LARGE, FLAT STONES THAT ARE SUPPORTED BY TWO OR MORE UPRIGHT STONES.

BURIAL MOUNDS DURING THE PRE – HISTORIC AREA ARE REFERRED TO AS:

THE LARGEST AND MOST WELL-PRESERVED NEOLITHIC VILLAGE IS:

WHICH AMONG THE FOLLOWING DOES NOT DESCRIBE THE ARCHITECTURE OF ANCIENT MESOPOTAMIA?

WHAT IS THE CHARACTERISTIC FEATURE OF AN EGYPTIAN EXTERIOR WALL?

A FALCON – HEADED SPHINX IS:

A RAM – HEADED SPHINX IS:

A COVERED CEREMONIAL ROUTE OR CORRIDOR LEADING FROM A VALLEY TEMPLE TO A MORTUARY TEMPLE AT THE FOOD OF THE PYRAMID.

A TEMPLE PAVILION IN ANCIENT EGYPT USED FOR PREPARING THE PHARAOH FOR HIS FINAL JOURNEY.

THE CIVILIZATION CONSIDERED TO BE THE PRECURSOR TO CLASSICAL CIVILIZATION.

CONSIDERED AS THE GRANDEST OF ALL EGPYTIAN TEMPLES AND WAS NOT BUILT UPON ONE COMPLETE PLAN. IT OWES ITS SIZE, DISPOSITION AND MAGNIFICENCE TO THE WORK OF MANY KINGS.

WHAT KIND OF TEMPLE IS QUEEN HATSHEPSUT’S TEMPLE? CONSIDER THAT IT IS LOCATED AT THE VALLEY OF THE KINGS --- THE MAIN BURIAL PLACE FOR THE EGYPTIAN ROYALTY

TEMPLE CHARACTERIZED BY A FAÇADE CARVED DIRECTLY INTO A SANDSTONE CLIFF AND DOMINATED BY FOUR COLOSSAL SEATED FIGURES, EACH ABOUT 22 METERS TALL --- ALL THE FIGURES ARE PORTRAYALS OF RAMESSES.

A STYLE OF ARCHITECTURE IN GREEK IN WHICH THE BEAM FORMS THE CONSTRUCTIVE FEATURE.

IN GREEK ARCHITECTURE, A RECESS OR ALCOVE WITH RAISED SEAT WHERE THE DISPUTATION OF THE LEARNED TOOK PLACE.

IN GREEK ARCHITECTURE, A PICTURE GALLERY OR A BUILDING TO CONTAIN PAINTED

THE CHIEF CLASS OF BUILDING IN THE HELLENIC PERIOD.

THE STEPS FORMING THE BASE OF A COLUMNED GREEK TEMPLE.

THE UPPER STEP FORMING A PLATFORM ON WHICH A COLONNADE IS PLACED.

IN CLASSICAL ARCHITECTURE, A TRIANGULAR PIECE OF WALL ABOVE THE ENTABLATURE ENCLOSED BY RAKING CORNICES.

TOOTH LIKE BLOCKS IN IONIC AND CORINTHIAN CORNICES.

IN AN IONIC COLUMN, THE LOWEST SQUARE MEMBER OF THE BASE OF A COLUMN.

IN AN IONIC COLUMN, A SMALL FLAT BAND BETWEEN MOULDINGS TO SEPARATE THEM FROM EACH OTHER.

THE VERTICAL CHANNELING ON THE SHAFT OF A COLUMN.

IN GREEK ARCHITECTURE, A LONG COLONNADED BUILDING THAT SERVES MANY PURPOSES.

IN GREEK ARCHITECTURE, OFTEN RECTANGULAR BUILDINGS WITH BANKED SEATS FACING INWARDS.

IN GREEK ARCHITECTURE, BUILDING THAT SERVES AS A SENATE HOUSE FOR THE CHIEF DIGNITARIES OF THE CITY AND AS A PLACE WHERE DISTINGUISHED VISITORS AND CITIZENS MIGHT BE ENTERTAINED.

PALATIAL BATHS OF IMPERIAL ROME.

A ROMAN DWELLING TYPE THAT IS FOUR OR MORE STOREYS HIGH.

A ROMAN DWELLING TYPE THAT COMBINED THE FEATURES OF AN ETRUSCAN DWELLING WITH OTHER ELEMENTS DERIVED FROM THE GREEK HOUSE.

IN ROMAN ARCHITECTURE, A RANGE OF COLUMNS SURROUNDING A COURT OR A TEMPLE.

A ROMAN DINING ROOM WITH COUCHES ON THREE SIDES.

A ROMAN BEDROOM, BUT SOMETIMES USED IN A LESS SPECIFIC SENSE TO DENOTE OTHER ROOMS.

A CANOPY SUPPORTED BY COLUMNS GENERALLY PLACED OVER AN ALTAR OR TOMB.

A LONG ARCADED ENTRANCE PORCH TO AN EARLY CHRISTIAN BASILICA CHURCH.

IN EARLY CHRISTIAN ARCHITECTURE, A RAISED STAGE RESERVED FOR THE CLERGY.

THE CHIEF STRUCTURE OF EARLY CHRISTIAN ARCHITECTURE.

THE PLAN SHAPE FOR EARLY CHRISTIAN CHURCHES.

TERM APPLIED TO THE TRIANGULAR CURVED OVERHANGING SURFACE BY MEANS OF WHICH A CIRCULAR DOME IS SUPPORTED OVER A SQUARE OR POLYGONAL COMPARTMENT.

THE CHURCH PLAN OF A BYZANTINE CHURCH.

THE CHURCH PLAN OF A ROMANESQUE CHURCH.

THE PORTION OF A WALL ABOVE THE ROOF GUTTER OR BALCONIES

IN GOTHIC ARCHITECTURE, THE TERM USED TO DESCRIBE THE LOWER PART OF A MEDIEVAL VAULT WHERE THE RIBS CONVERGE AGAINST THE OUTER WALL AND FORM AN APPROXIMATION OF AN INVERTED HALF-CONE OR HALF-PYRAMID.

IN GOTHIC ARCHITECTURE, THE TERM USED TO DESCRIBE A MEDIEVAL VAULT IN WHICH THE RIBS COMPOSE A STAR-SHAPED PATTERN

GOTHIC IS, IN ESSENCE:

THE TEMPLE OF ST.PETER IN MONTORIO, A STRUCTURE THAT RESEMBLES A SMALL ROMAN CIRCULAR TEMPLE WITH DORIC COLUMNS, WAS DESIGNED BY:

A VAULT CREATED BY INTERSECTING TWO BARREL VAULTS AT RIGHT ANGLES.

A VAULT TO WHICH ADDITIONAL STONES HAVE BEEN ADDED TO THE JOINTS TO FURTHER STRENGTHEN IT.

CHARACTERISTIC VAULT OF MANY ENGLISH CATHEDRALS OF THE 12^TH AND 13^TH CENTURIES, WHERE RIBS OF VAULTS BECAME WILDLY ELABORATE AND SPREAD OUT ACROSS THE CEILING OF SPACES.