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WorksheetsUnit 2-Visual Elements of Art Review Part 1
Total questions: 24
Worksheet time: 28mins
Intensity is______
The illumination coming from a light source
The lightness of darkness of a color
The brightness or dullness of a color
The color's name, such as red, blue, yellow
What is the difference between light and value?
Light is the illumination coming from a light source, where as value is the degree of lightness or lack of light in a hue.
Light is the brightness or dullness of a hue, where as value is the similarity that exists between a certain color and the other colors surrounding it.
Light is the degree of lightness or lack if light in a hue, where as value is the illumination of an overall piece using monochromatic or analogous colors.
Light is the element used by artists that directs the eye to given sections of a piece, where as value is the amount of light used in the piece as whole.
The painting above uses light to create the main focus on __________
The faces of the men at the table
The men standing up
The window
The items on the table
Shading is created using ___________
varying proportions of the same color.
shades of black and white, or by using values of a single hue.
complimentary colors which blend together and create harmony.
tints and tones of a given hue.
The painting above is an example of how an artist can use _________________ to create a desired mood or affect.
Analogous colors
Intensity and Shading
Complimentary colors
Symbolic Meaning
Secondary colors are __________
The hues red, yellow, and blue which can be mixed to create all other colors.
hues made by combining equal parts of two primary colors.
hues that are directly opposite one another on the color wheel.
hues made by combining one primary and one secondary hue.
The image above is of the color wheel used by artists. If an artist wanted to create a artwork with analogous colors, how would he/she use the color wheel to achieve this result?
The artist would want to decide on a single hue, and then he/she would use the neighboring colors to the left and/or right of the chosen hue.
Each time the artist chose to use a certain hue, he/she would want to make sure that all hues next to it in the artwork are from the opposite side of the color wheel.
The artist would want to choose a certain hue to begin, and then alter the hue by adding tint and tone to the hue to create values
The artist should consider only the intensity of the colors he/she uses, since all colors work well together so long as their intensities compliment one another.
The photograph above depicts a traditional Chinese wedding. This cultural photo is an example of _________ in a work of art.
Complimentary Colors
Symbolic Meaning
Intensity and Shading
Gradations of Light
What primary element of light helps the observer see three-dimensions?
Intensity
Hue
Color
Shading
This painting is by Pablo Picasso, entitled The Blind Man’s Meal. What type of color scheme did Picasso use and its definition?
He used a analogous color scheme, which occurs when the hues used are directly opposite one another on the color wheel.
He used a monochromatic color scheme, which occurs when one color predominates,shades of black, tints of white, values of a hue.
He used a analogous color scheme, which occurs when the hues used are next to one another on the color wheel.
He used a monochromatic color scheme, which occurs when the hues used are created by combining equal parts of two primary colors.
The primary colors are _______________
red, orange, yellow
magenta, cyan, yellow
red, blue, yellow
red, green, yellow
The degree to which the surface of an object seems to have a particular feel is referred to as an object’s ________
Tone
Depth
Tactility
Texture
Pablo Picasso’s Head of a Woman, is an example of a(n) ________
Relief sculpture
Sculpture in the round
Painting
Assemblage
Cross-hatching provides an illusion of various ______(1)_______, while impasto provides an illusion of ______(2)_______
(1) depths; (2) tone
(1) distances; (2) definition
(1) shadows; (2) light
(1) values; (2) depth
Examine this piece of art by Jean-Auguste-Dominque Ingres, entitled, Napoleon on his Imperial Throne. All of the following examples display Ingres’ use of texture, except which?
The lace of Napoleon’s collar.
The red velvet cape with ermine lining.
The shine glaring off Napoleon’s face.
The thickness of the carpet.
Impasto is ________
thickly applied paint that lets us see brushstrokes.
the degree to which the surface of an object seems to have a particular feel.
the light, color, and shade of an object.
any graduation of light and shadow that produces a hazy effect.
If you place a sheet of drawing paper over an object, securing it with tape to hold it in place, and color with the side of a pencil or crayon over the surface, what will you create?
A 3-dimensional replica of the object.
A picture that has an implied texture of the actual texture of the object.
An example of impasto.
An image which has actual texture and implied texture.
How has texture proved essential to many cultural art forms?
It has allowed cultures to provide realistic imagery to future generations.
It has been used to depict a message or a feeling
It provides mood and foreshadowing that would otherwise be lost.
It has led to the creation of new art mediums.
By adding white to a color to make it lighter, a new _________ of the original color can be created.
Tint
Tone
Depth
Shade
Many cultures have incorporated texture in all of the following mediums, except which?
mosaic
stained glass
sculpture
Burnishing
Through Vincent van Gogh’s use of varying brushstrokes in the above painting, he exemplifies what technique of texture?
Relief
Tactility
Tone
Impasto
Who sculpted the above work of art entitled, Mademoiselle Pogany.
Vincent Van Gogh
Deborah Butterfield
Pablo Picasso
Constanin Brancusi
The two most important components in creating implied texture are _________
Depth and Space
Tint and Tone
Shadow and Light
Tactility and Shadowing
Depth is the _________
apparent distance from front to back in a piece of artwork.
distance or area between,around,above,below,and within objects.
degree to which the surface of an object seems to have a particular feel.
area of dark created when an object blocks light
