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STANISLAVSKI ACTING METHOD

Total questions: 10

Worksheet time: 6mins

Name
Class
Date
1.

Where was Konstantin Stanislavski originated from?

a)

America

b)

Spain

c)

Russia

d)

France

2.

What is an important aspect of the Stanislavski Acting Method?

a)

Listening

b)

Action Reaction

c)

Observation

d)

Imagination

3.

List down the 3 Core Principles of Stanislavski Acting Method Technique?

4 lines
4.

What is considered as the base of Stanislavski's Approach?

a)

The Audience doesn't connect when actors in a play do Melodrama

b)

The Audience is simply not sitting for Clapping at the end of Performance

c)

The Audience will connect with the actor when they feel it is a Real Action

d)

The Audience should connect with the play irrespective of the actions of Actor

5.

Select 3 Acting exercises that are based on Stanislavski Acting Method Technique?

a)

Real Action

b)

Physical Tension

c)

Imagination

d)

Repetition of Dialogue

e)

Tempo Rhythm

6.

According to Stanislavski, for an Actor to make the audience believe in his action __________ is a must in his Act.

a)

Imagination

b)

Super Objective

c)

Realism

d)

Suspension of Disbelief

7.

Define the Term "Emotion Memory" that Stanislavski talks about in his Acting Method Technique?

4 lines
8.

With which Theatre Group did Stanislavski worked and used his method ?

a)

Company Theatre

b)

Point Theatre

c)

Group Theatre

d)

Prism Theatre

9.

Stanislavski stated that as an actor you should

a)

learn your lines and pretend to be the character

b)

leave your own problems at the door

c)

believe that you are the character and the audience will believe it too.

d)

Play more than one character in a play

10.

A given circumstance is

a)

The circumstances that the actor is placed in - the theatre they will act in, the costume they will wear.

b)

created by the playwright as a tool for creation and development of a character. They are the essential information about the characters past lives.

c)

The varying speeds and timings of the actions and speech on stage coincide to produce a rhythm.

d)

The costume a character will wear.