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Carmen - the Overture, the Suite & the Opera

Total questions: 22

Worksheet time: 12mins

Name
Class
Date
1.

What is the correct pronunciation of the word, "suite"?

a)

it's a homophone of "sweet"

b)

it's a homophone of "suit"

c)

it consists of two syllables, akin to "su-te"

d)

it consists of two syllables, akin to "sui-te"

2.

In what year was Hooked on Classics released?

a)

1980

b)

1981

c)

1982

d)

1983

3.

What makes Hooked on Classics pop-like?

a)

Mixing all these famous tunes together

b)

The fame for the collection was recognized on the pop charts

c)

The inclusion of a standard drum pattern

d)

Beats 2 and 4 are emphasised

4.

According to the presentation given last week, which of the following (2 answers only) were the intentions of the producers when making Hooked on Classics?

a)

To cleverly link all the famous tunes together

b)

To make Western Art music more accessible to the general public

c)

To demonstrate that it is possible to connection different genres and styles

d)

To entice listeners to explore the work in greater detail

5.

According to the presentation given last week, the Suite is a collection of the (a)   moments / sections from an opera, ballet or even incidental music, worked together as a collage of ideas.

6.

Tchaikovsky’s Nutcracker Suite is collection of moments from his _____________.

a)

friend

b)

opera

c)

incidental music

d)

ballet

7.

Bizet’s L'Arlésienne Suites is an example of music from __________________.

a)

a ballet

b)

a play

c)

an opera

d)

incidental music

8.

According to the presentation last week, how many Carmen Suites by Bizet’s friend Ernest Guiraud are there?

a)

not mentioned

b)

one

c)

two

d)

three

9.

What are recitatives?

a)

speech-like sections in an opera

b)

speech-like sections in an opera with no additional music

c)

moments in which the main characters express important emotional content

d)

moments in which interaction occurs between the main characters

10.

Besides creating a Suite / Suites for Bizet after his death, what else did his friend Guiraud do?

a)

He removed the spoken dialogue

b)

He created all of the recitatives for the opera

c)

He changed the ending of the opera to finish on a more uplifting note.

d)

He changed the order of some of the sections.

11.

Which piece of music starts the opera?

a)

Les Toréadors

b)

Fate Motive

c)

Les Dragons d'Alcala

d)

Aragonaise

12.

Which piece of music starts Suite No.1?

a)

Aragonaise

b)

Les Toréadors

c)

Les Dragons d'Alcala

d)

Fate Motive

13.

Which piece of music concludes the Suite No. 1?

a)

Les Toréadors

b)

Aragonaise

c)

Les Dragons d'Alcala

d)

Fate Motive

14.

Which piece of music features the bassoon?

a)

Aragonaise

b)

Fate Motive

c)

Les Toréadors

d)

Les Dragons d'Alcala

15.

What is the purpose of an overture (two reasons)?

a)

To avoid the interruption of late-comers

b)

To introduce the characters

c)

To set the mood

d)

To help warm-up the orchestra

16.

Which of the following statements is TRUE?

In early Classical times and certainly the Baroque, the overture...

a)

could be played in isolation from the opera.

b)

was performed on the stage.

c)

ordinarily did not contain any material from the opera.

d)

contained fewer instruments.

17.

If you have the melody in bars 63-64 or in bars 87-88, what should you remember?

a)

Play these notes as short as possible.

b)

Emphasise the down beat.

c)

Think in terms of hypermetre

d)

Tie the long note over to the quaver in the next bar.

18.

For any trills that you have, you should remember to...

a)

start on the upper note

b)

not attempt to play the trill all the way through the note

c)

Start on the principal note

d)

include a gap after the grace notes that follow

19.

In the middle section of the piece (after letter C) that we are playing, you should attempt to...

a)

provide fluidity with the phrasing

b)

group in 4-bar units

c)

mimic the spirit of a bull fighter

d)

be precise with the dotted rhythms

20.

Including the repeat, how many times is this 8-bar passage heard in the overture?

a)

twice

b)

four times

c)

six times

d)

eight times

21.

What do you think is the form of the overture?

a)

Binary (AB)

b)

Ternary (ABA)

c)

Rondo (ABACA)

d)

Chain Form (ABCD)

22.

In the overture (notably the opening two sections), what pulse should we adopt to if we are to highlight the hypermetrical downbeats and achieve a longer phrase?

a)

emphasise each bar

b)

emphasise every 2 bars

c)

emphasise every 4 bars

d)

emphasise every 8 bars