a)

cello and piano

b)

violin, viola, cello, and bass

c)

bass and piano

d)

trombone, bass trombone, and flute

13.

Which of the following musical idioms is incorporated into Amy Beach’s Quartet for Strings, Op. 89?

a)

original harmonies and modes

b)

Alaskan Inuit melodies

c)

Slavic modes

d)

English, Irish, and Scottish melodies and harmonies

14.

Why did Amy Beach not work in music education until her later life?

a)

Her contract with the Boston Symphony specified that she could not.

b)

Her husband forbade her from teaching music.

c)

She considered teaching music beneath her.

d)

Women were not allowed to teach music.

15.

What was Amy Beach’s “Let This Mind Be in You” composed for?

a)

festival choir with orchestra

b)

small choir with organ

c)

four-part chorus, soloists, and organ

d)

quintet

16.

Florence Smith Price incorporated elements from ________________ into her music.

a)

African-American spirituals

b)

Cuban rumbas

c)

traditional Alaskan Inuit songs

d)

all of the above

17.

Why did Florence Smith Price move to Chicago?

a)

to connect with the more active music scene in Chicago

b)

to attend the University of Chicago

c)

to escape from racially-motivated violence

d)

to run away from her abusive husband

18.

Lament by Ellen Taaffe Zwilich was written in memory of ______________.

a)

John Boda

b)

Joseph Zwilich

c)

Roger Sessions

d)

Judith Arron